https://soundcloud.com/notesfromyourwildedges

Notes From Your Wild Edges

'Motherland' with Bålsam is out now on Neotantra:

https://neotantra.bandcamp.com/album/motherland

Motherland

Atmøsphäre & Bålsam - Motherland (Excerpts)

Late Evening. Mid Winter.

Walking Into You

Wilds Without Edges

But Then

Thought Process

Stream // Buy 👉 https://album.link/pentedouce
Introducing 'Pente-Douce,' the captivating new ambient music single released on May 3rd, 2024, in collaboration with the renowned Canadian producer Arbee. 

Dive into a sonic journey where time stands still and the mind wanders freely through lush soundscapes and delicate melodies. 'Pente-Douce' invites listeners to immerse themselves in a world of tranquility and introspection, where every note is a brushstroke painting a canvas of serenity. 

Let the ethereal beauty of this mesmerizing track transport you to realms of pure bliss and contemplation."

#ambient #ambientmusic #ambientjourney #ambientexperience

Pente-Douce

Buy // Stream

Arbee & Le Code - Pente-Douce

Yes You Can

Palma Ramus

Borassus

memories of concert walls

Long after the orchestra went from stage, the audience left the concert hall, the room has been cleaned: the walls still hold their musical resonances. Together with electricity, pipes, screws, wood and stone we listen to this phenomenon.

Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” 

More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

memories of concert halls

memories of concert walls (disquiet0646)

First single off of the upcoming album NINA. 

Violin by Milo Weil. Vocals by Ellyse Wagener. Produced by Brady Moen for Midwestern Records.

Spandrel

Drone 1 Resonate

This piece was a collaborative duet composed and performed by myself and my little sister.  I played the upper register.

Setting Sun

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Touch

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spotify link: open.spotify.com/track/4pgaM1wA2IH2xeBNpwJVKn?si=793deb61a02a44d7

rooms with nothing in them

Beyond The Clouds

Guidelines for the revision of recognition criteria.

I hope the Wild Edges speak for themselves. The rest is what happens between them.

I have limited know how and equipment, but think that feeling is more important than hardware and technical ability. 

I decided to stop liking other artists tracks, even if i do like them. I was feeling the pressure to like tracks when i listened to them, especially when people sent them to me to listen to, worried that if i didn't i would upset or offend the artist if i didn't like them, its easier just to like privately. Misunderstandings sadly happened too easily, so i'm distancing myself from the possibility of hurting anyone and of being hurt myself.  Maybe it is better being alone after all. Soundcloud is just like anywhere else where there are lots of people...it can be difficult.

I won't follow, listen, or like, for followers, listens, and likes, so, please, don't ask me to. 

This is a creative escape.

I am always trying to be quiet, but often fail, and to do better.

For Headphone listening
Thank you for listening

Yes You Can

Notes From Your Wild Edges

Recent comments

sonic structures and silent stretches

No Mates Ensemble

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