"you shouldn't be trying to make all genres"

MANAGEMENT: iban@168management.net
All songs written by: Papu Sebastián

loops & stuff
dustyfingrz // themono  

e-mail: mnlgbeats@gmail.com

6AE VINYL OUT NOW @ https://yungbae.com

Tour Dates: laylo.com/yungbae/m/2025shows

mgmt:
alistair.r.stirling@gmail.com
brett@url2irl.club

Bookings:
justsayfouk (at) gmail dot com

We just say Fouk.

For Daniel Leseman & Junktion (Hans Peeman), successful producers on their own merits and friends since childhood, a collaboration was inevitable. Their house sound infused with disco and a lot of funk has been proven to be very infectious.

After the infamous Detroit Swindle signed them to their Heist imprint and released the booming Kill Frenzy EP their name was established firmly to a broad and quickly growing audience. The result was requests for DJ sets across Europe, the America’s & Australia with personal highlights including Glastonbury, LoveBox, Concrete Paris, Output New York, Club Space Miami, Claire and De Marktkantine in Amsterdam.

Their first vinyl release as Fouk, on their own Outplay Records was met with great enthusiasm, the brilliant reactions to ‘Stuff Your Dad Liked’ and ‘Cat Lady’ propelled Fouk and Outplay firmly into the scene as the ‘one to watch’. Since then they’ve released EP’s on Room With A View, The House of Disco and Razor-n-Tape and made a string of strong remixes for the likes of Kraak & Smaak, Smoove & Turrell, Groove Armada, The Brand New Heavies, Luke Million, Joey Negro and Mayer Hawthorne.

After releasing ‘Release The Kraken EP’ featuring Thumpasaurus on The House of Disco, ‘Truffles EP’ on Heist Recordings in 2019 and two EP’s on their own Outplay offshoot ’24 Carrot’ they return again on Heist in 2021 with ‘Blue Steel EP’. Continuing to build on the sound they have evolved throughout the years with a new impulse of creativity.

Richard Burki is a Grammy Certified music producer, sound designer and audio engineer known for his work with artist such as Tiesto, David Guetta, The Metropole Orchestra, Joep Beving, Afrojack, Sam Feldt, Max Cooper, Mason, Dragonette, Lost Frequencies and Tyga.

Burki co-founded Future Phonic Studios in 2014 and became a part of the new wave of immersive audio as the very first Dolby Atmos Music Studio in the Netherlands. His distinctive approach to mixing in 3D formats such as Auro-3D and Dolby Atmos became widely recognized and working closely with the likes of UMG, WMG, Deutsche Grammophon and Spinnin Records, his works have garnered streams in excess of 6 billion plays to date. Burki also created the Atmos mixes for "Hero" by David Guetta and Afrojack in 2021: a song that leapt to the top of international charts and earned them a Grammy nomination in the category "Best Dance/Electronic Recording" during the 64th annual Grammy Awards in 2022.

Besides music; through Future Phonic Studios, Burki helped create 3-dimensional auditory experiences for virtual reality, film, games, hybrid and several forms of location based experiences: works include the recently unveiled Outernet experience centre in London, the virtual reality rides in the Amsterdam Tower or the "Taste" 360 Theatre Experience for which Burki co-produced a 16-track album, together with Joep Beving and The Echo Collective. 

The album was amongst the first works to be recorded and conceived for the Dolby Atmos format in 2021 with Future Phonic Studios additionally assisting with the installation and configuration of a bespoke 3D sound system for the Amsterdome venue, complete with real-time tracking of performers and musicians in 3D.

Burki began composing and engineering for film and tv since the pandemic; incorporating 3D technology as a key part of his creative process. His first short as a composer “Only The Forgotten Is New” won several film festival awards for best short, one of his first compositions for adverts, for WakkerDier the Dutch Animal Rights association; won the SAN Accent Award (Dutch Advertising Award) and his first feature film project (currently in development) will be amongst the first to incorporate 3-d audio into every aspect of the production process; from music to sound design and foley.

Nick Paredes is following