Assemblaggi 🧩

有貝兒來

合體

@awbluu
Music video: https://youtu.be/dMka6cCZsHg
Love is an emotional capacity without boundaries. It is the inherent beauty of life and light, flowing from within our body and mind. The alchemy of intimacy and devotion helps us to ascend from darkness, filling our soul with a clear radiant energy. Like a beaming star, our compassion and affection heal us by releasing our trauma in katharsis.

The compilation “No Limits, All Love” is the 12th release of katharsis, celebrating our first anniversary with 10 poignant tracks from artists novel to the label. With the title as a thematic starting point and additional references of gratitude, healing and growth, the contributing artists were invited to interpret their experiences of kathartic purgation and salvation through music.

To commence the compilation, the Egyptian Ma3azef-affiliated artist ABADIR engages us with his spellbinding track “Clearance”, before the British sound-designer Phrixus gets our bodies moving to his wonky “Unintentional Alchemy”. Debuting local Danish artist Bloszum takes the pace down again with the hypnotizing piano-infused hymn, “Beauty Is Only Crystal Deep”, followed by the daybreaking floater “Flamma” by Uruguayan artist Balas De Agua.

Subsequently, French producer Zero Crossing Point delivers a stellar spectrum of emotion on “Our Ascension” ahead of the sentimental receptacle of heartbreak on the track “Vesper” by French artist Awbluu. The energy dives deep into the trancelike state of our subliminal mind on Nexcyia’s “wrapped(up)”, as danish duo J Sliwa, consisting of label founder jjjacob and his partner in crime Lighyer, shoots for the stars with celestial cannons on the track “Light Is Within”. The compilation culminates in climax on the motivational rave-anthem “Don’t Be Sad” by the Swedish YEAR0001-affiliated duo Quit Life, before Santebela closes the album with grandiose piano phrases bathed in reverb on “save me”.

No Limits  All Love

Awbluu - Vesper

Pantomime

Broken Spear - Lurave

Buy on iTunes

Akın Sevgör - Chain Reaction

It is time to let go of your fear and doubts. You must learn to embrace the darkness of your soul, for it is a light beacon of hope for humanity. Your soul wants to show itself in its truest form, strength, perseverance, courage and determination of spirit. In this lifetime your soul needs to cleanse and open its feelings for katharsis.

With the double compilation “Infinite Summer: Ekstase & Fantasi”, katharsis celebrates the return of raves and concerts to society after a long period of pandemic shutdown. A magical summer has past filled with a great pallet of emotional material, ready to be expressed. Therefore, we encouraged a collection of artists we adore to channel their imagination of the greatest way to conclude an endless summer night with into a piece of music.

This resulted in a grand assemblage of harmonious manifestations, naturally splitting into two divisions with opposing focuses. In contrast to the first part of the duology “Ekstase”, which focused on euphoric and dancefloor-oriented outputs, this second part “Fantasi” has a more serene and introverted focal point. The majority of the tracks seem to be meant to stop time in deep reflection with a placid sunrise as the backdrop, exemplified by the purgative opener “salomé” by Aestum, but the listener will find occasional rhythmic outpourings like the unhurried clubby vibes on awbluu’s “Rosalyne (Voxen)” or the beautiful melodic “we will get where?” by Beham.

Infinite Summer: Fantasi

we will get where?

premiere: Beham - we will get where? [Infinite Summer: Fantasi]

@user-562803650

Flewid Out Now!

noumenalloom.bandcamp.com/album/flewid

Flewid

Re-Pon

Lasus - Re-Pon

Undul

Lasus - Undul

Lasus - Craters

Lasus - Slemp-Q

OrangeTone's debut album 'Lightmixer' out February 9th 

Pre-order: https://noumenalloom.bandcamp.com/album/lightmixer-2

Lightmixer

Vie Quatre

OrangeTone - Vie Quatre

Here it is - Free download at buy link! xo

https://www.instagram.com/tidewarp/

FREE!

KORELESS - WHITE PICKET FENCE (TIDEWARP TREATMENT [FREE DL]

2024/11/29 IG LiveStream 01  - Full Synth Live Set

_LiveStream_IG 01 - Live Set -2024/11/29

Sit back, relax and enjoy ツ
Taken from 'Mantra' released 21st October 2016 on Jarring Effects.
► iTunes / Spotify / Deezer : http://lnk.to/JeanDuVoyageMantra
► CD1D (CD/Vinyl/Digital) : cd1d.com/fr/album/mantra

Music by Jean du Voyage & @i-s-l-a
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Bandcamp : www.jeanduvoyage.bandcamp.com
Website - www.jeanduvoyage.com

Artwork : www.sly2.fr
Promo : julien@jarringeffects.net
Booking : contact@jeanduvoyage.com

Mantra

Stream / Download

Om (feat. ISLA)

OUT NOW https://soundcloud.com/dankndirtydubz/sets/dank031-the-widdler-otz-outlaws

1. The Widdler  - Outlaws
2. Otz                - Once Upon a Time
3. The Widdler  - New Frontiers
4. Otz                - Before Dark

https://soundcloud.com/otzbass

OUT NOW: Outlaws EP Preview: The Widdler & Otz

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作曲 : 羅錕
作詞 : 張贏
編曲：羅錕/Xueran Chen
制作人（美國）：Xueran Chen
制作人（中國）：張贏
人聲錄音師：姚海毅
和音：趙貝爾
管弦樂團：Hungarian symphonic orchestras
吉他：Jacob Boyd
中國笛：Chris Bleth
大提琴：Ro Rowan
縮混工程師：NEM Studios
母帶工程師：Randy Merrill
監制：宋鵬飛
音樂出品發行公司：聽見時代傳媒

初見若繾綣 誓言 風吹雲舒捲 
歲月間 問今夕又何年
心有犀但願 執念 輪回過經年 
彈指間 繁花開落多少遍

這一世牽絆 糾結 觸動了心弦
下一世不知可否再見
留一片桃花 紀念 了卻浮生緣
眉目間 還有我的思念

一寸土 一年木 一花一樹一貪圖
情是種 愛偏開在迷途
忘前路 忘舊物 忘心忘你忘最初
花斑斑 留在愛你的路

這一世牽絆 糾結 觸動了心弦
下一世不知可否再見
留一片桃花 紀念 了卻浮生緣
眉目間還有我的思念

一寸土 一年木 一花一樹一貪圖
情是種愛偏開在迷途
忘前路 忘舊物 忘心忘你忘最初
花斑斑 留在愛你的路

虔誠夙願 來世路 一念桃花因果渡
那一念 幾闕時光在重覆
聽雨書 望天湖 人間寥寥情難訴
回憶斑斑 留在愛你的路

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❖本頻道只作推廣及宣傳之用，如果您想使用此视频中的音乐，请联系歌手本人及其音樂公司。

 #GEM邓紫棋 #桃花诺 #動態歌詞 #LyricsVideo

上古情歌 电视剧原声带

G.E.M.邓紫棋 - 桃花诺【動態歌詞/Lyrics Video】

It began with ‘Kwaidan’, a simmering study on the lost art of Japanese ghost story-telling. Then there was‘Komachi’, baptized in the earthly winds and static that define its comforting sonics.

On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — or, as fashioned in the album’s subtitle, a “satire of old Japanese aesthetics”. Each entry’s distinct flavour hasearned Meitei acclaim for conjuring a bygone culture through his transportive form of ambient music. ‘Kofū’ arrives as a deconstruction of this approach. His first release with KITCHEN. LABEL, Meitei has quietly defied expectations set by his previous two albums, while continuing to challenge modern notions of Japanese sounds.

Once again, Meitei resumes his focus on a Japan that has long ceased to be. This time, ‘Kofū’ is deliberately playful in bridging a sensibility that connects this imagined past to the present. Fractured piano chords are the first to greet you on ‘Kintsugi’ before they make way for a spectral elegance that parades the haunted mask of Kwaidan on ‘Man'yō’.

But like an ambient soothsayer schooled in the art of the 808s, Meitei quickly drives ‘Kofū’ with propulsion on ‘Oiran I’, which shares a sibling in Side B track ‘Oiran II’. On both songs, he builds tension served up by flickering hip-hop rhythms — achieved by carefully processing old drum and metal sounds — with a subversive spirit unforeseen in any of his work thus far.

Dissecting vocal recordings to the point of incomprehensibility, Meitei aims for something stirring beyond- words — not unlike J Dilla and his mountain of cut-up soul samples, or The Caretaker with decaying 78s. He abides by a principle attributed to the master Hayao Miyazaki: “Beyond logic speaks of human nature”.

‘Kofū’ allows full immersion into fragments of the past without the trappings of nostalgia. The tracklist is denoted by prominent (and unseen) figures of this history. Tracks ‘Sadayakko’ and ‘Otojirō’ are named after renowned entertainers from the Meiji era, while ‘Nyōbō’ is dedicated to a long-suffering line of working class women within a patriarchal Japanese society. The sounds of ‘Oiran’, sharing the name of the title bestowed upon courtesans, were sparked after learning about the treatment of red light district workers within this era. It paints a grim picture of baidoku (also known as syphilis) and its ravage spread.

These stories cloud the overall mood of ‘Kofū’, but Meitei takes a Mizoguchi-like approach to mould that unimaginable pain with tenderness. ‘Oiran 1’’s hidden subtitle is Hana, and ‘Oiran II’ is Shiokaze. As Meitei explains, “Hana means gorgeous and glorious. Shiokaze is the sea breeze — for her life.” Tracks like ‘Urameshi-ya’ and ‘Gen'ei’ provide a meditative space amidst the turbulence, while ‘Shōnen’ takes a turn for the cinematic. The eight-minute odyssey is engulfed by shadowy voice loops, mixed best for a headphone experience in a solitary setting.

Meitei bids farewell to an expedition first sparked by a passion for a long-forgotten cultural past. ‘Kofū’ is a definitive conclusion with an open invitation to listeners from Japan and beyond — encouraging continued appreciation of this sacred part of history, wholly untethered from the world at large.

‘Kofū’ will be released on LP, CD and across all digital formats via KITCHEN. LABEL. Chihei Hatakeyama mastered this recording in Tokyo, Japan.

Release Date:
CD, Digital - 25 Sep 2020
LP - 30 Oct 2020

Ⓟ & © 2020 KITCHEN. LABEL

Meitei - Oiran I (Kofū, 2020) - preview

Volti E Fantasmi - Ennio Morricone

Record label based in Providence, RI

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OrangeTone - Vie Quatre

Noumenal Loom