Glider In The Sky

Visualizer link: https://www.youtube.com/watch?v=bh6-DVpGidY 
Abbot Suger, the twelfth-century abbot who effectively birthed Gothic art and architecture, had a particular passion for stained glass. He believed that in passing through the stained-glass masterworks he had installed at Abbey Church of Saint-Denis. Natural light or Lux was transformed into Lumen, a holy, consecrated light; and that such light transformed again into Illumination as it passed through one’s physical eye, elevating the mind and renewing the spirit.

OneKind- Sanguine

noxpox - another midday soft mindblast rocks the house

"The fox knows many things, but the hedgehog knows one big thing"
- Archilochus. See also  e.g. Ronald M. Dworkin, Justice for Hedgehogs (2011)


A song to the one and only who knows it. 

This is an improvised song I played and recorded the other day (my apologies for the mistakes). It is not much but I just had to play it. I am not in the advertising business and I have to mention as a private person for non-commercial purposes that this song is also a mellow celebration of the Rhodes Electric Piano which is one of the most beautiful instruments I have ever encountered in my life (after my U1 upright piano..). I first heard Rhodes electric piano when I was a little child, and for many years I wondered "What is that?". Now after all these years I got enough resources to get the official Rhodes V8 Pro virtual electric piano.

In a larger context this song is also - despite the fact that it's played in the minor key - a mellow celebration of life. It is to celebrate this particular day and everything this day brings with it.

This song was inspired especially by a particular performance of an old song loosely translated from Finnish to English as "The Vagabond's Night Star" (composed by Mr. Toivo Kärki and arranged by one of the greatest jazz pianists in this country, Mr. Olli Ahvenlahti); it was the song where I for the first time heard the amazing sound of an electric piano many years ago. This song was also inspired by the song "Eternal Child" composed by the late great musician and composer Mr. Chick Corea, and also especially by the memorable music of The Alan Parsons Project.

The song was played by me with my Korg SGProX digital stage piano, using Yamaha Montage 8 synthesizer as an audio interface and using e.g. the following instruments: 
- Rhodes V8 Pro electric piano (Mk8);
- UVI T20 Electric 2 Chorus (cf. MKS-20);
- Arturia V Collection / 1982 Acoustic Grand;
- Arturia Mellotron V (guitar, strings);
- UVI Kroma (brass);
- UVI PX Memories (brass, pad; cf. Memorymoog, LAMM);
- UVI Ultramini and Arturia Mini V (bass) and
- UVI Soul Drums. 

Once again I use this opportunity to present a wish: Please let us have the strength to take decent care of each other and ourselves and let us always try to treat each other with due concern and respect.

The Mellow One and Only

K-Saku Vald

A return to the sound of my 2020 album "Them Hybrid Folk"
https://moodexhibit.bandcamp.com/album/them-hybrid-folk

Mood Exhibit - New Hybrid Folk

Recorded live on iPad Air 2 with various apps

Mood Exhibit - Carnival

Don't you hate it when people start describing a dream they had? I hope not..

I saw an angel in my  dream
Torn and tattered were her wings
And She revealed the truth to me
And it brought me to my knees
It made everything so clear
And my eyes filled with tears
But when i wiped the tears away
Her words had faded in the day

I met a man who came to me
From a land across the sea
He had stardust in his eyes
as we looked toward the sky
He held my face in his two hands
I  felt the fire flow through his veins
And I trembled in my fear
As I whispered in his  ear

Show me the way to get back home
Show me the place where i belong
Give me the stars to light the road
Show me the way to get back home

if it's not too late
Show me how to change our fate
and we all have lost the way
And there's no time left to wait

As i stand before you now
Feeling naked and ashamed 
At the mercy of it all
because I gave it all away

Angel, please return to me

Show Me The Way Home

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

Minimal on the surface, massive underneath.
Each sound deliberate, each silence intentional.
Immersive techno shaped from modular synthesis, tape, and weight.
credits

Bandcamp

Roman Farov - Polarity

Productions completed as part of the Foundation Ableton Music Production course - online via webcam in just three months.

This course teaches all the essential skills to start producing electronic music professionally from home. Whether you’re a DJ, electronic music lover, or complete beginner with zero prior experience, our students learn how to create full, polished tracks under the expert guidance of our professional tutors.

Listen to these tracks to see how effective the Foundation Music Production course is. With structured lessons, practical exercises, and one-to-one mentorship, students quickly gain the knowledge and confidence to produce music at a professional standard.

Our course covers Ableton Live basics, music theory essentials, beat-making, arrangement, mixing, creative production techniques, and everything you need to start your journey as a music producer.

Follow the link below to learn more about the course, hear student work, and sign up for the next cohort to begin your own music production journey.

https://www.l-sem.com/beginner-music-production-course

Learn More

Alex - Fuck It

Welcome to my musical diary! 100% of my upload limit reached!!!YOU CAN UNFOLLOW THE OLD PAGES!!!
Now on page 12!!!soundcloud.com/noxpox-page-12
If you want to use some files for noncommercial use, as remixes or collab, PersonalMessage me please!☻☻☻☻☻

noxpox - another midday soft mindblast rocks the house

noxpox (page 11)