Music producer, DJ, visual artist

Latest release "Apollo"
https://links.elishulga.com/apollo

In electronic music the sound can be the melody and the melody can be the rhythm. So for Nordic Circuits nothing is more vital in a song than this melody. Catchy chords, mysterious synths and warm pads accompanied by thriving beats and basses. 

Chillout Zones called 'Echoes of Sans-Soucis' the 'Dutch answer to Deep Forest'. Music Promotion wrote: 'Impressive tracks ...by soon to be an eminent name in the music industry'.

Jamie More is a dedicated electronic music lover and has been a DJ for over 20 years. The passion for electronic music runs deep, and have a vast knowledge of various sub-genres within the electronic music scene.

A versatile composer mastering neo-classic, classic, soundtracks, ambient, and synthwave. XyXa's music transcends boundaries, blending timeless elegance with modern innovation. Dive into a world where every note tells a story.
Join me https://linktr.ee/XyXa?subscribe

Find the music on your favorite streaming platform with the links below!

Hobbyist musician/producer who enjoys playing around with music production in my home studio. I enjoy all types and genres of music and am always up for having a go at producing different genres of music. Hope you enjoy listening to my tracks! My cat certainly likes them :) I am also building a presence on Spotify so you can listen there too if you enjoy my tracks:

https://open.spotify.com/album/7slZBtu1f8tMk6NwytuU0t?si=DD_sRmduTfC382E-_OeEHQ

A producer with a passion for sonic detail, FORT/79 crafts melodic deep house and progressive tracks that balance emotion with precision. Influenced by analog warmth and digital clarity, his sound draws you in and keeps you there.

I'm a late 60s child who's been heavily influenced by jazz, classic rock, electronic, punk and post-punk, disco, new wave, dub, hip hop, house, techno, acid house and rave, drum & bass and jungle, downtempo, ambient and modern classical, indie, etc....to include some glorious fusions of these different forms.

I hope to reflect more of that wonderful diversity in "Explorations" moving forward, and yet stick to the core that has influenced this series to date.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

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