You Are A Tourist [Album Version]

Rescue Song

SOUNDCLOUD EXCLUSIVE:

Here´s a little demo I made with a good friend of mine, Little Dreamer. 

 

Since You Got On - feat. Little Dreamer ( DEMO )

From the album "They Want My Soul" 

Stream Inside Out
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- Inside Out Lyrics -
Time's gone inside out
Time gets distorted when there's intense gravity
 
I don't got time for holy rollers
Though they may wash my feet
And I won't be their soldier
 
There's intense gravity in you
I'm just your satellite
Ooooooh I know that time's gone inside out
 
And now it's only like I told you
Though they may wash my feet
They do not make me complete
 
Break out of character for me
Time keeps on going when
We got nothing else to give
We got nothing left to give
Because our time's gone inside out
 
I don't make time for holy rollers
There's only you I need
They do not make me complete


Inside Out

Folded Like Fabric - I Tried

California

FREE DOWNLOAD

From 'Ep no. 1'

Order at http://www.b3scirecords.com/product/b3sr-029-miynt-ep-no-1


EP No. 1

After the Gold Rush

LYRICS:

I wish I could love you
You don’t step into love, honey, you fall in it
Sooner or later, we’ll all be drinking champagne out of a can

Dandy-fine, dandelion
You took a sip then you dipped
You missed a hell of a show
Singing lines from ‘Sweet Caroline’
You should turn up, take a bite

You’re gonna do it anyway
Anyway
You’re gonna do it anyway
Something tells me

Move your hips 
On the shore
You’ve got more boom than a dynamite store
Shaking those hips
My lord, my lord
When you hop in my car
I’m popping the cork tonight

You’re gonna do it anyway
(You’re gonna do it, you’re gonna do)
So why you gonna make me wait?
Something tells me

The heart wants what the heart wants
It’s true, for you, yeah
The heart wants what the heart wants
It’s true
Yeah yeah yeah yeah yeah
The heart wants what the heart wants
It’s true 
Something tells me, oh
The heart wants what the heart wants
It’s true 
Something tells me

(The heart wants what the heart wants)
(The heart wants what the heart wants)

Girl, you’re asking me how a watch works
But baby, keep your eyes on the time
Oh, you’re changing your mind like clockwork
Come on, the heart want what the heart wants tonight

Move your hips
On the shore
You’ve got more boom than a dynamite store
Shaking those hips
My lord, my lord
When you hop in my car
Hop, hop in my car

Ladies and gentle-hippies
I see all of you out there
Waving your hands and stomping your feet
And I tell you I’m thrilled
There’s only one color we’re going to paint this town and that’s red
Red like lipstick

CREDITS:

Song and Lyrics by Robby Hunter

Arranged by Magic City Hippies

Produced by Pat Howard

Recorded by Pat Howard at Hood House Studios
Coconut Grove, FL

Co-mixed by Pat Howard and Andres Daza at Daza Records
Miami, FL

Mastered by Drew Lavyne at A.L.L. Digital Mastering
New York City

Graphic Design by Robby Hunter
Appearing in single art: Ana Osorio and Pat Howard


Heart Wants - Single

Heart Wants

Buy Now via Bandcamp!

stream my new single "Weirdo": https://smarturl.it/nombe-weirdo

talk to me....310-455-8484

love me...
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Lyrics
Verse (1)
Love, is it too late to let you in?
Trade all your love for (my) sins?
I'm to repent
Take, if all requests are genuine
take me back and hand me wings
just like a cherobim

Pre-Chorus
And as I'm floating away
forget how I used to pray..

Hook
Love, we're far from Eden
but I like it, truth be told
babe, I'm such a heathen
in just the right way
there's room to grow

Verse (2)
Love, is it too late for us to mend?
I treated sermons like a prank
guess I could stay for a drink?
Oooh I take another pill
Cause I love the way it feels
But there ain't nothing like the real thing

Pre-Chorus
And as I'm floating away
forget how I used to say..

Hook

Bridge
No, it's not enough (8x)

Stream

Eden (ft. Geneva White)

stream my new single "Weirdo": https://smarturl.it/nombe-weirdo

talk to me....310-455-8484

love me...
www.instagram.com/nombe
vm.tiktok.com/9t4aNt/
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Lyrics
VERSE (1)
I wonder who's to blame?
for the world of the present?
ten bucks say it's a men
far from love and affection 

HOOK
This world was never meant for us
na, na, na it's for the 
girls & Children first and then men
Boys, man up,
na, na, na it's for the 
girls and children and then men 
last...

Verse (2)
don't you abandon ship
be the savior of many
or drown right where you live 
kiss that fear in your belly 

HOOK

BRIDGE
and I know you got the message
with love to you
took it tom, but never read it 
what the fuck? So rude
I wonder who's to blame?

BRIDGE CONTINUED 
wish you could man up
it can't be that tough 
shit ain't fair, never was, call it bad luck 
Superman buff
thought you were that tough?
I shed a tear, life ain't fear call it bad luck

HOOK

Man Up

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

New album "DIÁSPORA" out now!
https://nombemusic.vibe.to/diaspora

Official Visualizer for "Sugar Rush (Late Night Snacks)"
https://youtu.be/TV3fWRxkmmk?feature=shared

MGMT: eric@jet-mgmt.com / james@jet-mgmt.com