Music for Oboe, Rototoms, Celesta, and Double Bass(2013)
for titular instruments

Performed at Phillip T. Young Recital Hall (Victoria, BC)
on November 29th, 2013
by Teigan Cosgrove (oboe), Aaron Mattock (rototoms), Janet Sit (celesta), & Dave Riedstra (double bass)

www.davidjfoleycomposer.com

Music for Oboe, Rototoms, Celesta, and Double Bass

Please listen in an isolated (quiet) environment through good speakers / headphones.


Gleb Kanasevich, bass clarinet
Chris Watford, bassoon
Greg Jukes, percussion
Anna Griffis, viola
Gracie Keith, cello
Christian Gray, double bass

eisfabrik

Full title: For that which befalleth the sons of men befalleth beasts - as the one dieth, so dieth the other

Performed by ensemble mosaik (Bettina Junge, Simon Strasser, Daniel Plewe) - Berlin Klangwerkstatt - 2015
Samples recorded by Bettina Junge and Simon Strasser

Max Murray | For that which befalleth the sons... / for piccolo, english horn, and fixed media

KARST [2015-16]
for 22 instruments 
Ensemblekollektiv Berlin
Recorded by Deutschlandfunk Kultur
Live performance at MaerzMusik

Note: This is a live recording of the premiere performance. A superior studio recording is available on my portrait disc released by Kairos: www.kairos-music.com/cds/0018003kai (listen to that on Spotify or Apple Music)

More info here: www.timothy-mccormack.com/karst

KARST [2015-16]

Max Murray - Állatvanbant − Under the Head for Bb clarinet, violin, viola, cello, and electronics

Performed by Distractfold Ensemble (Rocío Bolanos, Linda Jankowska, Emma Richards, Alice Purton) - Harvard University - 2016
Special thanks to Richard Devine for making available his extraordinary recording of bees captured at Buckeye Creek Farm, north of Atlanta, Georgia - and to James Bean for his support with the electronics.

Max Murray | Állatvanbent − Under the Head / for Bb clarinet, violin, viola, cello, and electronics

karst survey [2016]
for 7 instruments & electronics 
commissioned by the [Switch~ Ensemble] [www.switchensemble.com]
Live performance at VIPA Festival (Valencia, Spain)
Mixed/mastered by Jason Thorpe Buchanan

Studio recording available on my portrait disc released by Kairos: www.kairos-music.com/cds/0018003kai

An on-the-ground traversal through a weathered and disconnected terrain; a crawl way suddenly opening up into a cavern; a disappearing river; a compulsive urge for movement; a pushing forward, even if that leads straight down the dark maw of a sinkhole.

More info here: www.timothy-mccormack.com/karstsurvey

karst survey [2016] - the [Switch~ Ensemble]

Nolan Krell
and then yr gone in italics and ellipses
for flute, bassoon, and trumpet
2017

Performed by Bailey Finley, flute; Chrysta Wallin, bassoon; Emily McDermid, trumpet
PTY Recital Hall, University of Victoria
April 9, 2017

and then yr gone in italics and ellipses

Sinnlose Maschinen (zu klein) (2017)
for string quartet

performed by Cuarteto Chroma (Ilya Gotchev, violin / Carlos Quijano, violin / Felix Alanis, viola / Manuel Cruz, violoncello)
at the UVic School of Music’s New Music and Digital Media Festival (Victoria, BC)
on February 3rd, 2018

www.davidjfoleycomposer.com

Sinnlose Maschinen (zu klein)

soundcloud: https://soundcloud.com/rossbugden

instagram: https://instagram.com/rossbugden/ (rossbugden)

twitter: https://twitter.com/RossBugden (@rossbugden)

This piece is the partner to my last track, 'Dusk'. It starts in a similar place but goes somewhere quite different.

Dawn has so much energy. The air tastes new and the hush of night blooms through a gentle buzz into the messy bustle of day. A delicate moment where emotional peace and ecstatic ambition coexist. Love it.

The visual is a composite of photos I took of Winnipeg and Montreal. Shot on a Canon G7 X, edited in Photoshop.

This track is licensed under a ‘Creative Commons Attribution 4.0 International License’. You can find the link to that license here: https://creativecommons.org/licenses/by/4.0/

Basically, you can use it for literally any purposes (including commercial ones) as long as: 

1) You credit me. This usually means posting a link to my channel if you're uploading something online, but anything works.

2) You don't submit a slightly altered version of my track to a record label (like Vydia, CD Baby, Tunecore etc.) to have it copyrighted. This is rare, but results in false claims, which suck.

Download WAV (huge file, great quality): https://drive.google.com/open?id=1GGvY0tznWc_72N2mkDIVWJ7ryZ3IPlM5

Download MP3 (small file, good quality):  https://drive.google.com/open?id=13LqFC2tw7Q_Vg0Uk1WV5pX1YQhEX7X6l

FAQ

Q: Can I use this for my project? Should I credit you? How?
A: Yup and yeah. See the above information.

Q: Can I donate?
A: Yes, my PayPal e-mail is rfgb@hotmail.ca (this is hugely appreciated).

Q: Will you score my project?
A: I am always looking for new scoring opportunities, but as I only have the time to do a few per year, they have to be large scale projects that will push my career forward as a composer. Things like YouTube gaming montages or vlogs are things I am almost never able to do, sorry. 

Q: What programs do you use?
A: This track is mostly sounds recorded with a Zoom h5 manipulated in Ableton Live 10. There's a tiny bit of NI Massive as well.

Dawn

Pedro Alvarez 
Canto (2018) for solo amplified trumpet 
Tristram Williams (ELISION Ensemble) 
Mexico City, 24/10/2018 
(Live recording, poor compression rate)

Score: https://issuu.com/alvarezpedro/docs/canto

Canto

abject (2020)
for flute, clarinet, percussion, piano, violin, & violoncello

performed by Florence Laurain (piccolo/flute), Madison Freed (clarinet/bass clarinet), Nikki Joshi (percussion), Jackie Leung (piano), Roxanne Sicard (violin), Allison Rich ('cello)
as part of the HATCH 2020 program through Continuum Contemporary Music
on August 29th, 2020

abject

Nolan Krell is a composer of experimental music.

and then yr gone in italics and ellipses

Nolan Krell

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