Untitled Playlist

chill out

Sunday Morning Ambient Mix - July 7, 2024

Teardrop_Track_Sender

ambient

the neighbourhood - the beach (instrumental, slowed & muffled )

Vague003 – Drowning

stream / download:
https://kurate.lnk.to/outside

outside

øneheart x reidenshi - snowfall (slowed reverb)

daniel.mp3 - green to blue (slowed & reverb)

... - . .-.. .-.. .- .-.
stellar // 2023
stream / download: https://diedlonely.lnk.to/stellar

follow us:

diedlonely:
soundcloud: @eternityfounddead
spotify: spoti.fi/3OftOpG
bandcamp: bit.ly/3vmfaV4
instagram: bit.ly/3ObTX93

énouement:
soundcloud: @enouement2k
spotify: spoti.fi/3Jdnf6y
instagram: bit.ly/3JbWCit

stellar

unfortunately

stream / download:
https://oneheart.lnk.to/fairytale

follow me:
soundcloud: @iamoneheart
spotify: https://spoti.fi/3ChwAoB
instagram: www.instagram.com/oneheartisok
twitter: twitter.com/oneheartisok

follow leadwave:
vk.com/leadwavemusic
https://www.instagram.com/iamleadwave/

fairytale

Teardrop

Øneheart - voices

Alignment

in limbo

resonance

Early yesterday, two regions – AR3575 and AR3576 – showed strong flaring potential. That’s due in part to their magnetic complexity.

Eleven M flares brought sun activity to high. Ten came from AR3576 and one from AR3575. The total flare production was 25 between 11 UTC yesterday and 11 UTC today. The largest event was an M2.7 from AR3576 at 22:34 UTC on February 4. The full list of M flares is:

M1.4 at 11:40 on Feb 4 (AR3576)
M1.5 at 16:22 on Feb 4 (AR3576)
M1.3 at 17:05 on Feb 4 (AR3576)
M1.1 at 18:16 on Feb 4 (AR3575)
M1.3 at 20:52 on Feb 4 (AR3576)
M2.1 at 22:20 on Feb 4 (AR3576)
M2.7 at 22:34 on Feb 4 (AR3576)
M1.8 at 22:45 on Feb 4 (AR3576)
M2.2 at 04:13 on Feb 5 (AR3576)
M1.5 at 04:36 on Feb 5 (AR3576)
M1.5 at 06:26 on Feb 5 (AR3576)

earthsky.org/sun/sun-activity-archive-for-february-2024/

What is an M Flare?

www.youtube.com/watch?v=Sb-4Oez_fUk

credits
released February 5, 2024
produced by apis.osiris
video curation by sunn.ii 

Youtube: https://youtu.be/QCT_-g8OiDc
Purchase at: https://hapiohh.bandcamp.com/track/m-flare-11

M.flare.11

DUST

Holding On

Feather

In Love With You

Sunset Reflection

Forever Ago

A twelve part adventure inspired by our cyclical measurement of time.

Free Download

Once Around the Sun - July

Flotilla

Our Story

Slow Motion Engineering LP

Habitual Noise

Buy the album!

Spya' Requiem (Slower)

i miss you. and i'm sorry. i wish i could have one last conversation even if it just meant saying goodbye. my soul will forever have a piece withdrawn and missing. i wish things had turned out differently. i wish you were still here.

it will always be for you

Suzanne Ciani
Buchla Concerts 1975
FKR082LP
Finders Keepers Records

Finders Keepers invite you to witness the incredible first ever Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking.

This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance.

In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith.

These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then.

Suzanne Ciani - Buchla Concerts 1975 (Excerpts)

Balam Acab Just Stay

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Pre-order

Heinali - Rainbow Folding

I hope the Wild Edges speak for themselves. The rest is what happens between them.

I have limited know how and equipment, but think that feeling is more important than hardware and technical ability. 

I decided to stop liking other artists tracks, even if i do like them. I was feeling the pressure to like tracks when i listened to them, especially when people sent them to me to listen to, worried that if i didn't i would upset or offend the artist if i didn't like them, its easier just to like privately. Misunderstandings sadly happened too easily, so i'm distancing myself from the possibility of hurting anyone and of being hurt myself.  Maybe it is better being alone after all. Soundcloud is just like anywhere else where there are lots of people...it can be difficult.

I won't follow, listen, or like, for followers, listens, and likes, so, please, don't ask me to. 

This is a creative escape.

I am always trying to be quiet, but often fail, and to do better.

For Headphone listening
Thank you for listening

Our Story

Notes From Your Wild Edges