Name: Basalt by NOSTRUMUVA in Ambient
Duration: 9 min 48 s
Description: This is a live improvised algorithmic song that I wrote in Tidal Cycles using Haskell programming language and recorded it, then I filtered through Audacity to achieve the effect I was going for, which was some kind of Tibetan drone.

Reminds me of Sunn or Boris. Glacial, heavy, an epoch sends its dying farewell to the rock and sea.

Ambient

Improvised multi-layer using Korg Radias and Kaossilator.  Imagine trying to balance a bunch of chairs on a frozen lake...

Stable

No whales were harmed in the creation of this song.  They are not real whale sounds, sorry.  Improvised guitar and old Yamaha keyboard through an effects pedal.  Whale sounds were keyboard in portamento through the effects pedal.

Sad Whales

Improvised song on my old Yamaha keyboard through a guitar effects pedal.  The coolest part of this song is the unintentional recorded feedback matched up with what I was playing.

Standard

Collaboration project between Bismuth Sky and NOSTRUMUVA.  If you put a neodymium magnet between two bismuth ingots and then put another large magnet above that, you can get the small magnet to float because bismuth is diamagnetic.  Bismuth Sky provided the bass track and I improvised Akai EWI4000s over top of that and ran it through audacity to provide more of a drone ethereal sound.

Diamagnetic

Improvised Korg Radias keyboard, then I went back and improvised chromatic harmonica over top of it with an echo pedal.

By A Thread

This is a live improvised algorithmic song that I wrote in Tidal Cycles using Haskell programming language and recorded it, then I filtered through Audacity to achieve the effect I was going for, which was some kind of Tibetan drone.

Basalt

In the Stillness

Sunburst

#4215 92.92% 321 left): Jun. 29, 2025: He heard while he sang and dreamed (again, William Butler Yeats from May 22, 2025) 

*** NEW SELECTION ALBUM 30th JUST RELEASESD ***

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 30th SELECTION ALBUM JUST RELEASED ########

"wind of mysteriousness" - the 30th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/tkqms1ZjAEg?si=RlWgQZBbe9z523f_

spotify:
https://open.spotify.com/intl-ja/album/7CiAmnJmm5Wnm3CVfmC234?si=tImTyWj5TT6dUBRhMRXVYg

apple Music:
https://music.apple.com/jp/album/wind-of-mysteriousness/1817351475

amazon music:
https://www.amazon.co.jp/s?k=chair+house+%E4%B8%8D%E6%80%9D%E8%AD%B0%E3%81%AE%E9%A2%A8&i=digital-music&ref=nb_sb_noss_2

all music streaming services:
https://linkco.re/PQ45u0dG?lang=en

he heard while he sang and dreamed - #4215 (92R92 percent 321 left) by chair house 250629

The time of the pandemic was marked by countless endless, solitary wanderings through nature. This is captured in this piece for piano and bassoon: as footsteps move steadily through deep snow, memories drift past the mind’s eye— silent, fleeting, and profound.

Pandemic Suite – 09. Lonely Walk

In the previous version (https://soundcloud.com/michele-ansani/gamma-o) there was excessive sound saturation. I kept only the vocal part (remixed) and redid the piano backing, aiming for a more minimalist result.

Gamma Ø: https://en.wikipedia.org/wiki/Gamma_Island_(Greenland)

I think a good English translation of the original lyrics isn’t easy, but I’ll give it a try.

Lyrics [ENG / ITA]

And so we go on
along these parallel routes,
we’ll go farther
without ever moving forward,
for how much longer 
will you walk with me?

And so we sink
into this whirl of sensations,
and over us, you’ll see, 
the water will close again,
for as long as
it will still be enough for us?

And we stay like this
we’ll be fine together,
we’re already far away 
without ever having left

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

-----

E proseguiamo così
su queste rotte parallele
andremo più lontano
senza avanzare mai
per quanto ancora
mi accompagnerai?

ed affondiamo così
in questo vortice di sensazioni
e su di noi vedrai l'acqua si richiuderà
per quanto ancora ci basterà

e rimaniamo così
staremo bene insieme
noi siamo già lontani
senza essere partiti mai

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

------

Lyrics and music by Michele Ansani (1982). Recorded in 2018 and 2025
Posted on SoundCloud on 2025, July 3.

Gamma Ø *

Day mode vox in/improved on first vocal attempt since and added acoustic guitar. My uncles Ovation...

https://www.youtube.com/watch?v=p6xMOTjLIaY&list=RDp6xMOTjLIaY&start_radio=1
That is the original version by The Moody Blues... If you don't know the song... Meet a song that people will still listen to in millions of years. It's amazing the Moody Blues original!


Man this song has dug in deep for me. I'd say it was possibly the third song I learned on guitar. Polly by Nirvana, Stairway to Heaven by Led Zepp and then I probably played this one more then any for a few years. I remember watching my Uncle Liam who just left us, RIP buddy... playing it when I was a teenager and I was in awe. He was such an amazing performer and his playing is possibly the single most important real that made me lean to song writing as opposed to becoming a technically great musician.

This is for you Liam, the Ovation is in, we both played this song more times on that guitar then we could count... The guitar travelled with both of us around Europe years apart (although I only made France and Holland with it 😆🤷🏽). Ovy is now 42! I wouldn't be what I am today without you man. Love ya forever and thanks for teaching me

Lyrics (Written by Justin Hayward)

Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore

'Cause I love you
Yes, I love you
Oh, how I love you

Gazing at people
Some hand in hand
Just what I'm going through
They can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You will be in the end

And I love you
Yes, I love you
Oh, how I love you
Oh, how I love you

Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I've always missed
With these eyes before
Just what the truth is
I can't say anymore

'Cause I love you
Yes, I love you
Oh, how I love you
Oh, how I love you
'Cause I love you
Yes, I love you
Oh, how I love you
Oh, how I love you


This track is NOT monetised

Nights in White Satin (A Rendition of the Moody Blues Original track 1968)

New song written and performed by David Cooper

Lyrics:

Don’t explain
Never complain
Just be careful what you say
It’s alright – It’s your life

Keep them deep
The secrets you keep
Hoping that no one believes
It’s alright – It’s your life

Say it loud – Let me hear
Say it loud – Loud and clear
Say it loud – Like we do
Say it loud –Say it loud and true

All around
Hear the sound
Of false words that bring you down
It’s alright – It’s your life

Take your time
Wait for the sign
When one day,  the truth we’ll find
It’s alright – It’s your life

Chorus x 2

Say it loud

sampling is from Boy George and the Culture Club vocals for Church of the Poison Mind

Church of the Poison Mind (Hot Organ Remix)

Cast of characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering

This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 

  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 

  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.


The Plot Thickens -(Eclectic Collective)

Evolving Serenity

For reasons unknown but time will tell...
Multi-instrumentalist, all types of music, all types of methods.
Occasional collaborations with other artists.
Sometimes I post the sheet music if it's piano.
Lately, my favorite instrument is a TE OP-1 Field keyboard.

Basalt

NOSTRUMUVA

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