D.Å.R.F.D.H.S.
Det Stora Oväsendet - REMIX 12"
http://clandestinerecords.bigcartel.com/

A1. D.Å.R.F.D.H.S. - Isorinne
A2. D.Å.R.F.D.H.S. - Smell the Flesh
A3. D.Å.R.F.D.H.S. - TM404
B1. D.Å.R.F.D.H.S. - Varg & Acronym
B2. D.Å.R.F.D.H.S. - Karlovak (Mr. Tophat & Art Alfie)

D.Å.R.F.D.H.S. - Smell The Flesh REMIX

What Do You Fear

another mix,
In answer to the questions I keep getting asked.
 ccai pt2 , part 1 is Drukqs, as that was the first thing I released that utilised computer controlled instruments, namely a modified Yamaha disklavier, 2nd gen and a couple of midi controlled solenoid based drum mechanisms I made just after I got the Disklavier.

I kept seeing them [disklaviers] in hotels, usually used to pipe muzak around the place and thought why doesn't anyone actually use one of these to compose music on and make beats etc! 
A couple of times when i saw them in hotel lobbies, i sneaked up to the disklavier and set it to play ultra low pitch and very slow, funny watching peoples reactions, it was down every corridor etc
NOBODY i spoke to back in around 1999 inc. people at yamaha knew how to connect one of these to a computer and I had to take my computer into Yamaha to try it out to see how fast these things could go, no info on the net then either.
The first year I burned out countless solenoids in the thing and learnt how to repair them myself, the more recent gen ones like I used at the barbican have temperature cut outs on them thankfully, i’ve still fried a few though!

Diskhat ALL Prepared1mixed [snr2mix]

Tracklist:
Pustekuchen DDR-012
Separat DDR-012
Chromdioxyd DDR-012
Aydszieyalaidnem DDR-012
Ratz Fatz DDR-012
Tara Reconstruction by Cavaan DDR-010
Drehschieber DDR-012
Doppeldecker DDR-006
En Garde DDR-012

Beatport: https://pro.beatport.com/release/aydszieyalaidnem/1437570
Vinyl: http://www.decks.de/t/der_dritte_raum-aydszieyalaidnem/c4q-yt


Beatport

DDR 012 Aydszieyalaidnem Vinylmix

KÖLSCH - SPEICHER 84

BUY Vinyl: http://www.kompakt.fm/releases/speicher_84

It's the long-awaited return of a classic combo - Kompakt luminaries MICHAEL MAYER and REINHARD VOIGT join forces for TIME IS RUNNING, the latest addendum in an ongoing conversation that brought us iconic releases such as Speicher 2 (KOMPAKT EXTRA 2, including the cuts "Pride Is Weaker Than Love" and "Supertiel"). As was to be expected from producers as floor-savvy as these two, the new offering bears all the hallmarks of a club favorite, incorporating the crisp rawness of early Kompakt stompers as well as the sophisticated sonics to be found in our current catalogue.
Ever since the days of Cologne's legendary techno supergroup Forever Sweet, MICHAEL MA YER and REINHARD VOIGT have teamed up in one way or another, sharing credits on label milestones like "Sky Dumont" (KOMPAKT EXTRA 28) or "Unter Null" (KOMPAKT EXTRA 07). The new release TIME IS RUNNING sees them presenting their own solo work, evenly spread over two sides of the same coin - a compilation of sorts, but with all the characteristics of a close collaboration between soulmates united under one groove. And based on the hilarious (and somewhat bittersweet) cover picture, this bond is not going to dissolve any time soon, as the two friends imagine themselves as techno retirees toasting to a full live spent amid beats and bass lines.

The A-side of TIME IS RUNNING holds a particularly sure- footed entry in MICHAEL MAYER's track portfolio, with THE STICKLER being a welcome update on his more raucous output. The straightforward thump of this cut comes with sizzling percussion, siren-like synth stabs and throaty bass - a hearty techno romp that doesn't seem too interested in making prisoners. The flipside takes a similar line with THE BUDDY, a rock-solid floor jam from the hands of REINHARD VOIGT - it's a more than fitting contribution, enforcing the producer's madcap hypnotism with paranoid synth squelches and tenacious beats. If that's how old age sounds, we can't wait to hit that pension fund.

Buy Kompakt.fm

DerDieDas

Live Soundboard

Der Dritte Raum Live-Jamsession @ U-60311 / Frankfurt.
Recorded April, 4th 2012.

Der Dritte Raum - Hale Bopp Live @ U-60311 Frankfurt/Main - April, 5th 2012

Igorrr & Morbid Angel
Album : Morbid Angel - Illud Divinum Insanus - The Remixes
Label : Season of Mist
Get a copy here: http://e-shop.season-of-mist.com/fr/items/morbid-angel/illud-divinum-insanus-the-remixes/dcd/30211

Igorrr feat Morbid Angel - Remixou Morbidou

JAGA JAZZIST
LIVE WITH BRITTEN SINFONIA

Produced by Lars Horntveth 
Recorded by Thomas Hukkelberg at Ultima Oslo Contemporary Music Festival, Rockefeller Music Hall, Oslo, September 2012 and The Barbican, London, June 2012
Mixed by Jørgen Træen, Duper 2012 
Live sound by Asle Karstad & Espen Høydalsvik 
Live monitoring and production managing by Einar Norberg 
Light design by Tord Eliassen 
Edited by Lars Horntveth 
Mastered by Morgan Nicolaysen in Propeller Mastering, 2012 
Design by Martin Kvamme 
Photos by Colin Eick, Elisabeth Høiberg, Andreas Frøland, Bjørn Magne Idland & John Kelman

Written by Lars Horntveth. Overture by Erik Johannessen and Lars Horntveth
Arranged and orchestrated by Lars Horntveth and Erik Johannessen

Jaga Jazzist
Marcus Forsgren: Electric guitar and FX
Andreas Mjøs: Vibraphone, guitar, Korg MS10 and percussion
Martin Horntveth: Drums Lars Horntveth: Guitars, Bb & bass clarinet, tenor saxophone, flute, Roland SH-2, piano and lap steel guitar
Line Horntveth: Tuba, flute, percussion, glockenspiel and vocals
Even Ormestad: Bass and keyboards
Erik Johannessen: Trombone, percussion and vocals
Mathias Eick: Trumpet, upright bass, keyboards, piano and vibraphone
Øystein Moen: Synthesizers and piano

Britten Sinfonia
Violin 1: Thomas Gould, Beatrix Lovejoy, Katherine Shave and Gillon Cameron
Violin 2: Alexandra Reid, Anna Bradley, Marcus Broome and Judith Kelly
Viola: Clare Finnimore, Bridget Carey and Tom Hankey
Cello: Caroline Dearnley, Ben Chappell and Joy Hawley
Double Bass: Roger Linley
Flute, Piccolo & Alto Flute: Emer McDonough
Oboe: Chris O’Neal
Clarinet & Bass Clarinet: Joy Farrall
Bassoon: Elizabeth Trigg
Horns: Pip Eastop and Ed Mills
Trombone: Jon Stokes
Bass Trombone: David Eaglestone
Tuba: David Powell
Percussion: Toby Kearney and Tony Bedewi

Conducted by Christian Eggen

Live With Britten Sinfonia

One-Armed Bandit

"This mix, following on from Instantium Hardphace last year, is the second of a series of what I call 'horizontal slices.' The idea is that there are several long running 'themes' in my work -in other words, groups of pieces across time that partake of some kind of stylistic commonality. So whilst any given group will draw from nearly twenty years of releases, it will have an aesthetic unity that individual albums have often shunned. Of course, it's up to the listener to make sense (or otherwise) of what that aesthetic may be!" - Tom Jenkinson, March 2013

"Rotate Electrolyte" / Hello Everything (2006)
"Planetarium" / Hello Everything (2006)
"Ultravisitor" / Ultravisitor (2004)
"Welcome To Europe" / Hello Everything (2006)
"I Wish You Could Talk" / Go Plastic (2001)
"PSultan (Squarepusher remix)" / Chaos A.D. (1998)
"Port Rhombus" / Port Rhombus e.p. (1996)
"Tetra-Sync" / Ultravisitor (2004)
"Tommib" / Go Plastic (2001)
"Theme From Ernest Borgnine" / Feed Me Weird Things (1996)

Squarepusher - Ufabulum & Enstrobia EP out now on Warp Records
Ufabulum Live - March 30th, Roundhouse, London

http://www.squarepusher.net
http://www.warp.net

Hello Everything

Rotate Electrolyte

Squarepusher - Endless Flamethrower v1.0

Taken from the new Ochre album, 'National Ignition'.

Stream on Spotify

Leaving Arcadia

Nora Below (Bpitch Ctrl, Bomb Boutique) is Nora Belows solo project. 
She is a Berlin-based musician and singer and visual artist and performs internationally.
The live shows she performs with Renald Gönko on live bass, drummers and different visual performers.

Collaborations:
Nora participates as a singer in STOP DISCO MAFIA (poptronix USA), BASTARDS OF LOVE (Déja-vue DE), AUTOPANIK (alfa matrix) etc., S/HE (Belgium)

What Do You Fear

Nora Below

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