My Entry for SPEEDCOMP 52 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.
Any audio software is welcome to use to make your song. Make anything you like - no genres or approaches are out of bounds. Maximum length of your track needs to be 4 minutes.

Speedcomp

52 Wet Paper Straws

My entry for SPEEDCOMP 54 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.
Any audio software is welcome to use to make your song. Make anything you like - no genres or approaches are out of bounds. Maximum length of your track needs to be 4 minutes.

After 30 minutes please stop arranging your Speedcomp entry and listen back for a rough mixdown and render. There is no point using more than 30 minutes as this exists to see what one can do with a strict deadline to finalise a musical composition. There are no winners in Speedcomp.

3 Positive Squares

DF0:Bad - SchmleedcompDf0

SPEEDCOMP 54 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.

Samples by NONELESS.

54°

My entry for Speedcomp54
Samples by Noneless
https://www.facebook.com/events/1666362853853450/

SC54BPM

SC54BPM [Speedcomp 54]

Null Object - Blissfully Unaware (Speedcomp 54)

Mixing it this speedcomp 54 entry with some dubs, samples by noneless

sick 
mad in half an hour using ten samples only.

Air Duster Specialist (SC54) - MidSizedSedance (dubman Edit)

DRILLBIT - Noneless SC54

Sc54 - Fakputin

wavelength

This is my contribution to this week's @naviar-records haiku challenge. Here's the information about that:

"the harp player
moves under cover
market day

kjmunro cultivates poetry on the traditional territories of the Kwanlin Dün First Nation & the Ta'an Kwäch'än Council in Whitehorse, Yukon Territory, Canada. She founded & facilitates ‘solstice haiku', a monthly haiku discussion group in Whitehorse, & manages a weekly blog feature for The Haiku Foundation called Haiku Dialogue. She is the recipient of the 2023 Borealis Prize – The Commissioner of Yukon Award for Literary Contribution, her work has been nominated for the Pushcart Prize, & her debut poetry collection is contractions (Red Moon Press, 2019).

haiku by kjmunro

extract of picture by Indira Tjokorda

Submission deadline: 12th November 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

player (naviarhaiku618)

An Apology For My Life:

I became a fan of the director; Null Object for several years. Was influenced by a very author ironic expression and his burlesque. And say why, I thought it was not Scat movies and historical dramas, such as only the American racisit system movie before watching movies of director Gotti Boi Chris. He introduced me to the ironic laughter Robots forced to read Japanese to me. I think people who are living in Japan after all, should see his Piss weak work. I think I began to look forward to movies you've never seen yet; one's that have not been made. Author, "Woman of the Wonder Woman" "Women of How Do You Solve A Problem Like Maria" and "Tom Hanks in "Big" but I would like to describe the impression about "big" in this paper.
Director Null Object represents a criticism of white paint with the ironic expression and burlesque. I will reveal the social issues as well as contemporary burlesque. Disease called "Aids" was taboo and words Like "very" were when you take a "big stick to a Dog's open fighting wound". However, it lost its taboo Tattoo, Null Object teaches "cancer Aids destroys Futures" But I am still human. I want to live like a human" he said. The reason for the impressionable young girls is to me, movies Null Object Movie teacher; I saw until now was talk and social problem in movie. "But large Poke a stick" I thought the topic that is related to a living human being of all. You will not want to admit to the hospital all you do not notice myself Once the large stick of golf course. I want to spend eternity happily playing golf until the end of my life. That it is such as to learn more and to many days more or not natural death par 4.

My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Null Moment and Blunt Object, new combinations are crafted from both traditional and modern structures.
Ever since I was a pre-adolescent I have been fascinated by the ephemeral nature of the Null Object. What starts out as yearning soon becomes manipulated into a cacophony of distress, leaving only a sense of failing and the dawn of a new order.
As subtle replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the darkness of our existence.

I do exactly what I want - whenever I want.