Performed by: Ensemble Espai Sonor

3rd prize of the contest "Jóvenes Compositores Fundación SGAE-CNDM"

Instrumentation: Flute, Clarinet, Percussion, Piano, Violin, Viola, Cello.

Offsprings of Wrath, for seven instruments (2014)

New York premiere performance of New Dances of the League of David, featuring pianist David Kaplan performing Schumann's Davidsbündlertänze together with "Interruptions and Interludes" by composers, including Samuel Carl Adams, Timo Andres, Marcos Balter, Martin Bresnick, Caleb Burhans, Michael Brown, Mark Carlson, Mohammed Fairouz, Ryan Francis, Michael Gandolfi, Ted Hearne, Gabriel Kahane, Hannah Lash, Andrew Norman, Caroline Shaw, and Augusta Read Thomas. Performed on March 22, 2015 at Le Poisson Rouge in New York City.  Recorded on October 23, 2014 at Yamaha Artist Services by Jessica Slaven. Presented by Metropolis Ensemble led by conductor Andrew Cyr.

Marcos Balter: ***

pour ensemble et dispositif électronique

Ensemble NEXT
Flavien Boy, direction

Whammy (2024-25)

As it feeds, it thrives, it rots – for ensemble and electronics (2025)

Schallfeld Ensemble
https://www.schallfeldensemble.com

Conductor: Leonhard Garms
Sound direction and live electronics: Davide Gagliardi

fl: Zinajda Kodrič
cl: Chiara Percivati
perc: Manuel Alcaraz Clemente
pno: Patrick Skrillecz
vln: Lorenzo Derinni
vla: Irem Bagarkasi
vc: Maiken Beer
cb: Margarethe Maierhofer-Lischka

Live recording, 24 May 2025, as part of Schallfeld’s 2025 concert season “KORPUS III: SKIN”. Minoritensaal, Graz.

As it feeds, it thrives, it rots was commissioned by and is dedicated to Schallfeld Ensemble, with the support of the StAiR (Styria Artist in Residence) Fellowship 2025.

As it feeds, it thrives, it rots

Clara Iannotta 
glass and stone, pour deux percussions, deux pianos et électronique (extrait)

Ensemble intercontemporain
Nicolò Umberto Foron direction
Clara Iannotta électronique
Clément Marie ingénieur du son

Enregistré en direct le 11.10.2024 à la Cité de la musique 

Clara Iannotta : glass and stone (extrait)

Francesco Filidei
Requiem, pour chœur et dix-sept instrumentistes (extrait) 
Les Métaboles
Ensemble intercontemporain
Léo Warynski, direction

Enregistré en direct le 06.05.2025 à la Cité de la musique 

Francesco Filidei : Requiem (extrait)

…il semble que ce soit le ciel qui ait toujours le dernier mot…, pour chœur mixte et ensemble orchestral
Les Métaboles
Ensemble intercontemporain
Pierre Bleuse direction
Léo Warynski chef de chœur

Enregistré en direct le 28.03.2025 à la Cité de la musique 
 

Michael Jarrell : …il semble que ce soit le ciel qui ait toujours le dernier mot… (extrait)

MI NASCO. PER ELETTRONICA. Nº 1 (2024) [short version]
Stereo audio fixed media

ATTENTION: The composition is based on sub-bass frequencies (10-50 Hz). It is necessary to listen with high quality headphones or loudspeakers, ideally with a subwoofer.
________________________
[EGM 1 + FTI 20]

Mi nasco. Per elettronica. Nº 1 (2024) [short version] | Electronics

ATTENTION: The composition is based on sub-bass frequencies. It is necessary to listen with headphones or good external loudspeakers.

MI NASCO nº 11
For electric guitar
(2025)

Nate Chivers, electric guitar

Mi nasco nº 11 (2025) | Electric guitar

“12B” marks PABLO CARRASCOSA's debut on MODUS TECHNO, presenting a solid and contemporary approach to techno. The track stands out for its precise structure, powerful beat, and dark atmospheres, built on a powerful and enveloping rhythmic foundation.
Carrascosa opts for a direct and uncompromising sound, generating tension and dynamism throughout the piece. “12B” is designed for both the dance floor and those seeking an intense and sophisticated listening experience.

www.nuno-fernandez-ezquerra.com

For audiovisual and electronic works visit:
https://soundcloud.com/nuno-fernandez-ezquerra

BRIEF BIO:
Refusing aesthetic and conceptual shallowness, Nuño's works are characterised by a fastidious attention to detail and the quest to create a meaningful and impactful experience to the audience. With a critically open listening, his musical language has metabolised radical elements from other genres such as advanced kinds of electronic music, jazz, post-rock or metal, influencing his aesthetics in a coherent and cohesive way.

Born in 1992, Nuño studied at ESMUC (Barcelona) and at the Sibelius Academy of Helsinki, under the guidance of Agustí Cahrles, Mauricio Sotelo and Lauri Kilpiö. Additionally, he has complemented his education with composers such as Kaija Saariaho and Raphaël Cendo (amongst others).

His work has been awarded several prizes internationally: winner of the National Composition Contest of the Castile and León Symphony Orchestra (2017), winner of the the International Call for Scores & Commission 2017 of the ensemble Suono Giallo and ilSUONO Contemporary Music Week, and the 3rd prize of the contest “Jóvenes Compositores 2014” of the SGAE/CNDM Foundation.

His pieces have been programmed in numerous festivals: such as the Klang! Concert Series, UNM Festival, the 7th Contemporary Music Concert Series of the BBVA Foundation, Festival MIXTUR, OUT.SIDE 2016 Concert Series and the regular season of the Castile and León Symphony Orchestra, working with ensembles such as Uusinta Ensemble,  Zagros Ensemble, CrossingLines, and Ensemble Temporum amongst others.

Offsprings of Wrath, for seven instruments (2014)

Nuño Fernández Ezquerra