Freestyle, Techno, Progressive, Trance, 90s & Underground Hip Hop (NO mumble rap Autotune bullshit)

Bookings - djjennifermarley@gmail.com
 House ❤ Melodic ❤ Techno 

Coming from Royal blood - a real live Russian Princess to be exact - Jennifer Marley gave up the tiara and followed her undeniable path to House music, at a time when it was hitting harder than ever and in a place where all the best House music DJ’s were honing their crafts... New York.
Jennifer made herself known to promoters in various pockets of the New York dance scene and quickly found herself working alongside such greats as Frankie Bones, Josh Wink, and Adam X just to name a few...
Then through a major decision to make a bold move out of New York, down to Florida, Jennifer’s passion for electronic music didn’t skip a beat. She quickly embraced the new styles and genres of Florida and in no time flat, she was earning her place among this new crowd as well. Through her decision to be diverse in her styles and not just stick to a single genre, Jennifer created opportunities to work with and learn from some of the biggest names in Breakbeat, Electro House, Progressive, Trance and others. Some of those artists include The Crystal Method, George Acosta, and Donald Glaude. This flexibility allowed her to get a taste of many styles, which ultimately helped her settle into her own signature style of Techno, Tech House and Funky House.
In January of 2011, Jennifer became one of the first presenters on a new Internet Radio Station ‘Party 95’, in Orlando, Florida. In true Jennifer Marley fashion, she did things a little different than the other presenters that were doing a weekly or monthly show. She was doing a daily show, Monday through Friday. This format allowed Jennifer to further experiment with genres and also got her in front of other big names in the biz, since she became the station’s go-to interviewer when the artists came in town for festivals.
Wanting to immerse herself even more into her craft, Jennifer knew the next logical step from talented DJ was to start producing her own music. So in July of 2013, the world got to hear the first Jennifer Marley original - “Jacked In”. Since her first release, Jennifer has been knocking them out of the park, steadily, releasing at the pace of one every month or so.
Jennifer’s radio show ‘Electric Boom Boom’ is still saturating the “air waves” internationally in Japan, Holland, Chicagoand Florida.
She is currently booking dates for live performances and her music is also available for sync licensing and international publishing opportunities.

Christian Smith is one of the world’s leading exponents of techno, both as a DJ and producer he is always bold and innovative. With his output in recent years it is hard to imagine a list of prolific producers without his name towards the top. He has been at the top of his game for over two decades with his trademark groovy techno.

Although Swedish by birth, Christian spent most of his childhood years in Frankfurt, Germany which no doubt played an unexpected role in determining his musical tastes from a young age. After spending time in the US studying, Christian moved to Sao Paulo, Brazil playing the best clubs in the city and surrounding regions, where he still loves to play today and continues to have a very big following.

In 1995 he started his label Tronic, since then it has dominated the charts with releases from Christian himself and the likes of ANNA, Enrico Sangiuliano, Paco Osuna, Drunken Kong, Wehbba, Ramon Tapia, and more. The label has been the top selling techno label in the world according to Beatport, and is soon to celebrate its 500th release.
Tronic also has a weekly show which is now syndicated to over 100 stations worldwide, their 500th show was celebrated with special guest Carl Cox and now in 2022, they are already fast approaching the 600th episode.

Christian has dominated the charts and DJ’s playlists with a steady flow of releases on many high profile labels like Drumcode, Filth On Acid, Trick, Symbolism, Bedrock, and Tronic. His last EP on Tronic reached #1 spot on Beatport in both Techno and Electro in January of 2024. During the pandemic, Christian had a weekly Tronic Thursday stream which has reached over 10M people. On the remix front, Christian has recently reworked a track by UK hip hop superstar "Stormzy". His music is regularly featured on Spotify's biggest playlists and Christian is currently enjoying a big boost in his career.

Christian also ventured into his own branded night in Ibiza at mega club Eden. His first season on the Island in 2019 had 15 consecutive weeks of events and was a huge success. Christian was also invited to host Tronic events all over the world from Tokyo, Detroit, Los Angeles, and London amongst many others.

So keep your eyes peeled, and if you can’t wait until then, you can always go to Christian’s Soundcloud for the latest on the radio show.

Got into DJ'ing in the early half of the 80's.Originally i started off off life as a breakdancer but was also  drawn to the scratching element of the music.So,as one did back then,i cut out a slipmatt from an old pillow case and got to work on an Amstrad stack system.I couldn't use the volume control so had to use the function button to cut the sound.This gave it an Eric B style scratch,messy but it did a job.It didn't take long for the turntable to eventually die on me so i used anything that played records until i finally got my 1210's in the early 90's.
I'd constantly be chucking out mix tapes but unfortunately living where i did the want for hip hop wasn't there so i moved onto the club circuit.
I did that for a good few years but got bored as the crowd then was only into what was in the charts and i liked breaking new stuff so eventually i knocked it on the head and only did the occasional house party.
Many years later,by chance,i bumped into an old friend who told me about some software he used to mix on.I got it and started putting some mixes together.This was all cool but i got bored quickly just blending one track into another every 5 minutes or so so started doing mash up mixes.I figured if i was using a program to mix then don't do what i could do on my turntables.
I know many DJ's don't class this art of mixing as real DJ'ing and of course they are right but i use my many years experience as a DJ to make these mixes work.
I've had many mixes played on The Streetsounds radio show with Morgan khan and also been lucky enough to be asked to mix up some albums(turning them into minimixes for promotional purposes).
My preference is old school but i do mix modern music also,basically,if i like it i'll mix it.
If there are any record labels or artists out there wanting to put out a megamix type album then(or minimix) inbox me.If i can work with it i will work with it.
Big thanks to all my followers and always appreciate your comments and feedback,they are my payment for what i do...provided they're nice of course!! haha!!
Phurty

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

Katrii is a Canadian-American producer, DJ, vocalist and songwriter hailing from Seattle and currently residing in Vancouver. Growing up in a musical family, her experiences playing in various classical ensembles drove her to embrace electronic music and sound design. Focusing on techno, with an emphasis on industrial/experimental sound, Katrii aims to break barriers between genres and use her voice in new and inventive ways.
 
Katrii has recently released with various labels including VRTN, Refined Format, Coldharbour Recordings, Never B Alone, Roller Blaster Records, Vandit, and Homesick - both as a solo artist and collaborator. She is continually developing her craft, and working to bring her unique musical perspective to an ever-growing audience.

Inquiries: katriimusic@gmail.com

Every event, statement or idea has its own circumstances that define the setting in terms of which it can be fully understood. And to fully understand KNTXT, the techno concept guided and hosted by Charlotte de Witte, you must experience it.

KNTXT has already profiled itself as a force to be reckoned with in the Techno landscape. Its objective is a clear one: to serve a quality techno experience driven by both national as international acts, while staying true to a genuine underground spirit.

All of this has resulted in some mind-boggling editions showcasing an impressive all star wall of fame and also receiving praise from several media such as Mixmag, DJ Mag and Red Bull Elektropedia (Best Really Big Party).

Manifest:
KNTXT /ˈkɒntɛkst/ noun
“The circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood.”

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

Music Producer, Performer & Sound Designer.

Enrico Sangiuliano is a name you will have no doubt noted if you’ve dipped your toe in Techno waters. Standing as one of contemporary dance music’s most influential talents, the Emilia native’s impeccable back catalogue represents nothing but timeless No.1 records, and now only grows to hold more future classics. Aside from his chart-topping studio endeavours, the melodic pioneer’s lengthy resume of iconic performances have thrilled and inspired in equal measure, making him one of the most discernibly authentic and balanced artists on the circuit. 

Embarking on his newest exploration in the world of sound design, the production maestro recently announced the launch of his 10-chapter, transient record label NINETOZERO, along with its correlative SOLO all-night-long event series. A sonic storyteller with deep and meaningful narratives at the core of his many opuses, Enrico’s time-limited imprint serves as an intervention to the notion of perpetual music, opting for an ephemeral concept that challenges audiences to redefine their listening habits. His corresponding SOLO series gives new perspective and insight into his sound palette as a DJ, as he extends the NINETOZERO ethos into an immersive live experience that highlights the evanescent beauty of contemporary club culture.

"DJ RAY" ...music is therapy, my vibration, our frequency.  

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