what ever that bell like sound is, its really good for the rest of the song.

favorite part here. Sounds like im going through a videogame boss room. Kinda like risk of rain music

Shimotsuki Club and NoKnT join together again to bring us Eclipse Volume 1! Artists spent seven days working on their releases and art! In this compilation we picked the very best of as many genres as we could! Fun fact: the final decision between what art submission would be the album's cover art came down to a coin toss!

By streaming this album you are directly donating to the Give2Asia foundation in support of India! NoKnT is collecting and donating 100% of ALL revenue generated by this compilation and donating it!

----< 𝗗𝗢𝗡𝗔𝗧𝗘 𝗧𝗢 𝗚𝗜𝗩𝗘𝟮𝗔𝗦𝗜𝗔 >----
https://give2asia.org/fund/

----< 𝗙𝗢𝗟𝗟𝗢𝗪 𝗨𝗦 >----
Website: https://noknt.net/
Instagram: https://instagram.com/noknt_records
SoundCloud: https://soundcloud.com/noknt_records
Discord: https://discord.io/sivin_official
Twitter: https://twitter.com/noknt_records

----< 𝗙𝗢𝗟𝗟𝗢𝗪 𝗧𝗛𝗘 𝗔𝗥𝗧𝗜𝗦𝗧𝗦 >----
Kaifu: https://soundcloud.com/kaifuaudio
Zeroth: https://soundcloud.com/notzeroth
Vlams: https://soundcloud.com/vlams1

Hinode

Buy/Stream

Kaifu & Zeroth & Vlams - Hinode

Stream + Buy: https://fanlink.to/act-iv-affinity

djeb: https://soundcloud.com/djebrayass

Baku Records: https://wearebaku.com

Act IV | Affinity

bring you home

Stream + Buy

djeb - bring you home

STREAM: https://fanlink.to/ETCrs
DOWNLOAD ON BANDCAMP (For Free!): https://notzeroth.bandcamp.com/album/etc-rs

This song started as a shitpost, I tried to make a drop with as many silly ideas I could think of. I posted the idea on Loudness Refuge (shoutouts) and people liked it, so one thing lead to another and it ended up becoming a full song. Originally it didnt have any vocal samples except for suisei saying hi honey (foreshadowing), but I remembered about this strange device I saw in some POV video of a guy driving a R32 Nissan GT-R, and I thought yo, this could make for some sick pre-drop vocals. So that happened and now the song is about a highway toll ticket device. Dubstep am I right fellas.

ETC rs

DOWNLOAD

https://soundcloud.com/disciple/chroma
@virtual-riot
@disciple

virtual riot - chroma (edit)

STREAM: https://fanlink.to/_beyond 
DOWNLOAD ON BANDCAMP (For Free!): notzeroth.bandcamp.com/track/beyond

Guess what? Yet another song that started as a shitpost. This one dates back to around May 2021, I posted a clip called “cirno whatsapp” on Loudness Refuge, consisting of the first 8 bars of the drop into another drop, but with really shitty Tearout basses. I had a laugh and forgot about it, until a couple of months ago, when I was compiling songs for my 2022 Showcase. I extended the original clip from 8 to 32 bars, and because I had lots of fun doing that and people seemed to like it, I ended up making it into a full thing. Genres like these allow you to put so much cool harmony while still being aggressive and high energy. That blend of musicality and heaviness is my main goal with music as a whole, and I hope I can keep improving on it and pushing it forward.

This song would not exist without the music of Jayster (@jaystermusic) Tony Thai (@midiman10), Inverted Silence (@invertedsilence) and Mameyudoufu (@mameyudoufu). You can consider this song a kinda weird love letter to all four of them. Special thanks to Inverted Silence for all his help and for being a good lad in general.

Illustration, as always, by https://twitter.com/choroidplexus11

FREE DOWNLOAD

beyond

BUY THE COMPILATION: https://telemist.bandcamp.com/album/we-r-massive-vol-1-curated-by-telemist

This is my track for the jungle/retro Drum N Bass compilation organized by Telemist, with all proceeds going to charity. As you can image, im not exactly known for being a jungle producer, this is actually the first time i've attempted something like this. I wasn't thinking of participating, but after encouragement from telemist and some luck doing my own breaks from scratch, i decided to make it happen. This track showcases a more harmony-driven and songwriting first ethos that i hope to incorporate more regardless of whatever genre im doing at the moment. Hope you guys like it!

FULL COMP

guiding light 【WE R MASSIVE VOL. 1】

https://soundcloud.com/billiummoto https://soundcloud.com/miyolophone

1,000 unique artists. 24 hours. On August 6th, 2022, the FORM community came together to make the most ambitious All Nighter yet. With tracks ranging from metal, to neuro funk, to acoustic and heartstring-pulling tunes, there is something for absolutely everyone across these 44 tracks. The hard work and groundbreaking ideas of the FORM community never cease to amaze.

One thing remains true: All Nighter is a testament to our ability to be unapologetically creative. Despite the sleep deprivation, render errors, and tirelessly waiting for your collaborator to wake up and submit the finished product, the process and the result are equally worth it. To create something out of scratch in a single day-- to create at all-- is an enormous feat. You simply have to get started.

All proceeds from All Nighter, Vol. 7 will be going to COPE, a charity dedicated to eliminating health disparities for the Navajo Nation.

COPE: https://www.copeprogram.org
FORM: https://artbyform.com/

Buy/Stream for Charity

BilliumMoto & Miyolophone - IX's Shadow

STREAM: fanlink.to/no-future
BANDCAMP: notzeroth.bandcamp.com/album/no-future

This is probably my personal favorite in the EP. I don't listen to that much dubstep in my free time, I mostly listen to other genres, and these past 10-11 months I’ve been rinsing a shit ton of Summrs. At first starting as me adding a drop to one of his archived songs (that's how I’ve mostly played it in my URL sets), it began evolving until it became its own thing completely. 

I really like dubstep, but I don’t consider it my main genre. It just happens to be the one language I feel best at and I feel more confident in using, and so far it’s my most useful tool to convey musical ideas. This song (and back home) are prime examples of this: dubstep is the vehicle and main glue to hold all of the other stuff that I personally love about music, and while I would probably be shit at writing a full-on jazz song, or a hardcore punk song, or a trap song, or whatever it may be, I’m at least decent enough at doing this. In the end, It’s all about compromises. Or that’s what I tell myself to feel happy.

no future

BUY ON BANDCAMP

desire

inspired by @siximpala's "spare your enamel, she needs it more than you" and @wakebloom's "jghjkrghkbknkghmbng"

a little arrangement i made for a certain label compilation, but i scrapped it and made something else instead

marble soda

DOWNLOAD ON BANDCAMP (For Free!): notzeroth.bandcamp.com/track/third-wind-remix

Originally written and performed by the Pat Metheny Group. Rights to them fr. RIP Lyle.

August and September have been really busy months for me: a ton of IRL work and lots of life changes, coupled with the release of my first EP a month ago. All of that brought me to pretty much not touch the DAW in a pretty long time. When I finally got a bit of free time, I all wanted to do was indulge... and turns out my idea of self-indulgence is grabbing a 1986 Jazz Fusion song, taking all the harmony and melody word for word bar for bar, and remixing it using the production style of an Inverted Silence flip. Double ripoff. Hell yeah! The indulgence gets even worse as the song progresses...

I had a ton of fun doing this, I hope you guys dig it!

third wind (remix)

VISUALS https://youtu.be/LQnHYa8g6K4

DL https://sagexmusic.bandcamp.com/track/blade

Blade

dubstep 2
this won't be my grave


CONTACT

DISCORD: notzeroth
EMAIL: notzeroth@gmail.com

ETC rs

zeroth

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