Electronic & indie Broadcaster 📻
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Record Label: @ddmrecordings

contact@dealerdemusique.fr

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

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“I met Spliff Hemingway back in 2012 at a Beat Fighter/Beat Battle/Hip-Hop event @ 2nd Street Jazz Club in Los Angeles. Good vibes, Good people. First time I came out it was to support one of my artists who was booked to perform. After we stayed around to support the rest of the talent & in between sets we would catch Spliff hop on stage, grab the mic with so much comfortability, & just start flowin'.

I would say about a day after that event, I contacted the event host O-Phrap interested in being a producer in the next upcoming Beat-Battle. Submitted beats & got approved. Fast forward to the day of this event, Walk in, vibe always right; Ashley-Domonique on stage hosting. Beat-Battle goes down. Didn't win but I loved the experience. Ofcourse I stayed around to support the rest of the talent, & like I expected Spliff comes out the cut, gets that grand introduction, grabs the mic, & starts GASSIN! Sometimes getting so into it he's closing his eyes for a minute. For like 5 minutes straight sometimes. The whole crowd would be so magnetic to it and gather towards the stage. Every time. For me & my team just beginning to start performing at that time, it was truly inspirational.

Went home, added bro on Facebook, reached out to find all the music online I could. All I found was one at the time. "Buddha Heads". It was only one joint. It wasn't even that long. But I must've played it all day, on the way home from school, at school, at home. I would randomly come outta no where sayin 'apple heads, cherry heads, yo' Lol. Me being a producer & an artist myself, you can tell when an artist & a producer have a good relationship just from hearing the music. Duke Westlake crafted that beat in tone with Spliff to match with clarity. 

I kept up with the movement all those years. Every music video. Every major move, including theVans Warped Tour. (Wish I could've made a show) Every single. Flighted feat. Agallah. Mr. Hemingway. Every year he mentioned his album "Water" that was coming soon. In my mind I was like how can someone hold something back for so long; because in this generation so many artist are used to making music & dropping it repeatedly. But something of this quality deserves all the time to be perfected; which I think is exactly what Duke Westlake & Spliff Hemingway did.” 

-N3 (LA On Lock)

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