ARCHAEA - KERB STOMP (23/07/18 - OUT NOW ON NOXIOUS RECORDS) [FREE DOWNLOAD]

Noxious Records presents this tech-fuelled minimal roller from Archaea. With atmospheric landscapes, ethereal pads, and abrasive basses, this big stomper will not fail to impress. 

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Free Download

Archaea - Kerb Stomp

Bringing you the modern & impulsive sounds of Drum and Bass. 


Rest in peace Enfuza. 


Contact us & send demos @ Noxiousrecordsuk@outlook.com

From listening to my first rave tape, the sounds introduced to me, blew my young mind. Fast forward to many years later I met a group of like minded friends who had turntables that I could play on which started my desire to learn to play. Whilst attending the underground raves I met a group of friends who was interested in forming a sound system, which became the notorious Koalition Soundsystem which played at various raves across the country. After the raves died down I had the opportunity to present various internet radio shows inviting local talent to play alongside me for many years. As well as playing at clubs and festivals across the country. Lately I have joined up with a group of friends which then became, True F'RMS! Where we have been doing livestreams on internet radio station and studios like Rough Tempo, Dose radio and Silverback studios as well as a few others. Also we had a ep come out on Rawdio recordings as well as some forthcoming releases.

PausePlay: The Handrum and Bass Journey

PausePlay is an Indigenous music creator and mashup artist embarked on a journey of sonic exploration. Inspired by the rhythms of drum and bass and the soulful melodies of Indigenous hip hop and traditional singing, he sought to merge these diverse influences into a unique sound. The spark ignited while watching DJ Shub on CBC Music’s YouTube series “DJ Shub War Club” in 2021, where the track “Indomitable” at 161bpm led to a revelation of its compatibility with the drum and bass tempo of 172bpm.

Delving deeper into this musical fusion, he discovered Fawn Woods’ track “Love is Real” at 76bpm, which, after adjustments to 86bpm for halftiming with drum and bass, seamlessly intertwined with the rhythmic landscape. Critical key adjustments were made to harmonize vocals with the track’s melody, resulting in the birth of “Handrum and Bass.”

This newfound sound wasn’t just a musical experiment; it became a digital pathway deeply rooted in Indigenous culture, weaving a tapestry of tradition and storytelling. From the groovy vibes of Indigenous Funk to the gritty beats of DDD dark hip hop, his creations captivated audiences far and wide.

With each beat and melody, his story resonated, bridging cultures and creating a harmonious blend of past and present, tradition and innovation. And as the stage lights dimmed and the music began to play, the narrative of PausePlay continued to unfold, leaving audiences mesmerized by the magic of Handrum and Bass!


what started out for me as jungle as an influence, my hearing become more acute for a specific type of sound.
My personal taste has evolved into that niche ,dark ,glitchy, mechanical low frequency end of the drum n bass  available today.

THIS IS FOR ALL THE ONES THAT KNOW !
😎✌️