The Baykerz exists as a locally based production partnership whose mission is to produce music brands, increasing live and digital fusion and promote music education with focus on the effective usage of available technology. The Baykerz currently focuses on artiste development and production management.

🇸🇱
*MandiMansa Macarico
Westside Afrique. 
She be spitting nd spilling soul..

“Any goal must have a reason,
Any success is based on a reason, 
Any failure is based on a goal without a reason.”

These are the opening words, feverishly sung in Bambara, of the song “Kènia” on Rokia Traoré’s sixth album, Né So (Home). They are also the best way to encapsulate the Mali-born singer’s strength throughout her nearly 20-year musical journey. The decision to take up music is sometimes guided by a career plan, or a burning urge, or an attempt to gain some recognition, or even the desire to pass on a legacy. But Rokia Traoré’s path is of a different kind, rooted as it has been since she released her first record, Mouneïssa, in the force of will and the movements of her heart.

The fundamental question of choices and responsibilities has always been Traoré’s center of gravity. Before initiating any new project, she asks herself, “Why keep playing music, and how?” This time, she did so with unprecedented urgency. At the time, she found herself in private and public worlds colliding in quite a hazardous manner. 

Traoré had always been a traveler, but in 2009, she decided to move back to Mali. Three years later, she bore witness as her country’s civil war gained terrible momentum. “Experiencing life in a war-torn country was traumatic. I became aware of how naïve I had been without even knowing it,” she confesses. 

While she had left Bamako for a while and moved to Europe with her young son, she also experienced personal issues that threatened her status and legitimacy as a musician. “To make a long story short, being a female artist, especially an African living in Africa, makes you sound not credible as a mother,” she says. Besides, the music industry was facing a crisis, which only added to her distressing doubts, to the point of almost calling it quits, artistically speaking.

The art of picking yourself up and moving on is an implicit theme of Né So. “Everything was falling apart,” she says. “It’s never easy to go through tough times, but it is also what makes you grow, and understand why you cling to certain things and give up on some others. At some point, I realized that I was either going to make it, or just add my name to the long list of female artists who ended badly,” Traoré says. “When people write their biographies, they talk less about their music or talent than their personal rifts. I asked myself, ‘Do I want to end up in that kind of book? Or should I take a chance and get on with it?’ I really had to make some tough decisions. I did, and I’m glad I made the right ones.”


I make beats 
Rap & Sing a lil sometimes 
Enjoy 🎛🎚

Ampossible Music/Highly Inspirational Music/FeelGood Music/Positive Music/ Afro Pop. 
KayKay Amponsah (a.k.a Mr. Ampossible) is a musician/artist and entrepreneur originally from Sunyani, a city in Ghana and is now based in the United States


TSIE, formerly known as Daddo Gyan, is a self-taught singer-songwriter and producer based in Accra. His music artfully fuses folk imagery with a spectrum of influences, including doo-wop, soul, palmwine, highlife, blues, and reggae - resulting in a genuinely raw and heartfelt style. 

His musical journey began with a profound love for music, taking an intriguing turn as he pursued a BFA degree in film production across the vibrant cities of Accra, Johannesburg, and Helsinki.

Drawing inspiration from his formative years spent within his father's recording studio and participation in the church band, TSIE has honed his craft. His distinctive raspy vocals and evocative guitar chords are the instruments through which he masterfully conveys captivating short stories. As TSIE gains acclaim within the music industry, his authentic narratives and storytelling prowess have not only entranced audiences but have also led to the inclusion of some of his songs in award-winning cinema.

We dey make rhythmic, spiritual, socially conscious music.




Bush Road represents a path that goes in a different direction from what society prescribes. It is the quest to forge a unique identity; to dare not follow the crowd. When you consider the state of things in Africa today, it is evident that we need more Bush Roads. Years of political, economic, and cultural oppression has left a strong influence on the society. Therefore, we need to be different, to go against the status quo and redefine everything anew. That is what Bush Roads is about. 

Everyone's journey through the Bush Road is bound to be different. That is the very essence of this path. When you choose to walk the Bush Road, you consciously decide to lead rather than follow. It is up to you to create a Bush Road in any field that you operate. 

The ideas expressed in our music have been years in the making. You can describe this work as a compilation of our thoughts on the Bush Road. We do not expect you to agree with everything said on this project. The goal is to challenge your thinking.

NVNV is following