womp womp

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

july 24

Everything 3 - 2

𒌐

Dreamo  - 2

streets of tokyo

http://fleetingjoys1.bandcamp.com/track/kiss-a-girl-in-black-single

Fleeting Joys - Kiss A Girl In Black

Track 01 from 'Everyday I Get Closer To The Light From Which I Came' LP Avalanche Recordings 2013 / AREC027 / Sept 24th Worldwide release Vinyl/CD/Digital

Homesick

-Sweet home studio-



Makes me think

Autumn leaves on the inside of your eyes
I only know what you feel
I wanna live in the bright side

Run with you in the rain
get your wet clothes
dry your hair
feel the kisses on my temple

only makes me think that i'm dead
only makes me think that i'm dead
only makes me think that i'm dead
only makes me think that I

only makes me think that i'm well
only makes me think that i'm ok
only makes me think that i'm well
only makes me think that i'm ok
only makes me think that i'm well
only makes me think that i'm ok



Makes Me Think

Beautiful (Tapping The Vein)

Death (XIII)

student film

Floating

was gonna add synths but i am incapable of revisiting old projects
also thanks to steven solace/shoelace for the unsolicited rei ayanami photo

denial

Hazy Youth

red w/ mila moon

LOWLIFECITYBOYZ.NET
✧✧✧✧✧✧✧✧✧✧
cover by: yungja2k
mixed by: yungja2k
recored in: HELL USA

u ain't gotta die 2 see hell [PROD.LUVVLIGHT]

Lyrics:

I stared into the black void of night 
Aimlessly grasping 
At your dotted lines 

I miss you 
I miss you

Your eyes in the moonlight 
Hit just right 
It’s just right

dead of night

starjump / kit

starjump

pushing daisies

daisy pusher

flutter

Sorted

Slope

Distressor

Ghost

기다려준 새벽 (Following Her To No Particular Sunrise)

Muta / Blue Sugar

Blue Sugar

Compilation/Mixtape of demos recorded from 2020-2023

Running Out Of Time

this beat was produced by everestdidthis, you can check them out on youtube! 

lyrics: 

(Verse 1) 

Drips from an empty bottle 

Lays on the pavement 

Hips aligned 

Lips lock like cement 

(Bridge) 

The sun starts to set 

Arms interlock 

There’s truth in regret 

Continue to walk 

(Chorus)

Smoke enters your lungs 

All to be with someone 

Who won’t share your pains 

You die everyday 

The person I know 

Who treats me okay 

Goes right down the drain 

And dies everyday 

(Verse 2) 

Piece it together 

Your heads in a maze 

These nightmares you have 

Are all so extreme 

But the sign on your street 

Reads Elm on repeat 

Your stuck in a trap 

That you set in your sleep 

(Bridge) 

The sun starts to set 

Arms interlock 

There’s truth in regret 

Continue to walk 

(Chorus)

Smoke enters your lungs 

All to be with someone 

Who won’t share your pains 

You die everyday 

The person I know 

Who treats me okay 

Goes right down the drain 

And dies everyday 

(Outro)

Smoke enters your lungs 

All to be with someone 

Who won’t share your pains 

You die everyday

you die everyday (prod. everestdidthis)

whispers in the wind (prod. taymxru)



GRAVE118 - Whirr 'Sway' out 9/23/14 on CD/LP/Tape/Digital (pre-order here: www.graveface.com/graveface-catalog.html)

When Sway begins, you might at first press pause, reaching for your headphone wire or peeking behind your speaker cables to make sure nothing has come undone. The blister of distorted guitar that opens the album comes only from the right channel, howling and hanging there in irascible isolation until it seems that something must be wrong.
But be patient: After a dozen seconds, the rest of Whirr—a five-piece of blanketing rock focus and comforting pop finesse—pours in from the left channel. They meet the guitar in the middle, together racing headlong into a short section that’s heavy as metal but pliable enough to be the springboard for the galloping shoegaze beauty that soon arrives.
For the next 36 minutes, you need not worry again about lost connections, split channels or anything else, really. More than any Whirr release to date, Sway creates a definitive sense of immersion, sculpting an environment that breathes you in instantly and breathes you out only when the record snaps into silence.
That bifurcated start is an appropriate image for Whirr in 2014. Last year, the band headlined a tour with the Philadelphia group and fellow admirers of heaviness and harmony, Nothing. Not only did the crews become fast friends, but their respective founders—Whirr’s Nick Bassett and Nothing’s Dominic Palermo—decided to start a group of their own, Death of Lovers. When the shared tour was finished, Bassett headed to Philadelphia for a month of writing and recording. He’s never really left. He calls Philadelphia home now, so Whirr has become a bicoastal band.
In Philadelphia, Bassett worked on Death of Lovers’ debut for Deathwish Inc., toured as the bassist for Nothing and steadily composed new material for the next Whirr album, their first full-length for Graveface. Back in Oakland, the rest of Whirr had committed to the project full-time, too, so the West Coast contingent wrote and rehearsed new material without Bassett. Joey Bautista took the lead on two songs, Loren Rivera on three.
Indeed, against most odds, Bassett’s move made for a more democratic Whirr. In their salad days, Bassett had written most of the material and built the bulk of the arrangements, too, using the support only to enrich and enliven them. After a slew of splits and singles and EPs, Sway is the second Whirr LP, but it is only the first to be rendered by a fully functional rock band, having shaped the songs slowly and over some distance.
Before the quintet entered Oakland’s Atomic Garden to work with longtime producer and collaborator Jack Shirley, they reworked the contributions of all three writers, massaging the material into a cohesive dynamo. Rivera, for instance, rewrote the words for Bassett’s material, folding his songs into the album’s presiding sense of dusky melancholy.
“It’s not conceptual, entirely, but it’s intended to ebb and flow in a certain way—one song being aggressive, then dropping out and being pretty but devastating,” Bassett says. “We tried to create an atmosphere, where you listen and get vibed into one tone. ”
That rhythm presides over Sway, tying its distinct parts into a seamless unit. The restless “Heavy” churns somewhere between Godflesh and Gish, its lumbering beat and foreboding guitar buoyed by a melody that feels like a secret hymn for which you’ve long searched. Gorgeous and sprawling, “Sway” floats through luxuriating guitars and pillowed vocals, offering an impressionistic but intoxicating inversion of Whirr’s typical propulsion. Even here, during the record’s prettiest moment, Whirr maintains a righteous minimalism, emblematic of members who met one another as skateboarding high-school kids.
“The aesthetic of the band is more aimed at mature punk rather than alternative rock,” Bassett confirms. “There are these more aggressive punk elements—noisy feedback, a snare roll that just goes into super-punchy, driving songs.”
“Clear” brilliantly paints its lyrical quest for lucid communication—“I want words/to understand you,” runs one plaintive, surging bit—in music that takes up the same challenge. Whirr pushes past a pastel instrumental haze into a hangdog march, with near-whispered vocals bruised by Devin Nunes’ drums and Eddie Saldago’s orotund bass line. But as the end approaches, the band builds together, the riffs and the rhythm colliding into one triumphant, redemptive crest.
And that’s the victory of Sway, too, an album written by five people on two coasts but executed with the force and splendor of, at last, a fully unified Whirr.
Graveface will release Sway on CD, LP and digitally September 23.


Whirr - Lines

Mirror Days new single for the upcoming EP titled Solstice

OUT OCTOBER 30th 2014

Window ( Official Single )

Bass, Vocals, Distortion - Sarah Quintero
Drums, Vocals, Guitar, Electronics - Mario Quintero


Cult Classic

Oso Oso debut LP Real Stories of True People Who Kind of Looked Like Monsters Available June 9, 2015. SoftSpeakRecords.com

Oso Oso - Another Night

BAND: TREMENTINA
ALBUM: ALMOST REACH THE SUN
LABEL: VINYL JUNKIE RECORDINGS / BYM RECORDS
YEAR: 2015

KISSES IN YOUR EYES

Whirr & Nothing

Ease

Old World Underground, Where Are You Now?

Succexy

Karmacode

In Visible Light

Tough Luck

Written and Performed by : Graham Harrington

Endless

Oslow

Cold Dark Space

Covered one of my all-time-favourites by New Hampshire screamo veterans old gray. "Resonance" is part of the Everything "I Let Go And The Things I Refuse To" EP, where they show a clearly post-rock inspired side of screamo.

Old Gray -  Resonance acoustic cover

Soft Beach

Old Notes
Album "With A Heavy Heart"
released February 16, 2018 

Recorded, mixed, and mastered by Simon Monette at Tiny Dino Studios. 
All music and lyrics by Old Notes 
Album design by Emily Bolka 
Album illustration by Omar Preciado 

Old Notes is: 
Devin Trott // Vocals/Guitar 
Eli Martinez // Drums 
Justin Marquez // Bass 

Special thanks to: Kerri & Daisy Lopez, Gina Marquez, Paul Aguilar, Jason Senner, Cindy & David Trott, Jasmine Garcia, Rocco & Corky the Cockatiels, Dave Huffman, Dave Dykstra, Simon Monette, Crissy Sierra, Thom DeDirant, Lauren Schorr, Shirley Leslie, Andy's Room (Matt, Austin & Garrett), Matt Ciaccio-Stevens, Programme Skate & Sound, Overslept, Blake & Kiana, our whole Dungeons & Dragons group, Corky's Kitchen & Bakery, Richard Martinez, Kameron Nickel, Emily Bolka, Paul Salazar, Jacob & Connor Gill, The Unending Thread, the [r]edacted fam, and thanks to every other individual that has come to our shows, bought our music, and took the time to give us a chance. You mean the world to us.

Emo band from Rancho Cucamonga, CA.
Contact: oldnotesband@gmail.com

Lyrics:
I got the call in the morning, 
Eyes wide and mourning. 
The loss of life and a friend, 
It takes over breathing. 

I stood idle by, 
Pleading you not to die. 
Asking why? 
You left us by the roadside. 
Taking on, 
Your demons for too long. 
Resenting, 
The idea that you’re gone. 

I never thought that this be it. 
Late nights at Corky’s they’d cease to exist. 
This pain is growing like a cyst in my heart. 
Knowing that we’d always be apart. 

I stood idle by, 
Pleading you not to die. 
Asking why? 
You left us by the roadside. 
Taking on, 
Your demons for too long. 
Resenting, 
The idea that you’re gone. 

Time has crept up again. 
No longer a helping hand. 
Always helping others than myself. 
Your life is always what I need. 

I stood idle by, 
Pleading you not to die. 
Asking why? 
You left us by the roadside. 
Taking on, 
Your demons for too long. 
Resenting, 
The idea that you’re gone.

With A Heavy Heart

Old Notes - Solace

neat dream pop band i found on youtube.

check out their spotify:
https://open.spotify.com/artist/5LkgVE79AHNZN7kMukfJFv

check out their instagram:
https://www.instagram.com/dreamswevehad/

Running Out Of Time

Nothing After Death