Novembbzzzzer 20

Autuum 2020

Releases

avant tränn

Tin Man - Nonneo (Donato Dozzy Remix)

Taken from LTECH008:

TCF -
415C47197F78E811FEEB7862288306EC4137FD4EC3DED8B

TCF - 54 C6 05 1C 13 CC 72 E9 CC DC 84 F2 A3 FF CC 38 1E 94 0D C0 50 5C 3E E8

Planetary Assault Systems - The Eyes Themselves

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Here, I Abandon will be released November 1st via Changeless.

@exploitedbody

Exploited Body - Only Your Eyes Could See My Wings

Exploited Body - Helix / Unravel

Exploited Body takes it back to the club with their latest two-track offering 'Helix / Unravel' - a pairing, that meshes the intensity you've come to expect, with newfound high-speed break experimentations.

'Helix' is a spiralling fever dream, with drums of tungsten skitter through the blaring sirens and posessed screeches, showing no signs of slowing down. 'Unravel' is deliverance, release. Incorporeal voices echo through the cracks of the ferocious drums, eventually submitting to the soaring, euphoric synths signalling the escape from the cycle.

’Helix / Unravel’ is out now via Changeless!

Written, produced, mixed & mastered by Nori Kin.
Artwork by Jesse Draxler & Nori Kin.

@exploitedbody


Exploited Body -  Helix

Exploited Body -  Unravel

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

Preorder

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

I turned my obsession with Danny L Harle & pinkpantheress's 'Starlight' into this remix.

@dannylharle
@pinkpantheress
@xl-recordings

This version is pitched down 0.72 semitones for SoundCloud reasons. :')

Starlight (Exploited Body Remix)

City God by || FLORA (@floraytw) as the A-Side/cover feature
Off of CELL, Issue 04

City God:
Dispel
Sentinel
Undine
God Bless 
Kyzylkum
TX 4 (2)
Air (recording)

"A City God is a tutelary deity in Chinese folk religion who is believed to protect the people and affairs of the particular town or city of great dimension, and its corresponding afterlife location. Originating over 2000 years ago, a City God was originally the name of a deity or type of deity believed to be able to provide divine protection to a city's physical defences."

CELL, Issue 04
Limited Cassette Release

Side-A: || FLORA - City God (@floraytw)
Side-B: CELL 04 (Audio Codex)

Editor-in-chief: Geng (@genggrizzly)
Art: Joshua Padarathsingh
Cat. No.: PTPcell04

CELL, Issue 04

CASSETTE-ONLY

|| FLORA - City God [PTPcell04]

B1 - Polar Inertia - Black Sun (Abdulla Rashim Remix) [DM3D005]

An Gella - "Perma"  
Out November 3rd 2017 on Anyines (ANY2)

Perma

An Gella - Zen Cell

Gangsters Were Weeping

=-_mixed by david burris==_
-_=mateo sound-=_--

Free Download

Coquette

from the forthcoming album,
@IVVVO — doG
out 15 March 2019

credits:
Written & Produced by Ivo Pacheco
Mastered by Helmut Erler at D&M
Photography by Lane Stewart
Styling by Masha Popova
Artwork designed by Collin Fletcher & Lane Stewart for Halcyon Veil

IVVVO - LAST DAYS ft Maxwell Sterling (HALC021)

New track 'Fix-It’ made for the ISSXI Project with ISSXI | SOUNDS on Positive Centre’s In Silent Series label. It is out this Friday.

You can buy the EP’s and the Sounds directly from insilentseries.org

EP’s are also available at insilentseries.bandcamp.com

ISSXI.IX | EP9

ISSXI.IX | Cocktail Party Effect | Fix - It

Eusebeia graces the Modern Conveniences catalogue with a truly unique EP. Inspired by themes of technology, human memories, and how the two influence our communication with each other, Recall is thought-provoking and introspective. This EP marks somewhat of a shift for Eusebeia, more closely resembling his recent releases on his own Rebellion Electronics imprint than his trademark jungle stylings. Rumbling basslines set the foundation for sparse drum work and melodies which evoke a deep sense of melancholy and longing, perhaps for simpler times.

MODCON003

Mastering by Fanu
Artwork by Akuratyde

Follow Eusebeia:
@eusebeia
instagram.com/eusebeia__
facebook.com/eusebeiamusic

Follow Modern Conveniences:
instagram.com/modern.conveniences
facebook.com/modernconveniences
twitter.com/modconveniences
www.modconveniences.com

Recall

Eusebeia - Recall

Skogsrå

Vâyu debuts on Affin with "Nysiads EP". Monument premieres track "Nysa" from the release, that will be out on November 15th. 

@v-a-y-u
@affin

MNMT Premiere: Vâyu – Nysa

Paradox of Choice

ASSUMPTION

Article

Premiere: Calum Gunn - ASSUMPTION

talismann.bandcamp.com/album/percussion-part1

TALISMANN returns...
Commanded by the deep rhythms from beyond, TALISMANN meticulously crafted his modular album named PERCUSSION. PERCUSSION is a homage to this dancing rhythm, the short strikes & drums that give soul to even the darkest ambiance.

PERCUSSION is a multi-release album, and will eventually provide a complete experience. Offering a multitude of unified tracks which all share a synergy with one another. A synergy that will invite for others to play and create one's own within the universe called PERCUSSION.

PERCUSSION PART1

TALISMANN - INTELLYCT PROTECTOR

Track from NE78 Varg2™ & Exploited Body — Etsin Turvaa EP
Out on EP and digital on December 4th.

A collaborative meeting between Varg2™ and Exploited Body has produced a scalding mess of sweat and suspicion across five headstrong tracks, gesturing towards a new and recombinant vector that's lurking out there during hiatus.

Recorded together in Helsinki, 'Etsin Turvaa (Parting is Certain & Loss Will Come Again)' yokes the morbid mechanics of Varg2™'s stroboscopic dread to the pyretic catharsis of Exploited Body's ascendant, club-sourced flares.

The closing track, 'Haunt Me Like the Snakes That Killed You,' offers the smallest respite following the bedlam of 'Fuck You Forever (Parting is Certain & Loss Will Come Again).' The opening pair, 'Karhü' and 'Etsin Turvaa (I Promise this Will Be the Last Time),' spiral out of control from the elegant core that each track's rougher elements are pinned to.

Recorded in Helsinki, Finland in November 2019.
Produced by Varg2™ & Exploited Body.
Mixed by Noah Kin.
Mastered by Neel at EnissLab, Rome.

Artwork by Cali Thornhill Dewitt.
Cover design by Jonas Bard.

Etsin Turvaa

Varg2™ & Exploited Body - Karhü

Online Shop: www.northernelectronics.bandcamp.com

WW Distribution: www.spacecadets.world

Varg2™ & Exploited Body - Karhü

Northern Electronics