TXP50.mxtp.001

Having some fun in The Lab Brushing the dust off a gorgeous 1969 Solartron JM1861 Pseudo Random Signal Generator... 

Made by blending a few layers of a lab sine oscillator being modulated by the weighted analog output of the 1861 at various probability distributions and clocking rates along with layers of various raw digital sequences fed through the built in low pass filter at various settings.  Recorded hot onto my much loved 1967 Mk III Revox G36 tube half-track 1/4" tape machine.

...and no, the noise isn't tape hiss.. :-]

Recording Copyright D.A.Wilson, Hideaway Studio 2023.

1969 Solartron JM1861:  A Journey Into The Random...

enmossed is pleased to present 𝑬𝑵𝑴𝑺, a new cassette series curated by artist and perfumer Daisy Paradise, Florian T M Zeisig, and Glyn Maier. Releases consist of pairing an artist’s album with a plant of their choice and feature an interview - spoken or written - connected to the chosen plant. RJM Vanderheyden realized the series design beautifully with UV-etched, and color-matched cassettes and cases made from recycled materials, drawing upon a collection of rare botanical illustrations.

In the works for over a year, we are delighted to debut the first album of the series from long-time enmossed associate Chaperone - 𝑳𝒆𝒂𝒇𝒍𝒆𝒕 𝑴𝒖𝒔𝒊𝒄, paired with chamomile and a chat between Daisy Paradise and Suzanne Belle Stone of Moon of Hyldemoer Herbals.

“Daisy Paradise tells us that when a plant is taken out of its comfort zone, its growth adapts to new and challenging conditions. Its properties change: they incorporate the difficulty and beauty of its foreign surroundings. Chaperone trawls the dusty grooves of bossa nova LPs, extracting forgotten melodies and re-contextualizing them into an indeterminate industrial churn. A boscagic echo rendered into a miniature plastic flower, partially submerged in a puddle alongside crumbling asphalt.

Suzanne Belle Stone reminds us that, while we obsess over the rare, we fail to honor and celebrate the gifts of the common - that’s why we tend to undermine the strength and the subtlety of the ever-present chamomile. Chaperone repeats a sound, looping it, making it common. An abundance of multiplicities that create a new temporality, helping us quiet our mind. Chamomile is quiet, chamomile listens. A flower that likes to grow in large groups, in community, surrounded by its own repetitions.

𝑳𝒆𝒂𝒇𝒍𝒆𝒕 𝑴𝒖𝒔𝒊𝒄 is a dense hive of loops spreading their subtleties and becoming common through the air, a rooting system weaving an all-enveloping sea of electric dust under which we listen, as in a dream, to the static effervescence of a swarm of chamomile seeds. Each of these seeds contains a tiny sun and a tiny moon. Plants come to you when you need them.”
- Marta Núñez Pouzols

---

David Coccagna (Chaperone) is a Queens-based writer and musician focusing primarily on transgressive human behavior, poverty, class division, and addiction. Born and raised in Philadelphia, the principle imagery and sonic influences of the depressed Northeast neighborhood Lawncrest has served as the palette and canvas Coccagna works upon. He has released worked with labels Great Circles, Jungle Gym, Con.apt, and Minor Adjustments, with more recent focuses leaning into repetitive sound and theme. He is an avid cyclist and has two cats. 

recorded by Chaperone
interview by Daisy Paradise
assistance by Florian T M Zeisig
audio finalized by Glyn Maier
design and artwork by RJM Vanderheyden

Leaflet Music

Chaperone - A Puddle With No Origin (ENMS-01)

teaser: bernhard günter - monochrome rust

This is a recording of a live solo performance on clarinet and soprano saxophone at the City Kirche in Koblenz, Germany on 27. March 2015. I played to a six-channel sound installation of my electroacoustic work that had been on all day. Free improvised music is what I'm up to these days, mostly solo, mostly soprano, and I'm beginning to record in places that offer interesting acoustics. The City Church does not have interesting, but fantastic acoustics, and the installation / performance project will be documented as an album on my label trente oiseaux.

Bernhard Günter - Performance City Kirche 27.03

DJ G.I.D. – Electric Highway
(Live Vinyl Mix – November 2000)

📦 Finally cracking open my old CD archive… and this dusty jewel still plays like a charm after 25 years.
I originally made this mix for my groovy old B-Kadett, fitted with a proper subwoofer – perfect for long autobahn rides.
That’s where the name comes from: Electric Highway.

The mix starts off smooth and mellow, then steadily picks up speed: funkier, deeper, wilder.
Raw breakbeats, smoked-out triphop, big beat pressure and leftfield grooves set the pace.
But toward the end, things get seriously charged – pushing into technoid nu skool breaks territory with serious drive and bass pressure.

🎚 100% vinyl, no edits, one take
📀 burned to CD-R in 2000
⏳ rediscovered in 2025
🔊 bass still hits like it did in the Kadett

This was the sound of our Groovalistic parties – gritty, unpredictable, built for movement.
Originally shared as a promo-only CD-R for friends and bass heads.
Now finally online. Buckle up and ride.

#djgid #electricmix #groovalisticvibes #bkadettvibes #vinylonly #breakbeats #triphop #bigbeat #nuskoolbreaks #funkygrooves #technoid #leftfield #2000sound #livemix #dustyfingers #mixcloud #soundcloud

DJ G.I.D. - Electric Highway - Vinyl Mix - November 2000

DJ G.I.D. – Dub & Bass Vol. 34

Fresh from the decks – a spontaneous live mix session capturing a wild ride across the bass spectrum.
Rooted in dub aesthetics, but by no means limited to it.

This set blends heavyweight dubwise pressure with upfront jungle, modern DnB rollers, and a few straight-up bangers that hit hard. Some tracks are deep and echo-heavy, others are fast, fierce, and full of punch.

Everything was mixed live and on the fly – just me, the USB stick, and a selection of new gems alongside a few legendary classics I finally grabbed in digital form.

No plan, just vibes.

    🎚 Live mix – spontaneous & unpolished
    🔊 Dub, Jungle, Drum & Bass
    🆕 New heat + digital classics
    ⚡️ Deep lows & high energy twists

Tune in and hold tight – this is Dub & Bass Vol. 34.

DJ G.I.D. - Dub & Bass Vol. 34 - July 2025

🌍 Global Beats Vol. 4 (August 2018 Recording)

Step into a dancefloor journey across continents — Global Beats Vol. 4 brings you an electrifying blend of deep electronic Cumbia, funky Latin vibes, bass-heavy rhythms, Afro grooves, and more. Recorded live in August 2018, this set pulses with raw energy and global flavor.

From dusty Andean samples dipped in dub delays to tropical beats drenched in bass and glittering synths — this isn’t your average world music mix. It's a sweaty, smile-inducing ride through night markets, jungle block parties, and neon-lit barrios.

🔊 Think: digital cumbia, tropical bass, afro-electro, and funky folklore on steroids.

Press play and get pulled into a rhythmic mosaic that refuses to sit still.
Global grooves, tight beats, and serious bounce — turn it up!

DJ G.I.D. - Global Beats Vol. 4 - August 2018

And here we go again – this time I’ve dug deep into the archives to bring you a Global Bass Beat Show from 2018 – Volume 5 of the Global Beat series. As always, this mix blends electronic beats and world sounds into a powerful, dance-ready journey — fusing heavyweight basslines and beats with the colorful rhythms of cumbia, dub, latin, balkan, swing, afro, blues, and more.

It’s groovy, it’s global, and it’s guaranteed to make you move – whether you’re in the club, on the beach, or just vibing at home. Expect deep grooves, warm textures, and plenty of rhythmic twists that keep things fresh from start to finish.

This edition features tracks from Chancha Via Circuito, Supersan, Club des Belugas, Be Svendsen, Trüby Trio, Nickodemus, and more – weaving together global influences and electronic energy into one continuous journey.

Turn it up, let the bass hit, and let’s travel the world through beats. 🌍🎶🔥

DJ G.I.D. - Global Beats Vol. 5 - September 2018

Ata Kak's first new song in over 30 years!

Ata Kak created a peculiar slice of Ghanaian music history with his debut album “Obaa Sima”. While it barely made a ripple at the time of its release in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on  the blog Awesome Tapes From Africa as its very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician’s identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. 

Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer’s acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak’s new songs are also the natural expression of a restless artist—he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. 

Born in Ghana in 1960, Ata Kak wasn’t always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded “Obaa Sima” there at his home studio and released it in Ghana in 1994. He didn’t participate in music much in the intervening years until “Obaa Sima” was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and has toured three continents and played to thousands of fans in venues of all kinds.

Preorder

Yasi Town

DJ G.I.D. – Dub Me Crazy Vol. 19 – Winter Dub (December 2018)

Back in the cold winter of 2018, this heavy dub session was born – warm basslines cutting through the chill, deep grooves rolling steady, and echoes stretching into infinity.

Originally only up on Mixcloud, I figured it’s about time to share it here too. Another killer ride through deep dub atmospheres – hypnotic riddims, spacious delays, and heavy low-end pressure that still hits like a heater.

Expect sounds from heavyweights like Deadbeat, International Observer, Schlachthofbronx, Pitch Black, G. Corp, and more – all woven together in pure G.I.D. style.

Turn it up loud, let the bass keep you warm, and drift into the winter dub vibes.

DJ G.I.D. - Dub Me Crazy Vol. 19 - December 2018 - Winter Dub

DJ G.I.D. - Dub Me Crazy Vol. 68 – August 2025

Fresh out of the session – 30 brand-new tracks, recorded live and direct, no edits, just pure vibes. As always, all hands on the controllers, effects in full effect, deep dub echoes, and heavy bass pressure.

This one starts slow and deep at around 80 BPM, soaked in dub atmospheres. From there it grooves up through rolling dub riddims and steppers into the 125 BPM zone, before heading into full dubstep and bass weight at 140 BPM. Expect some halftime switches, deep head-nodding moments, and plenty of sub-driven experiments towards the end.

Featuring selections from RSD, Another Channel, Kabuki, Babe Roots, Dubamine, Unkey, DJ Madd, Alpha & Omega, Frenk Dublin and many more.

Dub, bass, freedom – Volume 68 is here. Play it loud.

#Dub #Dubwise #Steppers #Dubstep #Halftime #Bass #DeepDub #RootsDub #FutureDub #LiveMix #SpontaneousSession #BassPressure #HeavyBass #DeepVibes #GroovyBeats #DubCulture #SoundSystemCulture #DubCommunity #BassMusic #DubMix #Selector #Soundbwoy #RSD #AnotherChannel #Kabuki #BabeRoots #Dubamine #Unkey #DJMadd #AlphaAndOmega #FrenkDublin

DJ G.I.D. - Dub Me Crazy Vol. 68 - August 2025

DJ G.I.D. - Space Phunk Jazz Breaks Vol. 2

This mix is all about groove, funk, and a touch of electro attitude. Recorded in December 2018, it blends funky breakbeats, jazzy vibes, and deep basslines into one smooth journey. Expect everything from laid-back downtempo flavors to punchy breaks and playful funk.

Featuring tracks from legends like Bonobo, Tosca, Howie B, Lemon Jelly, Rockers Hi-Fi, Layo & Bushwacka!, Skalpel, and many more, this set moves seamlessly between chilled atmospheres and uplifting beats – perfect for late-night sessions or daytime grooves.

A soundtrack for anyone who loves funky rhythms, deep breaks, and eclectic sounds that make you move without even noticing.

Press play and ride the groove.

DJ G.I.D. - Space Phunk Jazz Breaks Vol. 2 - December 2018

G.I.D (Groovalistic, Koblenz)  
Subardo Festival 2025, Mainstage, 09. August 2025, 14:00-15:30 CET.   
Follow G.I.D: @gidgroovalistic | https://instagr.am/dj_gid
  
Hey Subardys, kennt Ihr das, Ihr malt einen Kreis und er ist so rund als er nur rund sein kann? Ihr umrundet erneut, denkt kurz nach, seid unkonzentiert und er bleibt trotzdem rund?  - Nein. Dann seid ihr mit uns! Schwierig wieder Worte zu finden, wenn Ereignisse einfach nur in sich für sich in alle Ewigkeiten so stehen könnten, weil ein danach so weit weg zu wiederholen scheint. Es war ein Fest, das Subardo Festival 2025, mit euch, mit allen Artists, Unterstützer:innen und Tänzer:innen! Lasst euch das sagen, drücken, umarmen! Lasst uns noch etwas mit diesen Sets darin schwelgen und darauf freuen, dass die Zeit kein inne halten kennt und unsere Gedanken doch schon wieder neuen Ideen entgegenstreben. 🌅❤️‍🔥🫶🏼  
  
Hey Subardys, do you know that feeling when you draw a circle and it's as round as it can possibly be? You go around it again, think for a moment, lose your concentration, and it still stays round?  - No. Then you're just like us! It's difficult to find the words when events could simply remain as they are for all eternity, because the future seems so far away. It was a celebration, the Subardo Festival 2025, with you, with all the artists, supporters and dancers! Let us tell you that, in hugging and squeezing! Let's still revel in these sets a bit and look forward to the circumstance that time knows no respite and our thoughts are already striving towards new ideas on the horizon. 🌅❤️‍🔥🫶🏼

https://www.subardo.de
https://instagr.am/subardo_festival)

G.I.D - Subardo Festival 2025

dj g.i.d. – cheap music (April 2001)

Back to the archives! This mix is a rare time capsule from April 2001 – originally burned onto maybe 25 or 50 CDs, handed out at our Groovalistic parties. After 24 years I’m glad the discs still survived, and now it’s finally online.

This set was recorded live from vinyl, strictly featuring UK productions only. Back then people called it nu skool breaks – heavy, deep, synthetic, funky, hypnotic beats around 130 BPM. The sound that rocked the floors then… and honestly, still does today.

On the mix you’ll find tracks by Hybrid, Slacker, Freq Nasty & Blim, DJ Hyper, Rennie Pilgirm & Meat Katie, Dark Globe, General Midi, Way Out West, Anthony Rother, Pressure Drop and more – pure UK breakbeat energy.

The labels behind this sound read like a who’s who of the scene: Skint, Botchit & Scarper, Marine Parade, Finger Lickin’, Passenger, Distinct’ive, Lot49, Whole9Yards, Fused & Bruised, Thursday Club Recordings (TCR), Wall of Sound, Supercharged, Fuel, Plastic Raygun, Functional, Fat! Records, King Kong, Kickin’, Against The Grain … all of them pushing the boundaries of breakbeat culture at the turn of the millennium.

The cover joke? In 2001 the UK was hit by the foot and mouth disease crisis – no meat exports allowed. So instead: Buy British Beat!

Enjoy this slice of electronic history – a raw, high-voltage breakbeat trip.
A true time warp.

DJ G.I.D. - Cheap Music - April 2001 - Vinyl Mix

Marc Behrens
excerpt from CD "Irregular Characters" (Serralves/Soopa, 2013)

Marc Behrens "Irregular Characters" (excerpt)

die initiative noises hat sich dem vermitteln allermöglichen aspekte von musik- und klangkultur verschrieben. hier verschmelzen vorträge, workshops und (podiums-)diskusionen mit konzerten, dj-sets und sonstigen arten von live-performances, um klangliche kultur versteh- und erfahrbar zu machen.

teaser: bernhard günter - monochrome rust

noisesev

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