At some point in every producer's life, the urge to write an acid tune becomes irresistible, and for Grimey Electro pioneer Sir Hiss, that point is apparently now. Claps as sharp as Blade's blade in the film 'Blade', the kind of tension that can only be described as being 'just like the rave scene in Blade', and of course some iconic Grime sampling shenanigans all conspire to create an unholy banger of such blood-sucking power as to compel Wesley Snipes to pay his tax bill. Bad.

Meanwhile, M300 Tool showcases the further reaches of Hissian hardware exploration, taking a vintage TC Electronic unit and some hardware analogue drums for a spin down Flanger Lane, which is, of course, a minimal yet tuff thoroughfare leading to either Banger Estate or MC Village (MC not provided).

Finally, on EP closer 'Synchronisation', the NMM label boss, fresh off duppying Outlook for the Pineapple Records takeover, indulges the current temptation to 'get a bit proggy' with it, lacing synth arpeggios, bouncing toms and spacious bass tones together to answer the questions no one has yet dared to ask, namely 'what if Sasha & Digweed were from Bow E3?' and 'what if Northern Exposure wasn't really boring?' - The NMM / Bedrock beef starts here...

Sir Hiss - Synchronisation

Just starting to do some nasty things 😈
You can expect some UK Bass 
Based in France

Bristol-based record label Est. in 2018 by @SirHissBristol.

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Sir Hiss - Synchronisation

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