realized it’s been over a year since i posted a full length live hardware recording so here is my set from escape wall in february :) went into a bunch of my fave genres from 128 to 140 bpm with some basic patterns as a framework and tried a lot of improv stuff in this one especially

gear: digitakt, bassline db01, lefty’s dub siren, sp404 sx, zoom ms70 pedal, soundcraft epm8 mixer

live hardware set at escape wall 2/21/25

Null Object - Sallis 59ers

7:4:3:4:9:8:4:4.707606909808

Cover by www.instagram.com/grotesquevertige
Voice : HALYZE / SUNLICKER / VERTIGE
Collectif : soundcloud.com/geometric-corruption
ZY (@project_zy)
RAIIKA (@raiikamusic) 6.34
23WA (@23wa) 8.32
PRODUCER DÉ (@producer-de) 10.55
CUTSPACE (@cutspace) 17.31
2926315 (@2926315) 21.35
VERTIGE (@d-o-l-l-002666969) 26.02
JHL (@jhlofficixl) 30.04
MAEL*LE (@mael_le) 35.04
CENACEAE (@cenaceae) 38.46
ZY 42.40

BLUE NOISE - ORGANA

Pulse Emitter - Energy Flying

Curse Performed, Incorrectly: Part I & Part II by Obelisk and Weyón

An ancient parable of hate, discontent and disfiguration

Cover by v3
mastering by autogenesis

https://formforum.bandcamp.com/album/curse-performed-incorrectly

Weyón soundcloud: on.soundcloud.com/tOezZRvqdHd6nH5NSa
Weyón bandcamp: weyon.bandcamp.com
Obelisk soundcloud: on.soundcloud.com/IDr2DVOPDzx1vPVuXJ
Obelisk bandcamp: obeliskeora.bandcamp.com

Obelisk and Weyón - Part II

“FOR. functions as a FORum of their shared interests in techno-dystopian sonic worlds and brutalist sci-fi visions evoking various technologically advanced, machine-dominated future scenarios that, by the time, increasingly resemble our contemporary reality.”  

DVX NVX declares itself as “the remains of the Apocalypse, where industrialism has devoured itself, and/or has never been, where only I am, we are I, there is No-thing.” It is clear: it is not only one of the possibilities, it is demanded by fate that these prophets of hopeful dystopias and dark utopias unite their voices, in an utterance that might bring about the end. Technological singularity as a final transcendental realization - to be enjoyed live for the first time, at the end of times. credits 

FOR. is Ábris Gryllus and Miklós Farkas. 
DVX NVX is Géza Kulcsár, Martin Mikolai and Tamás Boros.  

artwork by Mártha Kicsiny 
mastered by Roland Nagy 
words by Zsolt Miklósvölgyi, Géza Kulcsár  

www.instagram.com/marthakicsiny/

FOR. x DVX NVX

Buy 7" / Digital

FOR. x DVX NVX – I

11.4

Live recorded EMX-1 tracks produced 2024-2025. 
Special thanks to Kylie and Jozie for letting me borrow their electribes.
Cover photo by Agatha V.

continuous play

A Door Has Been Opened That Can't Be Shut

Enrique's live set for Quo Vadis June 22, 2018 show.

Enrique joined the lineup with 400PPM, S English, HOGG,  Champagne Mirrors and R Gamble

Enrique [live] for Quo Vadis at H0l0 l 06.22.18

An Apology For My Life:

I became a fan of the director; Null Object for several years. Was influenced by a very author ironic expression and his burlesque. And say why, I thought it was not Scat movies and historical dramas, such as only the American racisit system movie before watching movies of director Gotti Boi Chris. He introduced me to the ironic laughter Robots forced to read Japanese to me. I think people who are living in Japan after all, should see his Piss weak work. I think I began to look forward to movies you've never seen yet; one's that have not been made. Author, "Woman of the Wonder Woman" "Women of How Do You Solve A Problem Like Maria" and "Tom Hanks in "Big" but I would like to describe the impression about "big" in this paper.
Director Null Object represents a criticism of white paint with the ironic expression and burlesque. I will reveal the social issues as well as contemporary burlesque. Disease called "Aids" was taboo and words Like "very" were when you take a "big stick to a Dog's open fighting wound". However, it lost its taboo Tattoo, Null Object teaches "cancer Aids destroys Futures" But I am still human. I want to live like a human" he said. The reason for the impressionable young girls is to me, movies Null Object Movie teacher; I saw until now was talk and social problem in movie. "But large Poke a stick" I thought the topic that is related to a living human being of all. You will not want to admit to the hospital all you do not notice myself Once the large stick of golf course. I want to spend eternity happily playing golf until the end of my life. That it is such as to learn more and to many days more or not natural death par 4.

My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Null Moment and Blunt Object, new combinations are crafted from both traditional and modern structures.
Ever since I was a pre-adolescent I have been fascinated by the ephemeral nature of the Null Object. What starts out as yearning soon becomes manipulated into a cacophony of distress, leaving only a sense of failing and the dawn of a new order.
As subtle replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the darkness of our existence.

I do exactly what I want - whenever I want.