плецлист

🪨

Kelela - Take It All Back Enemy (DJ E edit)

sounds like the pits of hell it gets better though 

I think I'll lose my mind in hysteria (うずまき x Palmtree Panic (but the Machine girl part is longer)).

onlymp3.to - usedcvnt 143 ways to lose yourself

Okay, lets see, i guess that im confused again Lain x Poison Tree-Grouper (slowed & instrumental)

Get Wid Lemonade

video game.mp3

ILY Travis (Chuqi Chinchay Is God & God Bless America) Mix 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/chuquimamani-condori-23rd-may-2025

Chuquimamani-Condori 230525

d estaca

Airport, a group of creatives consisting of Miranda Pharis, Olivia R. Sullivan & Stephen A. Mayer, are releasing their new album 'The Miracle Of Trauma' via AMEN on the 6th of October.

The Miracle Of Trauma

Dress Lake

Airport - Dress Lake (from 'The Miracle Of Trauma')

After releasing her first tape “Fugue: Some Temporal Patterns Other Than the Forward March” on Genot Centre in 2017, artist and musician Johanna Odersky returns with another full-length album. The Städelschule sudent, who works primarily with sculptures,  continues to explore the silhouettes separating internal and external worlds and the mechanisms of inclusion, exclusion and domestication they reveal, on her self-titled album ‘Iku’. Her audio work can be described as a mishmash of associative samples, which Iku carefully weaves into a complex entanglement of emotionally charged sounds. While her first album relies heavily on blissfully arranged ambient pieces, the artist began to involve her own voice as a center piece in the “Body Horror” EP, which was released by berlin-based Creamcake last year.
The self-titled album feels like a sophisticated continuation of tracks like “À Tes Yeux” and her early work on Fugue, combining french pop vibes with classical instruments and gloomy spoken-word snippets, forming sonic material, which arises from sketches of Iku’s inner. Odersky takes us on a travel through a hypnagogic realm, which is full of contrasts and uncertain atmospheres.

Iku’s self-titled album ‘Iku’ will be released on May 17th, 2019 and will be premiered at Hyperreality 2019.

Mastered by Hari Stojan.
Cover by Iku.

To A New Age

After releasing her first tape “Fugue: Some Temporal Patterns Other Than the Forward March” on Genot Centre in 2017, artist and musician Johanna Odersky returns with another full-length album. The Städelschule sudent, who works primarily with sculptures, continues to explore the silhouettes separating internal and external worlds and the mechanisms of inclusion, exclusion and domestication they reveal, on her self-titled album ‘Iku’. Her audio work can be described as a mishmash of associative samples, which Iku carefully weaves into a complex entanglement of emotionally charged sounds. While her first album relies heavily on blissfully arranged ambient pieces, the artist began to involve her own voice as a center piece in the “Body Horror” EP, which was released by berlin-based Creamcake last year. 
The self-titled album feels like a sophisticated continuation of tracks like “À Tes Yeux” and her early work on Fugue, combining french pop vibes with classical instruments and gloomy spoken-word snippets, forming sonic material, which arises from sketches of Iku’s inner. Odersky takes us on a travel through a hypnagogic realm, which is full of contrasts and uncertain atmospheres. 

Iku’s self-titled album ‘Iku’ will be released on May 17th, 2019 and will be premiered at Hyperreality 2019.

Mastered by Hari Stojan. 
Cover by Iku

d estaca

nudo