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Noisolution

STONER ROCK BLUES PSYCH PROG  9

Stoner/desert

New album "Between Dogs And Wolves" out now!

Click here to buy directly from P. Faccini: http://piersfaccini.com
Click here to buy on Fnac.com: http://bit.ly/NewalbumFNAC 
Click here to buy on iTunes: http://smarturl.it/BDWitunes

Français, Belges et Suisses, vous pouvez commander l'album directement sur le site www.piersfaccini.com ou chez notre partenaire exclusif FNAC.com

"There was a singer from the island of La Reunion by the name of Alain Peters who died several years ago who a really unique singer/songwriter and poet of the Creole language. I was invited to play in la Reunion last year for which I learned one of his songs called 'Mange pour le Ker' 
Somehow that trip and singing in Creole gave me the confidence to try and write in French. The beauty of the Creole from La Reunion was a huge catalyst for me and the manner in which the French language is appropriated, transformed, a big inspiration.
I moved out of London ten years ago to go and live in France.
For years I didn't want to write to because I felt like one should master a language before writing with it but then after that trip, the words came to me. 
I wanted “Reste La Marée" to sound like an old traditional. I made a very ornate, old fashioned melody to carry the particular balance and sound of French words. This love song uses the tide as a metaphor for the love that comes and goes. It's about the tide that takes you in, the tide that takes you away, the waves that bring you closer to the shore, before sweeping you out to sea."

Lyrics "Reste la marée":

Nos coeurs battent au rythme de la marée
Reste la marée reste la marée
Nos rêves percent le voile et je me tais
Reste la mariée reste à marier

Mes pas perdent le sens du sentier
Reste à trouver reste à trouver 
Mes mains touchent l'eau de la rosée
Laisse la rosée laisse la rosée

La quête s'efface au pas des années
Reste des années reste des années   
Tes lèvres m'effleurent ma bien aimée
Ma bien aimée ma bien aimée

Les feuilles tombent et je m'en vais
Reste je m'en vais reste je m'en vais
Les saisons passent je reviendrai
Reste la marée reste la marée

Tes lèvres m'effleurent ma bien aimée
Ma bien aimée ma bien aimée
Les saisons passent je reviendrai
Reste la marée reste la marée

http://www.piersfaccini.com
http://www.facebook.com/PiersFacciniM...
http://www.twitter.com/PiersFaccini

Piers Faccini - Reste La Maree (From Between Dogs And Wolves)

From the MAMONT album Passing Through The Mastery Door (Ozium Records 2012).

http://mamontswe.com

2. Jag Sår Ett Frö

This year, I enjoyed various books,movies,music,comics,anime and other entertainment.
I did various adventures there.
If someone is entering my music and adventuring that world,that's a very nice thing.

The Book

Thank you for listening!
A new collaboration with the very talented singer Ren Faye.
Check out the great work of Ren: @soundcloud.com/renfaye-1
Lyrics, vocals and cover art: Ren Faye

Lyrics:
You were the gasoline....to my kerosene,
When you lit the rope,
I was going for broke...

Maybe I should learn from my mistakes,
It feels almost like it's too late,
To slam on the brakes,
To slam on the brakes...

Now I look around,
and I swear that I can hear,
Fragments of my heart,
Just beating on the ground,
I'm at our traffic light,
But I won't wait all night,
My car radio you never fixed,
Is telling me, it's calling time...

You're just not right for me anymore...
I've always been a tarmac survivor,
But tonight it seems,
I'm a getaway driver...

When you were with your friends,
It's like I didn't exist,
I watched as you and me,
Fell into abyss,
I never liked the way,
You left me for dust,
Then you were just back,
Saying that you missed us...
Being us...

And now I look around,
And I swear that I can hear,
Fragments of my heart,
Still beating on the ground,
I'm at our traffic light,
But you know I won't wait all night,
My car radio you never fixed,
Is telling me it's calling time,
I'm calling time on us...

I've always been a tarmac survivor...
But tonight it seems I'm a getaway driver...

Getaway Driver(Feat. Ren Faye)

For the recording of their sophomore album Gold Fever, San Diego-based dirty-blues twosome Little Hurricane skipped the studio and rented out a 19th-century apple-packing house in an old gold mining town. For two weeks, singer/guitarist Tone Catalano and drummer/vocalist C.C. Spina hunkered down with vintage equipment borrowed from a friend who once recorded with legendary bands like the Grateful Dead and Deep Purple. Sweating through a mid-summer heat wave in their air-conditioner-free surroundings—and often visited by tarantulas, turkeys, deer, and other local creatures—Little Hurricane quickly found their new album taking on a swampy yet ethereal vibe that slyly captures the spirit of the weirder, wilder corners of Southern California.

The follow-up to Homewrecker (the debut album Little Hurricane self-released in 2011), Gold Fever busts open its predecessor’s rootsy blues-rock with an Americana-influenced sense of storytelling, a disarming ease with breezy melody, and a broader sonic palette. At turns stark and lushly textured, the album draws much inspiration from Tone and C.C.’s frequent getaways to the desert and their shared love of Salvation Mountain, the Salton Sea, and “all those places where kooky people go to escape the rest of the world,” according to C.C. Also essential to Gold Fever’s sonics were the acoustics of the recording space itself—located in Julian, California, the house was built from foot-and-a-half-thick stone and crammed with thousands of books left behind by its author-owners—as well as Little Hurricane’s use of analog equipment. “It’s the same equipment that made those bands sound so good back in the ‘60s and ‘70s, and it really helps to balance out the digital edge from the more modern technology we’re sometimes using,” notes Tone, a longtime audiophile who served as producer on Gold Fever.

Formed in 2010 and fast recognized as a killer live act, Little Hurricane devoted two years to the creation of Gold Fever. “Homewrecker was recorded literally while touring, in kitchens and living rooms all over the place, so for this one we wanted to take more time and see what happened,” says C.C. While the album has a heart-on-sleeve honesty that’s deeply intimate, Gold Fever also delivers a slew of songs huge in sound and scope. “Playing big festivals over the past couple years and getting on those bigger stages motivated us to write bigger songs,” Spina points out.

Little Hurricane builds off their dirty-blues dynamic for nearly every track on Gold Fever, but infuses each song with such unexpected and inspired touches as the ghosty effects and one-drop rhythm of “Summer Air,” the swell of strings on the otherwise frenetic “Sorry Son” (a gut-punching number about Spina’s brother and his struggle with addiction, written from her parents’ perspective), the horn-soaked soul of “Boiling Water,” the snakey groove of “No Man’s Land” (whose opening lyrics put a playful twist on the Eric Carmen power ballad “All By Myself”), and the handclap-backed strut and growl of “Grand Canyon.” Throughout Gold Fever, C.C.’s drumming shifts from thundering and frantic to crisp and razor-sharp, while Tone’s guitar work encompasses lead-heavy riffs, bluegrass-style twang, and gorgeously understated soloing. And although Tone serves as Little Hurricane’s main vocalist, C.C. lends her honeyed yet earthy vocals to songs like the spooky, swaying “Breathe,” the sultry stomper of a title track, and the slow-burning but anthemic lead single “Sheep in Wolves.”

Each of the songs on Gold Fever was sparked from close collaboration between Catalano and Spina, who first found each other through a Craigslist ad. Originally from Chicago, Spina started playing drums when she was just ten-years-old (“My dad brought me home the Iron Butterfly album with ‘In-A-Gadda-Da-Vida,’ and that had a big impact on me wanting to be a drummer,” she says). Attending culinary school after high school (and interning at the House of Blues Chicago’s Foundation Room, where her love of blues was born), she moved to San Diego and bought herself a drum kit to get back to playing music. 

Born in Santa Cruz and raised on Van Morrison by his “East Coast hippie” parents, Tone picked up guitar in seventh grade and played in a post-punk band in high school and college. Though he’d kept up with guitar over the years, Tone’s career was focused on his work in audio engineering, with an expertise in live recordings that led him to work with artists from Gwen Stefani to Led Zeppelin’s John Paul Jones. “Working as an engineer, I started to see that a lot of bands were using playback tracks in their live performance,” he says. “It bothered me that so few people were just playing music, so I started to look for a drummer to make music of our own.”

That commitment to organic, unadorned sound is evident in the Little Hurricane’s live experience, which has graced major festivals like Lollapalooza and Austin City Limits in recent years. “Live is what we’re really all about, and we try to put on as big a show we can for everyone,” says C.C. The stripped-down but amped-up two-piece dynamic also goes a long way in maintaining Little Hurricane’s beautifully brutal energy, even on the more intricate and melody-soaked arrangements heard throughout Gold Fever. “One of the most important things for us on this album was making sure we never strayed too far from just good, straight-up rock-and-roll recording,” Catalano says. “We try to keep it raw and honest, and with the two of us that’s not so hard.”


boiling water

“This is the third in our trilogy of comeback albums. It's the third with Uta Plotkin singing, and the third with Billy Anderson as producer. This one is the most fully developed, with the best sound and songs that we've yet mustered in our 17 years as a band. In many ways, it was also the easiest to make, because we've been working and touring so hard, the communication is flowing, and our close relationship with Billy keeps us from wasting time in the studio. Yes, we could have spent another week fine-tuning and mixing the album into the ground. But we didn't bother. Like all Witch Mountain albums, this one authentically captures where we were at when we made it. Since tracking this in May, we've toured Europe again and dialed the live presentation even further. We are firing on all cylinders. Side one of the new album will crush your skull, and Side two will make you want to slit your wrists. This is honest, heavy, American rock music that keeps one foot in the doom metal tradition, and another stepping beyond the fringe of genre and into the landscape of pure, emotional rock and roll expression. “ – Nate Carson/Witch Mountain

Witch Mountain: Psycho Animundi

Microcosmos a macrocosmos...
Un día vivido, amanece y somos arrojados en medio de las montañas. Una noche acompañado de la música es una vida vivida. ¿Has olvidado tu nombre en medio del desierto? para al final escuchar un murmullo al oído que te dice "Peregrino, dime que fue aquello que el eco te ha dicho".

Psychodelic Rock

Fires at the Cosmic Dawn (2013 take out)

Unreleased Transpersonals track. This was the track that I made that really made luke and I want to form a band, and so The Transpersonals was born.

The Transpersonals - Hello Hello (Original Version)

The bonus track of Mirage Ep
Else is an electro duo from L'ordre Collectif, an artist band.

Find us on Facebook & Soundcloud : 
https://soundcloud.com/else-official
https://www.facebook.com/elselordre
https://www.facebook.com/lordre

Videoclip: https://youtu.be/9NFpFgOS-ps

Else - Paris

The third track from my debut EP "Leftovers."


Lyrics:
Remember days it was just us two
Remember 
I think she would
Stood out clear when you saw the rest 
From out west 
She was cold blood 
Now she's out but I've got no clue 
To with who 
I've got no care
I myself could be blamed as well 
It's not fair
I just don't care
My my you've got so much soul girl
So much 
You've got so much soul 
Oh my please return my old soul
Oh my
You've got so much soul 
Now these days 
Don't remember you
I told you, I'd be long gone 
Now she's down
Said she miss me too
It's too late 
I've got no care 
Hair down walks with 
Head held high 
It's for you 
How I got fooled 
Scarred me with those
Gentle eyes
It was you 
I just don't care

Oh My

The source live act, presentación realizada el 30 de abril de 2016 en Tultitlán México.

//The source live act, the show took place on April 30, 2016.

Artist: Rider Negro
Song: Dry and Soft
Psychodelic Rock compilation

The Source live act

Fires at the Cosmic Dawn (The Source live act)

Lost In The Desert

Round and Round (MP3)

Mike Clark & The Sugar Sounds - Smooth Sailin'

http://hyperurl.co/8mwd3e

HOOVER - DANITSA

Danitsa
https://www.facebook.com/DanitsaOfficial

Evidence Music 
http://www.evidence-music.ch

Danitsa - Captain [Evidence Music]

Song from album "Seven Thunders Roar" (InshaMuzyka/Moon Records, 2012)

Stoned Jesus - Electric Mistress

1 DOWN BELOW [04:15]
   A. Albertazzi / G. Romanelli

2 DANCE AWAY [03:26]
   A. Albertazzi / G. Romanelli

3 BLOW AWAY [04:07]
   A. Albertazzi / G. Romanelli

4 FOLLOW [05:00]
   A. Albertazzi / G. Romanelli

5 INTO THE MAZE [03:50]
   A. Albertazzi / G. Romanelli / M. Cimmino

6 RUBBER LAND [04:18]
   A. Albertazzi / G. Romanelli

7 TRAIN [04:26]
   A. Albertazzi / G. Romanelli

8 SURROUND YOU [03:26]
   A. Albertazzi / G. Romanelli / M. Cimmino


Alice Albertazzi: vocals, guitars, foot tambourine, percussions
Gianfranco Romanelli: dobro, resonator, electric guitars, harmonica

Recorded by Luca Tacconi at “Sotto Il Mare Recordings Studios”
Mixed by Luca Tacconi and Alice Albertazzi
Mastered by Max Paparella at “Groove Sound Design” 
 
Dandy Brown vocal on “Dance Away” 
Sergio Altamura: prepared guitar on "Train"
Andrea Albertazzi: harmonica on "Rubber Land"
Album photography: Reynald Reyland
Graphic design: Armando Carastro

Music by Alice Albertazzi and Gianfranco Romanelli
Words by Alice Albertazzi except “Into The Maze” and “Surround You” by Mirta Cimmino

7 Train

Get the album

ORCHID - Heretic

Stream the full album at http://fanlink.to/speakinginspirits
LYRICS: https://genius.com/albums/The-copper-children/Speaking-in-spirits

Speaking In Spirits is a nine-track album written by The Copper Children released on April 19, 2019. The songs vary in style, genre and mood, ranging from heart-wrenching introspective to uptempo, four-on-the-floor jams. 

This music has been the soundtrack for the band's life for the past few years and much of what they sing about has already transpired in a strange and beautiful way. 

The album consists of all analog recordings, bringing a warmth and nostalgia that is integral to the experience of Speaking In Spirits.

Connect with us!
http://bit.ly/tcc-wizards
http://bit.ly/tcc-spotify
https://facebook.com/thecopperchildren/
https://twitter.com/copperchildren/
https://instagram.com/thecopperchildren/

The Copper Children - Drama In The City

Naad

Inner Space

"VoiGo" 
First advanced Track from NAP´s forthcoming album "Ausgeklingt". To be released on NOISOLUTION October 4th 2019.

www.noisolution.de/band/nap
www.noisolution.de/shop/advanced_search_result.php?keywords=nap+villa
www.facebook.com/napband
www.instagram.com/napband/

Ausgeklingt

Nap - VoiGo (Pre-Release Track from the album "Ausgeklingt" 04.10.2019)

First new track off the upcoming HODJA record "We Are The Here And Now". Coming October 25.

We are the here and now

Hodja - Strike Up The Band (Pre-Release Track)

BROTHER GRIMMs new single off the upcoming album "On Flatland, On Sand".
Release: 08.11.2019 / Noisolution

On Flatland, On Sand

Who's Calling

Brother Grimm - Who´s Calling

First Single from the second VUG Album "Onyx" (29.11.2019)
Vug @ FB: https://de-de.facebook.com/vugrock/
Vug @ Instagram: https://www.instagram.com/vug.band/
Vug @ Noiso-Shop: https://www.noisolution.de/band/www.noisolution.de/shop/advanced_search_result.php?keywords=vug

Onyx

Vug - Easy

MAT. McHUGH & THE SEPERATISTA SOUNDSYSTEM

LIVE FROM RANDOM HALL

It’s pretty ambitious to consider recording a live album of a band that has only played a dozen shows. Capturing the essence of a live performance has managed to elude many, more seasoned acts. Mat. McHugh & The Seperatista Soundsystem have provided a glaring exception to this rule with their brand new LIVE FROM RANDOM HALL release. 

To be fair Mat. has known and played with the other members of that trio for years. Ian Pritchett (on bass) has produced every album Mat. has been involved with in the last decade and Paul Derricoot (on drums) has been a musical foil since playing on Mat’s 2008 album SEPERATISTA.

The sound of LIVE FROM RANDOM HALL is raw, soulful and real. Influenced by a broad range of genres from Hip Hop to Dub to Punk Rock. The album is a testament to the power of live music and puts forward the importance of the connection between performer and crowd.

Recorded in January 2013 across a run of summer shows in Australia,  the album features songs from Mat. McHugh’s recent LOVE COME SAVE ME LP, songs that span his prolific career as one of Australia’s most respected songwriters, as well as a mash-up of the Clash and Beats International’s Guns of Brixton/ Dub Be Good To Me. 

If this is what the band sounds like after a handful of shows the future is an exciting prospect.

LIVE FROM RANDOM HALL will be available digitally on Die Boredom / Controlled Substance Sound Labs in Australia starting June 4, 2013.

Touring July, August, September 2013, with dates and venues to be announced.

TRACK LISTING
01.	Strange Days
02.	Brand New Broken Heart
03.	By The Sea
04.	Guns of Brixton / Dub Be Good – The Clash/ Beats International
05.	Famous Aimless
06.	Love Come Save Me – Love Come Save Me
07.	Blackbird
08.	Darling, This Scene Must End
09.	Go Don’t Stop / Is this Love
10.	La Mar


MAT McHUGH - Go Don't Stop / Is This Love (live at Random Hall)

New song of the forthcoming album "Lowlands".
Release date: July 26th 2013
Noisolution / Berlin 

THE FLYING EYES - Under Iron Feet

M Lonely

Not Established Since 1995
Record Label & Promotion Agency