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المعلومة منت الميداح ألبوم نور

Tamikrest means “crossing” in the language of the Kel Tamashek, a traditionally nomadic Saharan people that are commonly referred to as the Tuaregs. It is an apt name for a band that so successfully merges the values of their timeless culture with the sounds and visions they have encountered on a headlong journey to the concert stages and ipods of the world.

Tamikrest - Tamiditine

نحنا للحب - المعلومة منت الميداح

بفتة هندى .. بفتة هندى .. شال عريض .. يا بنات .. كله عندى .. أنا كله عندى .. و إيش تعوزوا يا بنات .. و فتحيلى يا صبية .. أنا مغرم من زمان .. فتحتلى و قالتلى .. يا حبيبى خش نام // من التراث النادر للسمسمية البورسعيدى 

بفتة هندى - من التراث النادر للسمسمية البورسعيدى

Imarhan Timbuktu in one of their most inventive fusions of tradition and electric guitars.  Mohamed Issa Ag Oumar, Ousmane Ag Oumar, Fatimata Walet Oumar, Zeinabou Walet Oumar.  Yes they are all brothers and sisters!
available at http://www.forcedexposure.com/Artist/IMARHAN.TIMBUKTU.html 
http://www.orkhestra.fr/catalog.php?FAMR=&TYPR=&LABL_ID=&FIND=Imarhan+Timbuktu
http://xangomusic.nl/
and online
Here are the lyrics:
The women before, we could recognize them because 
They drank cow milk 
Or they ate butter made from cow milk
And their clothes were Indigo
And they slept on large beds
Where have these women from the old days gone
Nowadays, women are like ends of square wood 
Straight, dry and without souls, rolled up in miserable rags
Ah nostalgia, my heart trembles, it cries
Louder than a young goat bloated with acacia leaves


Imarhan Timbuktu perform Ehela Damohele

ياه يالميدان - فرقة كاريوكي وعايدة الأيوبي

Maalouma Mint El Meddah . Dunya . المعلومة منت الميداح . دنيا

Maalouma Bent El Midah  Ya Habibi  يا حبيبي -- معلومة

غادة شبير يا شقيق الروح

Ghada-Shbeir shaqeq elrooh غادة شبير يا شقيق الروح

المعلومة بنت الميداح
موريتانيا

المعلومة منت الميداح : صيد القبلة

المعلومة منت الميداح 1992 : معارضين..معارضين!

المعلومة منت الميداح : نحن يا الداير همن. Archive

146789 - Rmp96110 - ..azeve    Mt   Dedennie     02 05 2009

Mohammed Mohey - Shababy Rakhsto  محمد محي - شبابي رخصتو

الدنيا شلة من الصحاب  وفيها كتير اشكال
اللي ناسي دين و واجب واللي فاكر ايه يتقال
واللي خايف غدر غيره
واللي لغدر غيره صاحب
واللي بايع باع الغالي
ودايما للرخيص مصاحب
   
 
الدنيا شلة من الصحاب  وفيها كتير اشكال
اللي ناسي دين  وواجب واللي فاكر ايه يتقال
واللي خايف غدر غيره واللي لغدر غيره صاحب
واللي باع الغالي دايما  بس للرخيص مصاحب
وصاحبنا عايش وسط غابة لازم يتقلب زيهم
 لو فضل للحق  غالب للاسف حيكون ضدهم
فالتزم  بنص دوره قرر انه  يعيش وسطهم
باع للدنيا عقد روحه والتزم وبقي منهم
 
ده الجعان بيزيد و يكوش
 وفي خلق الله بيلوش
و ينسي انه عايش عمره
 للرخيص محوش
 
ده الجعان بيزيد و يكوش
 وفي خلق الله بيلوش
و ينسي انه عايش عمره
 للرخيص محوش
 
خد النصيحة وعقلك ميزانك في المحاولة
ياما شباب في سنك مال وجاه وسيط ودولة
غدرت الدنيا بيهم طفت في نور عنيهم 
علشان في يوم صدقوا وعد كان من الدنيا لهم
فاحمينا يا كريم من سوء العمر والنهاية
واحمينا من سواد عقولنا لو وسيلة لاعلي غاية
واحمينا من شر الصحاب الغدارين
ده الصاحب لو يخون في صاحبه يبقي باقي مين
 
ده الجعان بيزيد و يكوش
 وفي خلق الله بيلوش
و ينسي انه عايش عمره
 للرخيص محوش
 
ده الجعان بيزيد و يكوش
 وفي خلق الله بيلوش
و ينسي انه عايش عمره
 للرخيص محوش
 
فأحمينا يا كريم من سوء العمر والنهاية
واحمينا من سواد عقولنا لو وسيلة لاعلي غاية
واحمينا من شر الصحاب الغدارين
ده الصاحب لو يخون في صاحبه يبقي باقي مين
 
 
ده الصاحب لو يخون في صاحبه يبقي باقي مين
ده الصاحب لو يخون في صاحبه يبقي باقي مين
ده الصاحب لو يخون في صاحبه يبقي باقي مين
ده الصاحب لو يخون في صاحبه يبقي باقي مين

الدنيا غدر الصحاب زاب ثروت ساري هاني طارق الشيخ  Zap Tharwat Sary Hany & Tarek Elsheikh - Al Donia

Southern Man

Nubian Songs  - Music of Upper Egypt - Nagreshad

حين يهدى الصبح اشراق سناه
حين يهدى الصبح اشراق سناه
يسكب الطل
يسكب الطل 
يسكب الطل رحيقا من نداه
موقظا بالنور اجفان الحياة
موقظا بالنور اجفان الحياة
الضحى من نور من؟
الله
والندى من فيض من؟
الله
الضحى من نور من ؟
الله
والندى من فيض من؟
الله
سبحت لله فى العش الطيور
ترسل الانغام عطرا فى الزهور
سبحت لله فى العش الطيور
ترسل الالحان عطرا فى الزهور
تصنع العش وتسعى فى البكور
تصنع العش وتسعى فى البكور
عيشها فى رزق من؟
الله 
وهى ايضا صنع من؟
الله
عيشها فى رزق من ؟؟
الله
وهى ايضا صنع من؟؟
الله

نصر الدين طوبار - حين يهدي الصبح

The Tuareg languages (Tamasheq, Tamajeq, Tamahaq), Hausa, Arabic, French
Religion
Islam mixed with traditional beliefs
The Tuareg (also spelled Twareg or Touareg; endonym Imuhagh) are a Berber people with a traditionally nomadic pastoralist lifestyle. They are the principal inhabitants of the Saharan interior of North Africa.[2][3]
The Tuareg language, a branch of the Berber language, has an estimated 1.2 million speakers. About half this number is accounted for by speakers of the Eastern dialect (Tamajaq, Tawallammat).[1] Most Tuareg live in the Saharan parts of Niger, Mali, and Algeria. Being nomadic, they move constantly across national borders, and small groups of Tuareg are also found in southeastern Algeria, southwestern Libya and northern Burkina Faso, and a small community in northern Nigeria

Imarhan N'Tinezraf   Titre  Edeslegh Imadjerad - Tuareg music

معلومة منت الميداح - يا مليح

Tribute to Marlena Shaw.
Credits 
Vocals: Marlena Shaw - Woman of the Ghetto Live 

Marlena Shaw - Woman Of The Ghetto (Akshin Alizadeh Remix)

Get the album here: http://glitterbeat.com/glitterbeat_store/

Tamikrest means “crossing” in the language of the Kel Tamashek, a traditionally nomadic Saharan people that are commonly referred to as the Tuaregs. It is an apt name for a band that so successfully merges the values of their timeless culture with the sounds and visions they have encountered on a headlong journey to the concert stages and ipods of the world. 

Since the band emerged onto the international scene four years ago with their debut album “Adagh”, they have been in constant motion, moving between the Sahara and Europe as though these places were next-door neighbors. All the while, during this same time period, their homeland has suffered increasingly profound and catastrophic events. Originally hailing from Kidal, in the northeast of Mali, as the result of ongoing war, persecution and political collapse most of the band now lives in exile in Algeria. 

These last years have been intensely vivid for Tamikrest, defined as they have been by both tragic sadness (families and friends turned refugees, the brutal imposition of Sharia law in their hometown) and collective growth (their musical dreams building one upon another). 

Their new album “Chatma”, their third, deftly navigates these experiences and fashions them into a fully persuasive and poetic musical document. The album is filled with sober reflection, moral indignation, musical experimentation, cultural celebration and the kick of rock and roll.

“Chatma” is also Tamikrest’s first album to be wholly written around a defined theme. In Tamashek “Chatma” means “Sisters” and the band has dedicated the album in their own words to: “the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers.” 

The opening track “Tisnant an Chatma (The suffering of my sisters)” is a heartbreaking homage: « Who can estimate the suffering felt by the soul / of one who sees her sisters exhausted from waiting/ of one who sees her sisters exhausted from waiting between countries, in deep distress /and daily oppression? « 

Fittingly for an album so lyrically evocative, “Chatma “ also delivers Tamikrest's most wide-screen and wide-ranging sonic statement to date. The infectious, sing-along rock stylings of "Imanin bas zihoun", the acoustic seduction of “Adounia tabarat”, the Pink Floyd influenced montage "Assikal" and the lush, melancholy ambiance of the albums finale, “Timtar”, all add up to a sustained audio adventure. Echoes of dub, blues, psychedelia, funk and even art-rock are seamlessly weaved by Tamikrest into their increasingly individual take on the Tuareg musical tradition. 

And on an album where the title translates as "Sisters", it makes perfect sense that this time around we hear the full emergence of the haunting voice of female vocalist Wonou Walet Sidati in tandem with lead vocalist Ousmane Ag Mossa. A new guitarist, Paul Salvagnac has also joined the band, bringing with him fresh textures and possibilities.

Contemporary Tuareg music has produced several unforgettable albums in recent years and "Chatma" certainly deserves to be ranked with these. But one also gets the sense, when listening to “Chatma” that there is something uniquely innovative and exploratory about Tamikrest's musical quest and that at last they have stepped into a wide-open space of their own.
 
www.glitterbeat.com
www.tamikrest.net
www.facebook.com/Glitterbeat
www.facebook.com/tamikrest
www.twitter.com/Glitterbeat_Rec
www.twitter.com/Tamikrest


Tamikrest - Imanin bas zihoun

Without music, life would be a mistake.
Friedrich Nietzsche


Music expresses that which cannot be said and on which it is impossible to be silent.
Victor Hugo


Maalouma Bent El Midah Ya Habibi يا حبيبي -- معلومة

Inés Khalifa