EAST

The Dead Zone of pX.Qc

Somewhere

This is a recording of a talk by Dr. John C. Lilly called 'Models and Beliefs'. A significant portion of this recording consists of repeated words or phrases for use as a 'mantra' or focus of meditative and/or contemplative exercises. Lilly was a pioneering neuroscientist whose work with dolphins led him into deep explorations of his own mind.

Diashow of flame fractals
https://www.youtube.com/watch?v=GpY3TeH6wzI

noxpox - mutated Bon Tempi (feat. John C. Lilly)

Snow*Omen/Velvet Something Superdark collaboration.
Music: Snow Omen https://soundcloud.com/snow_omen: Improvisation on a poem by Elizabeth Bishop (recording of a live performance, electric guitar: VSS, voice: Y.A.). Added sounds (musicbox, noise, percussion), mixing and production: VSS. Image: Winsor McCay, Little Nemo (detail, photo: VSS)

Lyrics: Elizabeth Bishop: Songs for a Colored Singer, Part III (1946)

Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.

Lullaby.
Let nations rage,
let nations fall.
The shadow of the crib makes an enormous cage
upon the wall.

Lullaby.
Sleep on and on,
war's over soon.
Drop the silly, harmless toy,
pick up the moon.

Lullaby.
If they should say
you have no sense,
don't you mind them; it won't make
much difference.

Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.

Lullaby

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege (by David Marconi, featuring Elpiverse, Ron Lewis & The Eclectic Collective)

Ansound: https://soundcloud.com/ansound-655183295

Ansound and Mesmo "Anmesoundmo"

Chthonic

la charrière profonde est un grand chemin creux, bordé de feuillus qui forment des arches pour abriter les rêves au pas du promeneur

en marchant dans la charrière profonde

"Disrespect" is the first single from CMD+JAZMINE's upcoming second album, You're not in trouble.

Written largely over the spring of 2025, her second project explores deeper club sounds, after a year of multiple single and EP releases, while holding onto her decade-long roots as a narrative documentary producer and sound designer. Her love of low-end thump remains, as the story of a shifting life unfolds over eight songs.

You're not in trouble trades in the computerized metaphors and dubbed disassociation of previous records towards a directness inspired by dancefloor vulnerability and deep conversation in club booths. Vocal samples and lyrics atmospherically shimmer over shifting drum patterns that range from "Disrespect"'s jungle breaks, the Jersey club bounce of "Escape hatch", and ballroom's skitter on "Seeking affection". The hard techno catharsis from "We can make it if we try" gives way to the sunrise of the second half of the album. "Origami" shines in trance and bright electronica, while "Finding footing in the chaos" is one last kick drum frenzy before heading to coat check. "Crimson" is a deep inhale of fresh air through gritted teeth and wobbly synthesizers, and closer "You can come back to my place if you want...?" is a deep, burning slow jam that slinks with muted drums and warm pads.

You're not in trouble is a journey of emotions that come from the club, and the personal reflection when you get home, deeply looking in the mirror as you put on a face mask.

All tracks produced, arranged, mixed, and mastered by Jazmine (JT) Green.
Consulting production provided by Gavilán Rayna Russom.
Cover photo by Rona Akbari.
Artwork by Jazmine (JT) Green.

Download

Disrespect

Disconnected

TKKG [HardTekk]

https://www.youtube.com/watch?v=yhaUo0NfAAo
this is the suddenly soon end of page 15 already full!! Thanks to all participations, to be continued here --->https://soundcloud.com/noxpox-page-16
my special ones 
found again! thanks for the follow!
welcome to our new adventures on page15 now!

greetingz and hello by noxpox

this is another chapter in the series of noxpox pages
Collabs are welcome 

I only handle the last two accounts frequently.
you truly can unfollow the old pages
for there won't be new material on them
If you want STEMS of any track of me just direct message me!!!
what happened before https://soundcloud.com/noxpox14

noxpox - mutated Bon Tempi (feat. John C. Lilly)

noxpox (page15)