pronounced: [MER-KER-EE-UHL] / mercurial. 


For bookings: mrkrylofficial@gmail.com


heartfelttothecore @heartfelttothecore
Sekai Collective @sekai-collective
VIOLET TIDES @violettides
SPECTRAL @spectralcollective
CLDHVN ✨ @coldheaven4ever
NØIR™ @wearenoir
FOREST BOIS @forestbois
8 0 8 ＥＭＰＩＲＥ@808empxre



youdecide

Paris based Japanese music producer.
Co Founder at NONOTAK www.nonotak.com
DETROIT UNDERGROUND

“Y’all ever heard of bangers? ANZU’s got bangers. The duo’s twin EPs Without Love Vol. 1 and 2 display a timeless take on french-touch house that has all the romantic swelter, whiplash sampling and cubic zirconia filter quality you’d expect from the golden era of a certain other mysterious electronic duo.” - Sled Island Music and Arts Festival, 2019

Releases on:
@kitsunemusique
@wostreettracks
@brobotrecords
@miurarecords


anzumuzic@gmail.com

• Painting soundscapes •

 ~ Emotional Atmospheric music. 

| Contact: nomynmusic@gmail.com

All Enquiries: management@evolutionchamber.audio

From the moment Mitya Veshchunov first began pouring over his brother’s jungle record collection, the man who’d soon become Receptor was hooked on the genre. First it was Aphrodite, then it was Pendulum’s ‘Another Planet’ which would later shape his path into the genre; soon followed by his discovery of the more tech-influenced tracks of Noisia and Konflict. He immersed himself within this subsection, leading him then onto the expansive catalogue of Lifted Music, one of the most notable contemporary labels which flourished during this period. Lifted Music presented itself as a different flavour with no boundaries and it became a mecca for Receptor’s own musical tastes as they were evolving – later reflected through his own work. 

At the age of ten, Receptor was gifted a Yamaha PSR-740 synthesiser by his father, due to his son’s growing interest in music. Despite never being educated musically, he learned musical notation through a friend and over the course of six months his skills exploded, with him laying his hands on a plethora of DAWs through the internet. From EJay to FL Studio, his production knowledge increased at an astounding rate – something which would soon be more widely recognised after his move to Moscow, a central hub for drum & bass both in Russia and on the global stage. 

Receptor has always endeavoured to inject his music with the Slavik roots that have been a primary inspiration for him. Emulating the sonics featured on ‘Pirate Station’ stages and across the ‘Therapy Sessions’ compilations, his amalgamation of styles enabled him to build an extensive audience. From ‘Rhyno’ on Lifted Music’s sister-label Breed 12 Inches, through to ‘Kurchatov’ in 2009 on Obsessions (the first label from Black Sun Empire) and his ‘Girls’ EP on John B’s Beta Recordings, Receptor’s discography was proving to be as formidable as his fan base.  He was later called on to perform remix duties for Black Sun Empire’s ‘Dawn of a Dark Day’ ft. Foreign Beggars and Noisia’s ‘Alpha Centauri’, highlighting a definitive part of his career, with the producers being a central part of his founding interest in drum & bass. In the space of a decade, Receptor had catapulted himself from the role of fan, to standing amongst his idols as their counterpart. 

After a long hiatus, Receptor now returns and is planning to push his name into the direction he’d always planned. This will represent a more experimental approach to sound design, something which will develop through his release’s forthcoming on Evolution Chamber, an imprint he’s leading alongside Task Horizon and Magnetude. With tour dates set to be announced throughout 2020, Receptor is delivering the same energy which has been seen previously during his sets at Pirate Station, Ultra Music Russia and the 10-year anniversary of World of Drum & Bass. Receptor is offering some of his biggest selections to date, which many listeners have been waiting for patiently; the music he brings along with him makes this wait worthwhile.

Simon Pomery is an Irish musician based in London. He founded Blood Music in London in 2011. His debut vinyl album, Skin String Sine, will be released by The Wormhole in summer 2025. Self-taught from an early age, Pomery is a multi-instrumentalist, playing  guitar, percussion, piano, Eurorack synthesiser and, as of 2023, Halldorophone. He works in genres including no wave, post-punk, techno, drone and electro-acoustic composition. As Blood Music, he has released on Diagonal, FLUF, The Tapeworm and The Wormhole. He has performed at festivals such as Berlin Atonal, Les Urbaines, UH Fest and Elevate, and in clubs across Europe and Japan. 

GIGS
30.9.24 Alamo Drafthouse, New York City
27.9.24 Cafe Oto
12.5.24, Stellage Record Store, Athens
2.5.24, Skilres Indeas, Athens (DJ set)
2.5.24, KET TV Control Centre, Athens w/The Tapeworm (w/ Jay Glass Dubs, Marta De Pascalis, venoztks)
18.2.24, New River Studios, London (solo and with band)
17.12.23, Iklectik, London
5.6.22, Cafe Oto, with Sonic Poetics
2020-2022: FINISHED MY PHD O LORD MUSIC HELP ME
11.7.2019, Mayhem, Copenhagen w/Fluf Records 
24.7.2019, Five Miles, London w/ Fluf Records
1.12.2017 La Cheetah, Glasgow
14.2.2017, Silver Road, London, w/ Masumi Saito
10.12.2016, Incubate, Tilburg
3.12.2016, Les Urbaines, Laussane, w/ JASSS, Pan Daijing, Shaddah Tuum)
30.11.2016, Cafe Oto, London, w/ Peder Mannerfelt 
7th-13th of November, Cafe Oto Project Space (residency), London
2.10.2016, UH Festival, Budapest
17.8.2016, Cafe Oto, London, w/ Selvhenter
13.7.2016, Club 20/44, Belgrade
2.7.2016, Wysing Polyphonic (visual poem), Cambridge
14.5.2016, Les Atelier Claus, Brussels
26.3.2016, Club Stomp, Osaka, w/ Yousuke Yukimatsu, YPY
21.3.2016, Soup, Tokyo, w/ Tesco Suicide, Miclodiet.  
29.1.2016, Golden Cabinet, Shipley, w/ Shaped Noise
20.1.2016, Arnolfini, Bristol, w/ Spectres
20.11.2015, CSOA Officina, Naples, w/ Helena Hauff
20.8.2015, Berlin Atonal, w/ Russell Haswell, An-I, Not Waving, Powell
12.6.2015, Cafe Oto, London

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