PLATEAUS OF BRAZIL gothic latino jazz funk inst

Youtube video: https://www.youtube.com/watch?v=PMMtlkDesIg
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MY NAME IS STEVE
I HAVEN’T HAD A FRIIEND IN 40 YEARS
WELCOME, STEVE!

NOT THE WAY THAT IT APPEARS
BUT THE SUM OF ALL MY FEARS
REDUCES ME TO TEARS

WELCOME TO THE GROUP, STEVE!

I MAY SEEM KIND OF WIERD
THAT’S WHY YOU DISAPPEARED
THAT’S WHY I’M ALL ALONE IN THIS WORLD

AS A CHILD I LOST MY WAY
IT’S STILL WITH ME TO THIS DAY
I GUESS IT MUST BE TRUE WHAT PEOPLE SAY
THAT SOME OF US ARE MEANT TO PAY

MY NAME IS STEVE
I HAVEN’T HAD A FRIEND IN 40 YEARS
WELCOME TO THE GROUP, STEVE

YOU AVOID ME, I AVOID YOU
BOTH OF US FEEL ILL AT EASE
REINFORCING THE DISCOMFORT
I GROW WEAKER AT THE KNEES
BOTH OF US FEEL ILL AT EASE

PLAYING BACK THOSE AWKWARD MOMENTS
NO ESCAPING, NEVER FREE
ON MY MIND AND ON REWIND 
EVERY SCENE, INDIGNITY

MY NAME IS STEVE
I HAVEN’T HAD A FRIEND IN 40 YEARS
WELCOME TO THE GROUP, STEVE!

WHAT YOU’RE SEEING ISN’T SMUGNESS
WHAT YOU SEE, IN FACT, IS SHAME
ORCHESTRATE MY OWN DURESS
ULTIMATELY, I’M TO BLAME

ROUND AND ROUND IT GOES:

YOU AVOID ME, I AVOID YOU
BOTH OF US FEEL ILL AT EASE
REINFORCING THE DISCOMFORT
I GROW WEAKER AT THE KNEES
AND THEN I FREEZE

MY NAME IS STEVE
I HAVEN’T HAD A FRIEND IN 40 YEARS
WELCOME TO THE GROUP, STEVE!

My Name Is Steve, I Haven't Had A Friend In 40 Years (WELCOME TO NO FRIENDS ANONYMOUS)

Youtube video: https://www.youtube.com/watch?v=PMMtlkDesIg

GET UP OFF YOUR KNEES (BREAK OF DAWN WE'LL OWN THE STREETS)

TOXIC LEVANNA

Berlin Electro Chicken

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
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Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
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A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Music by Keiton
https://soundcloud.com/keitblues

Vocals & Lyrics by Cosmic Keanu

The Puppet Master

The father of lies
Is no one’s friend
But the media tells you
he’s not so bad

Looks like an angel
If it suits his design
Looks good on paper?
Sign the dotted line

[chorus]
Puppet master
Pulls the strings
Leads you on
Into the flames
Lake of fire
His domain

New world order
Deception grows
Follow the world
And you sell your soul

Ascend upside down
Headfirst into the ground
Death and darkness
Is all to be found!

Don’t follow the crowd
Snake charmers and liars
False prophets abound
Flames rising higher

Pied pipers mislead
People to the void
The liars and thieves
They’ve made their choice

Without Jesus as lord,
Thrown into the fire
Bound in evil accord,
Fall into the pyre

Where the worm does not die
An unquenchable fire
great chasm divides
Kingdom from hellfire

The Puppet Master (Music by Keiton)

FREUDIAN LIPS

inst. intro

CALLED UPON THE MEN IN WHITE JUST THE OTHER DAY BUT FEAR OF EARS 'A' LISTENING
PREVENTED ME FROM HAVING MY SAY
SO I TALKED WITH MY EYES
TO THE DOCTOR IN DISGUISE

FROM THE SCREAMING TO THE DREAMING WE TOUCHED ON EVERYTHING
WE TALKED ABOUT HOW LIFE BEGAN
THE WEATHER AND THE DAWN OF MAN AND EVEN WHEN HIS REIGN WOULD END WE TALKED ABOUT MY CHILDHOOD
AND HOW MY PARENTS NEVER UNDERSTOOD

BUT ALL HIS SMOOTH AND REHEARSED LINE OF PATTER ONLY SERVES TO MAKE HIS WALLET EVER FATTER
IT DOESN'T STOP THE CHIT-CHAT CHATTER CHATTER LIKE WATER TORTURE IN MY HEAD

inst. break

BUT ALL HIS SMOOTH AND REHEARSED LINE OF PATTER ONLY SERVES TO MAKE HIS WALLET EVER FATTER
IT DOESN'T STOP THE CHIT-CHAT CHATTER CHATTER LIKE WATER TORTURE IN MY HEAD

ALL THE GRIEVING WITHOUT MEANING
AND THE HEARTACHE EACH DAY BRINGS
MAKE THEMSELVES....FELT THROUGH THE VOICES FOREVERMORE REVERBERATING WITHOUT END, A SINGLE VOICE BECOMES A FLOOD (ARE YOU INSANE? THIS IS THE GAME OF EVIL V GOOD)

BUT ALL HIS SMOOTH AND REHEARSED LINE OF PATTER ONLY SERVES TO MAKE HIS WALLET EVER FATTER
IT DOESN'T STOP THE CHIT-CHAT CHATTER CHATTER LIKE WATER TORTURE IN MY HEAD

Inst. break

MY TRAIN OF THOUGHTS
HIS TRAIN OF WORDS
COLLIDE INSIDE....MY ONE-TRACK-MIND MY WORLD COLLAPSES AROUND MY EARS MY MIND RETREATS TO THE EARLY YEARS
FREUDIAN LIPS (REPEATED)
TO THE EARLY YEARS (REPEATED)

Inst. outro

FREUDIAN LIPS vocal

Wishing All Of This Was In My Head

I'm on the lookout for musicians who understand the best way to get MORE support is to give it!

If I come and listen to your stuff and leave feedback will you do the same for me? I’m not looking for follows and likes, which achieve nothing on their own; I’m talking #GENUINE listens and GENUINE feedback!

GO AHEAD MAKE MY DAY (MAKE THE BED)

I RECOGNISE PALESTINIAN, AND MY OWN CREATIVE, SELF-DETERMINATION! I do it my way, you should do it yours!

I'M SANE BUT MY MUSIC ISN'T!
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Feedback is the difference maker on Soundcloud because it keeps your tune in circulation, keeps it on the radar; no feedback and it disappears from view! It also serves as hype, if visitors see you've received lots of feedback it's more likely to arouse their curiosity! The more proactive we are the better Soundcloud gets!
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DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!
I don't respond to musicians that just add, or just click like buttons, because it doesn't prove they actually listened!

PLEASE RETURN THE SUPPORT; I desperately need it too :)
Without RE-POSTS Soundcloud will eventually die a death!

If UNSIGNED MUSICIANS don't learn to be more PRO-ACTIVE, and start exchanging support, the day will come when all UNSIGNED MUSIC SITES will die a death! Visits to pages will stop, and the listens will dry up--there won't any kind of audience left at all. Music sites become IMPOTENT when the musicians using them wait for the mountain to come to them, so be PRO-ACTIVE, exchange support, return the support, for your own sake! IF UNSIGNED MUSIC SITES die a death most of us will die a death with them, so do it for yourself--take my word for it, our survival, the incentive to continue creating tunes is dependent on MUTUAL SUPPORT!

Activity has been declining on Reverberation for some time now, and Myspace, which was buzzing during the first few years, is now useless! All music sites will eventually go the same way if unsigned musicians don't drastically change their attitude about EXCHANGE SUPPORT!

DON'T WAIT FOR THE MOUNTAIN TO COME TO YOU....IT DIDN'T COME TO MUHAMMAD SO IT WON'T FOR YOU :)

GO AHEAD MAKE MY DAY (MAKE THE BED)

NO PIGEONHOLE MUSIC