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Bayside lead singer/rhythm guitarist and founding member Anthony Raneri has been waiting 10 years—since he formed the rock group in Queens, N.Y. in the winter of 2000—to make an album like Killing Time, which represents a number of firsts for the band named after his hometown.

The album is the band's debut for new label Wind-up Records after four releases on Chicago-based indie Victory Records, including Sirens and Condolences (2004), Bayside (2005), The Walking Wounded (2007) and Shudder (2008), steadily growing their following through tireless touring. Recording their latest at Dreamland Studios in Woodstock, N.Y., and Water Music in Hoboken, N.J., with renowned producer Gil Norton [Foo Fighters, Counting Crows, Pixies, Jimmy Eat World], Bayside finally had the time and resources to fulfill their creative vision.

The group turns Raneri's acoustic songs into full-blown, deceptively complex rock epics that touch on bitter endings (like that of his marriage on the first single, "Sick, Sick, Sick," and the angry, full-throttle rocker "The Wrong Way"), fresh starts ("The New Flesh"), band camaraderie ("It's Not a Bad Little War," "Sinking and Swimming on Long Island") and even a hopeful ballad, complete with a 20-piece orchestra and a horn section ("On Love, On Life").

"This is a new chapter, a new beginning for us," acknowledges guitarist Jack O'Shea, who joined the band in 2003 and has played on all five of their albums. "This feels like our debut release. Gil really encouraged us to push the boundaries of what we do, and not to become timid. Having that kind of encouragement from someone so accomplished really gave us the confi dence to be more creative."

One can hear that in O'Shea's various guitar sounds, from the Dick Dale/Link Wray surf guitar rumble which opens "Already Gone," to the gnarled, twisted solos in "Sick Sick, Sick" and "It's Not a Bad Little War," to the pneumatic rush of "Sinking and Swimming on Long Island" or the frenetic jam that ends "The Wrong Way."

"We wanted to make a big, detailed record, but still retain the pop sensibility that makes us who we are," states Raneri about the studio process. "Gil helped us stay on an aggressive rock track without losing sight of the music's commercial appeal, its ability to get on the radio. To achieve that balance was the plan."

For Bayside, the rest of its career leading to this moment feels like Killing Time, according to Raneri. "We had the time, the producer, the label to support it and fans who are ready to hear it. Everything was in place for us to make our masterpiece."

Indeed, Killing Time takes everything Bayside has learned in its decade in the music business and puts it on display for all to hear. On "Mona Lisa," another song Raneri wrote about his ex("Someday, I'll forgive you/But it still hasn't happened yet"), he tried an experiment in writing. "I half-jokingly call it my greatest accomplishment," he laughs. "It was an attempt to write a song with as many chromatic key changes in it as possible, without it sounding like mathematics. I was sure it would never make the album, but everyone seemed to love it."

There are also glimpses of the hard road Bayside has traveled to this point in "It's Not a Bad Little War," a song about being on the front lines and trenches with your bandmates ("We are the only friends we ever had"), and "Sinking and Swimming on Long Island," about all the ones that got left behind ("The harder you work/The harder you fall/You wake up one day/With nothing at all").

"Seeing Sound" has an operatic, almost Queen-like vibe, refl ecting Raneri's own love of Broadway show tunes, while the dramatic "On Love, On Life," is driven by piano and acoustic guitar, with pop tunesmiths Bacharach and David and Welsh crooner Tom Jones as the touchstones. The title track shows off the band's metal chops, with ominous Blue Oyster Cult overtones.

"I really think this album has the best elements of all our previous releases," says O'Shea, whose own guitar heroes include metal speedsters like Metallica's Kirk Hammett and Megadeth's Dave Mustaine as well as Slash, along with such jazz-rock muses as Steve Vai, Joe Satriani, Allan Holdsworth, Al DiMelola and John McLaughlin. "It's the most representative of what we've always gone for as a band. It encompasses what our fans like best about us." With 10 songs weighing in at 38 minutes, there is no filler on Killing Time, an album, while not a concept, with songs that are organically connected and of a piece, like Green Day's American Idiot or Nirvana's Nevermind.

"We were trying to make the perfect album," says Anthony. "We've been trying to make this record for 10 years. We finally had all the elements we needed to do it. We wanted these to be the 10 best songs we've ever written."

"Now I don't ask for much/But this could define a lifetime" - "It's Not a Bad Little War"

"Everything has been leading up until right now," says Anthony. "Killing Time is about new beginnings, changes. This is our moment, the album we were supposed to make. A lot of bands that came up with us, we've watched form, get signed, get huge and then disappear. And we're still here... People continue to listen and care. We're living the dream." On Killing Time, that dream becomes reality.

"We're all just excited about the possibilities of what the next year holds for us," concludes Jack. "We've always approached our career with a cautious optimism. We hope for the best, but we're OK with whatever happens. We roll with the punches... but this time it all seems so much more tangible."

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𝙰𝚜 𝚃𝚑𝚎 𝙿𝚎𝚗𝚍𝚞𝚕𝚞𝚖 𝚂𝚠𝚒𝚗𝚐𝚜 𝟿/𝟷𝟸
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He’s the modern-day Mozart — today’s leading talent in the ever-growing electronic dance music scene. He’s the pride of Moldova, known for his unique and very own sound. He is Andrei Rata, better known as Andrew Rayel.


Born on July 21st, 1992, his young age never stopped him from taking the lead amongst the next generation of electronic dance music’s finest producers. Developing strong musical skills, he studied orchestral music and kicked off his producing career at only 13 years of age. It didn’t take long for the passionate music lover to translate his ideas into sounds. He created a truly unique sonic signature – one of piano power, harmonic balance, and euphoric tales. And so, years later, his originals and remixes are praised by many and loved by more. But, rest assured, the Andrew Rayel story has only just begun.

“Trance was the perfect solution, as it is a combination of melody, harmony and energy, elements that I prefer the most”, says Andrew Rayel. With having several singles under his belt that has taken the dance world by storm “How Do I Know”, “Horizon” , “One In A Million”, “Dark Warrior”, “Tambores”, “EIFORYA” and much more more!

His tracks found a solid home on the A State of Trance and Armind labels, both part of the Armada Music family. With such impressive originals, it didn’t take long until the Rayel sound became its own nourishing label “inHarmony Music” with partnership of sister company Armada Music.

Andrew Rayel became a leading brand that has had the pleasure in collaborating and having the supports of names such as Armin Van Buuren, W&W, The Chainsmokers, Dash Berlin, Tiesto, Seven Lions and much more, as well as remarkable performances from headlining mainstages to selling out venues in worldwide cities and festivals such as Tomorrowland in Belgium, Electric Daisy Carnival in Las Vegas, Orlando, Tokyo, Ultra Music Festival in Miami, Sydney, South Korea , Electric Zoo in New York, A State Of Trance in The Netherlands, Creamfields UK and much more.

In 2018, the Find Your Harmony radio show experience has turned into a one of a kind live experience in which Andrew has taken the brand to selective world wide city debuts such as Montreal, New York, Jakarta, Kuala Lumpur, Chisinau, and a few more sold out stops, with last but not least a festival stage takeover at Electric Daisy Carnival , Las Vegas in 2019.

As a result of his hard work and dedication, fans voted him to become one of the Top 100 DJS in the world, as well as breakout DJ & Producer and highest climber in the poll voting, along side many world wide nominations such as the IDMA (International Dance Music Awards) which is hosted yearly in Miami during Winter Music Conference week.”.

Andrew Rayel is now an artist that has released 2 artists albums on his home label “Armada Music”. in 2014 “Find Your Harmony” was released as the first ever artist album, followed up by “MOMENTS”.

The road to success has just begun and Andrew Rayel is ready to take on the world in the years ahead.

Dutch DJ and producer duo W&W, formed in 2007, continues to push boundaries with their high-energy fusion of big room, trance, techno, and hard dance. They’ve earned over 12 million monthly Spotify listeners, and have a decade-long presence in DJ Mag’s Top 25. Known for their anthemic festival hits, they perform at the biggest worldwide festivals and have over 20+ million followers across all social media platforms. W&W’s imprint label Rave Culture has become a staple in the modern dance scene, shaping the sound of Mainstage EDM with relentless energy.

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