May 2021

2021/05 May

Destaques Zumbido Máximo (maio 2021)

Zumbido máximo é um espaço de divulgação de artistas do rock ao eletrônico.

Visite...
https://soundcloud.com/zumbidomaximo
https://facebook.com/zumbidomaximoblog

#alternative, #indie, #newwave, #pop, #punk, #rock

Mix May 2021

indie trash

Your weekly dose of the newest tracks and fresh discoveries.
Check out our facebook page and like it for more updates and new music!
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or on playlists on
open.spotify.com/playlist/4utAryT…h6RBa2GdeZPwrTng

This Week in Music 359 - Half Waif - Ralph - Nell Widmer

[Weekly Mix] 2021.06 (1)

Ice Melt

L.A.

Written at the height of the first summer of lockdown, when people were clapping, clogging up beauty spots and leaving piles of rubbish behind, pushing conspiracies and the government were lying and incompetent. 

Still very much relevant today.

We Are The Virus

Impudent Hussy

Born to Leave

Mythopoetics

Sodium & Cigarettes

Imaginary People

Swirl

Blondie

Follow SkulKids:
Spotify: shorturl.at/isyDN
Instagram: www.instagram.com/theskulkids/?hl=en
TikTok: vm.tiktok.com/xYh9tv/
Youtube: youtu.be/CUDDJloDWCI
Twitter: twitter.com/theskulkids

Free Download

Cute Without The 'E'

"Stateside"
Music & Lyrics by John Kunkel
Mix & Mastered by John Kunkel
Release Date: May 10, 2021
Label: Division 87 Records
Spotify: http://spoti.fi/3sAQ7KV​
Bandcamp.com: https://thenewdivision.bandcamp.com/​
Instagram: https://www.instagram.com/thenewdivision​
Facebook.com: https://www.facebook.com/thenewdivision​
Twitter.com: https://www.twitter.com/thenewdivision​

Spearheaded by John Kunkel (songwriter/producer), The New Division is an LA-based tour de force. Influenced by a mix of new wave, synthpop, and dancefloor sensibilities, Kunkel has taken the tastiest slices of these genres and blended them into The New Division's signature sound. With a sound that feels comfortably connected to the past but with a momentum that fastens them to the future, at its core The New Division's custom blend of electronic adds tugging lyrics to each track, bringing satisfying emotion to the party.

On the heels 2020s LP, "Hidden Memories," The New Division's latest effort, "Stateside" is The New Division's 2nd single for 2021. Featuring a unique rhythm section, ethereal atmospheres, and glistening vocals, "Stateside" offers its own take on settling for love across the pond. On the subject matter, John Kunkel (lead vocalist/producer) states, "I wrote this song during the pandemic and thought about all the people who were together before everything went down, but then got separated for one reason or another. Not being able to see each other during that time, all while under lockdown must've been difficult. I tried to put myself in their shoes, thought about how I would've reacted, how they would've felt and the lyrics stemmed from that very place." 

Stateside is out worldwide May 10th, 2021 on Division 87 Records.


"Stateside"
I won't let you run me down
I won't leave anything over 
As long as I'm away from you

Living a double life
These days I'm looking a bit older
A price for the sins I pay 

This isn't what you want
But I don't matter
Cause all the things I need are in my hands

To hold you over
I hold you

Runnin round just like your head cut off

The smilin' that your sportin' just says it all
So I won't let you try to win this
Before you know, before you know it all

I lead a simple life by msyelf
How could you add anything to it
Without breaking up?

The New Division - Stateside

Metronomy remix of "Living Beings Pt.2" by Lean Logic.
Written by Lean Logic.
Remixed by Joe Mount (Metronomy).
Mastered by Nick Carlisle.

The original version of "Living Beings Pt.2" is taken from the forthcoming Lean Logic album "The Last Mirage", released 28th May 2021 on O Genesis Records.
Pre-save "The Last Mirage" on Spotify:
smarturl.it/thelastmirage-ps

Living Beings Pt 2 (Metronomy Remix)

Living Beings Pt.2 (Metronomy Remix)

Lyrics

When I see you...
When I see you I want to hear that you’re doing alright.
Because I know that if I don’t I will have to suit up in disguise.
Sorry that your heard me healing
Didn’t mean to hurt your feelings
Here you are in front of me
Crawling up between my knees
Now I’m wondering what we’re doing here.

She wants my pain. 
Yeah, her life could always use a bit more heartache.
And in the sun she’s so bright, though I know she only looks up when it rains.

How I wish that I could find all of the words to explain.
Yeah I know I clean the knife that cuts me open and splits my heart from my brain, telling me to stay far away from the good in you,
‘cause I get drunk and forget the truth
When you’re lonely at 2 am you’ll cry enough ‘til I give in. 
Then I’m on my way.
Somehow I’m still okay.

She wants my pain. 
Yeah, her life could always use a bit more heartache.
And in the sun she’s so bright, though I know she only looks up when it rains.

Can you feel my heartbeat faster? Beating faster when I’m with you? I can feel your hands grip tighter. Tighten up it’s almost over. 

Don’t worry, it’s almost over. (Over... over... over)

Can you feel my heartbeat faster? 
Beating faster when I’m with you? 
I can feel both hands grip tighter. 
Grip them tight, it’s almost over.
I can feel your heartbeat faster.
Beating faster when you’re with me.
Both your hands around my neck and I’m just glad it’s almost over...

Tell God You Were Framed

Love In Heartache

Live to Survive

terminal paradise - adrienne lenker

Debut single from newly formed Now Open Smokes, Swedish duo who combines chewing motown vibes with cold Nordic sorrow. The duo has previously, from their own quarters, received attention by P3 SE and Clash Magazine as well as working with Mark Needham (The Killers) and Brian Lucey (The Black Keys). 

“Soft Lie” is a sunny pop song, stuffed with musical flirting, sticky Mellotron, tasteful noise and dark vocals. 

For fans of The Weeknd, The Blaze, Tame Impala, Future Islands and The Radio Dept.

Spotify:
https://open.spotify.com/artist/5qZn2loywO8X2320jb9jzT?si=UcBRIRygQ46WlWLzfwhCrg

Soft Lie

this is the fifth single from our upcoming debut album "dusk&dawn" which features our friend https://soundcloud.com/kirra-watts.

Stream: https://bfan.link/dusk-dawn

Artist Connect:
https://soundcloud.com/daste-music 
https://www.facebook.com/daste.music 
https://twitter.com/dasteband
https://www.instagram.com/daste.music

Credits:
Co-Written by daste. & Uhkirra
Production & Mixing by Callum MacDonald
Mastering by Paul Blakey
Artwork by Hannro Venter
Press Photos by Dominic Gould

holding on to you

holding on to you (feat. Uhkirra)

Stream

The Haunted Youth - Coming Home - Fr 04-06-21

Alternative & Punk Rock (21st) - Part II

lyrics:

i sit in the drive thru
more than i eat fast food
i would split my meal with you
but i cant get it past you 

that i dont wanna lose you 
but i just want some more tattoos
that say that i don't love you and
tell me not to trust you

my brain's full of chemicals 
my fridge is full of edibles 
my heart beats like a metronome
when i take too much methadone :(

i dont have good vision 
but i see through your façade
i dont wanna leave my bed
until i get some juul pods
*chaching!*
(sound of me buying juul pods)

how do you get by with 
nothing beating in your chest?
i heard you're with a different guy 
but think of me while having sec (huh?)

didn't wanna leave 
but im just happy that you left
didnt even say goodbye 
just hung me up and blocked my text :(((

i hope u feel alone
i hope its hard 2 breathe
i hope ur nvr comin back cuz
u nvr needed meeeeeeeee

i hope ur happier nowwwwwwwwwwww
i hope u settled down
i hope he breaks ur heart in 2
and i hope he's nvr arooooound

sexually transmitted depression

FROM MY NEW ALBUM, "BOWLING" out June 11th

SONG CREDITS:
Written, Produced, and Arranged by Joseph N. Flores
Guitar Solo Written by Joseph N. Flores and Performed by Adam Thein
Mixed by Adam Thein and Joseph N. Flores
Mastered by Heba Kadry

LYRICS:
Monday comes
Sunday's over
I'm still up
Rollin over
You can't stop
Telling me why
I'm so bad
I think I wanna die

Can you see it
I don't really need nobody else
Can you see it
I don't really need nobody else
Can you see it
I don't really need nobody else
Can you see it
I don't really need nobody else

You can walk
I won't fight it
If you see me I'll be hiding
If you stop, you can ride it
She's so hot, burn me like lighting
(Burn me like lightning)
What am I supposed to say
When you walk away and you're unhappy
How am I supposed to sleep
When I know I have ruined a moment
I don't really know what else to say, baby

You'll never know my love for you
Baby, you'll never know my love for you
Baby, you'll never know my love for you
Baby, you'll never know my love for you

Can you see it
I don't really need nobody else
Can you see it
I don't really need nobody else

(Instrumental break)

Che-check it out

((BOWLING))

Throwing the ball in
I'll see you down the lane
If I lose it all in a minute
I'll love you just the same
I think I'm the bad pin
At least you feel that way

Bowling

Stream Worldwide

Bad Pin

On the occasion of the exhibition Celeste at Copenhagen Contemporary, the artists and musicians CTM (Cæcilie Trier) and August Rosenbaum present their new album of the same name with Posh Isolation. The exhibition is an immersive installation structured in acts that has been created with the artists Lea Guldditte Hestelund and Ea Verdoner. Trier and Rosenbaum's songs and instrumental pieces can be found in the gallery as an element in a hybrid work of sculpture, video, and choreography that explores corporeality and transience. Their album 'Celeste' presents these recordings as a standalone work.

Rosenbaum is an acclaimed pianist and composer based in Copenhagen. He has won two Danish Music Awards for his solo work, and his list of collaborators includes Zeena Parkins, Kim Gordon and Jesper Just. Rosenbaum's work has been commissioned for film and performances at Palais de Tokyo, The Royal Danish Ballet and The Metropolitan Museum of Art. Trier is likewise based in Copenhagen, releasing music under her alias of CTM. Her latest album "Red Dragon" presented an experimental approach to both songcraft and production that quietly captured critical acclaim. As a revered cellist, vocalist and composer, Trier has been involved in a wide array of projects and collaborations across genres and disciplines.

A suite of twelve pieces comprise the album 'Celeste.' Each piece interlocks with another, and together it can be thought of as a prism through which the work's materiality is both conceptualised and felt. Having developed the sound material with the objects and surfaces in the exhibition, and phrasing the work with the movement and tactility of the space itself in mind, 'Celeste' both renders the exhibition aurally and illustrates some of the sensuous qualities that can be found within it. Tones generated by striking and manipulating the stones within the installation are the starting point for some of the pieces, for example. Project onto these processes a poetic and philosophical meditation on value and runaway existential motifs and one starts to understand the themes around temporality and anthropomorphism that haunt every gentle stroke that has gone into 'Celeste.'

Though the instrumentation—predominantly cello, accordion, and piano—is articulated clearly across the album, the resonances found within and around each instrument feels just as descriptive as the plaintive though curious melodies that they deliver. Cadences are toyed with through the album too, prompting a tricky sense of duration and teasing the listener to focus on these carefully stoked ambiences. Between the medley of acoustic instruments and digital treatments, Trier's supernatural vocals linger. The lyrics give snapshots of characters and beings that drift from focus just as they enter, often ambivalently.

Detached from the gallery, 'Celeste' is a truly mesmerising work that is hard to place in any one category. It straddles many forms just as it presents itself as a whole. The delicate compositions befit the tender themes, making it an engrossing parallel to its namesake installation.

The album will be released on June 25th on all formats, including a limited edition vinyl with a scent sample taken from the exhibition space. 

releases June 25, 2021

The album was mixed and co-produced by Malthe Fischer

Mastered by John Hannon

Celeste

Even if

CTM & August Rosenbaum - Even If

knife girl "Metro EP" out july 2nd on Playground Records

written+performed+produced by knife girl
mastered by Philip granqvist

give it 2 yu

From the Crystalline Stricture album, 'Pristine Gardens'.

Available on TONN Recordings Bandcamp.

Vocals M. McIntyre.

Image © Christopher Martin

Pristine Gardens

Pristine Gardens - Crystalline Stricture

Patterns Of My Mind (with Liz Cooper & the Stampede + Desert Noises)

Halfway

'Movements' is all about a relationship that has broken down. When your gut is saying something is wrong but neither of you are saying anything. You know you are losing them, but you’re still besotted. You realise you aren't 'all over each other' anymore, your touches have lost any affection and you are in heartache limbo. It is about overcoming the fear of something ending and voicing your feelings in order to regain control of the situation. It’s like, enough is enough I’m calling you out mate.

Movements

Wake Up

<a title="Request license for this Track." href="https://www.tracksandfields.com/track/request_license?track_name=La+Madeleine&amp;user_name=christianwethered1987&amp;from_sc=1">Request license for this Track.</a>

La Madeleine

Being the girl

Dirty Words

swedish saucy pop

https://www.nowopensmokes.com