psyonic

Boggman

"It's like I've lost control of my left foot. It just won't stop tapping. And my neck! It hasn't moved this much since Ministry at Lolla '92!"

"Is that 10/8? Or 5/4? It must be 10/8 right? Or maybe 10/4? That's it, its 10/4. Gotta be. No, don't shake your head at me, my great grandmother studied piano at the Conservatory of Lyon. I know these things. My father was a musician too. He spent the years before my birth on a tour of the east coast with his band. He once told me..."

"Is that Chemical Brothers? Or the Prodigy? That technical electronical music stuff... I'm an old-school rocker, you know that. Doobie Brothers, Steely Dan... but that Prodigy, he had some hits in my college days! What was it? 'I am the fire man?' Something..."

These are just a few accounts from the bewildered yet astonished old-timers I passed by while blaring Govlink's new EP MASTER OF CEREMONIES in Tallahassee's historic midtown. The sound system belonging to my 2013 Hyundai Elantra is far from state-of-the-art, but even so, tracks like "Beam Trace Lagomorph" and "punchingdownintheair" grace my stereo with a swagger and a swank that can't be ignored. Even if you're sick and tired of club music, tasteless, or old, you'll find something — or a lot of somethings — in this little release to marvel at. Heather's effortless blending of all things ELECTRONIC and COMPUTER hasn't failed, not even once, to draw me in and keep me there. Do yourself a favor, and buy five copies of this album. Or ten. Right now. Make it a hundred actually. Go ahead. Or I'll find you...

-Computer man

Written and produced by Heather DiStefano
Mastered by Kaho Matsui
Artwork by Heather DiStefano
Album description by Computer Man

sink

Ekzykies

Serpentine Surrealism Series (6/6)

The right window will open.

The Hole In The Fabric

SPEEDCOMP 61 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.

Null Object - The R Type Body

Danja

Post Memory Carapace

Pedicure

Viel Spaß beim Hören – Berlin lebt! 🔥🖤
Feedback & Reposts pushen den Track extrem!

BERLIN LEBT – OSTLERTEKKER HARDTEKK EDIT (Wunsch-Track)

Collaboration avec QLT pour un extrait de mon live machines

T'es Haut

An Apology For My Life:

I became a fan of the director; Null Object for several years. Was influenced by a very author ironic expression and his burlesque. And say why, I thought it was not Scat movies and historical dramas, such as only the American racisit system movie before watching movies of director Gotti Boi Chris. He introduced me to the ironic laughter Robots forced to read Japanese to me. I think people who are living in Japan after all, should see his Piss weak work. I think I began to look forward to movies you've never seen yet; one's that have not been made. Author, "Woman of the Wonder Woman" "Women of How Do You Solve A Problem Like Maria" and "Tom Hanks in "Big" but I would like to describe the impression about "big" in this paper.
Director Null Object represents a criticism of white paint with the ironic expression and burlesque. I will reveal the social issues as well as contemporary burlesque. Disease called "Aids" was taboo and words Like "very" were when you take a "big stick to a Dog's open fighting wound". However, it lost its taboo Tattoo, Null Object teaches "cancer Aids destroys Futures" But I am still human. I want to live like a human" he said. The reason for the impressionable young girls is to me, movies Null Object Movie teacher; I saw until now was talk and social problem in movie. "But large Poke a stick" I thought the topic that is related to a living human being of all. You will not want to admit to the hospital all you do not notice myself Once the large stick of golf course. I want to spend eternity happily playing golf until the end of my life. That it is such as to learn more and to many days more or not natural death par 4.

My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Null Moment and Blunt Object, new combinations are crafted from both traditional and modern structures.
Ever since I was a pre-adolescent I have been fascinated by the ephemeral nature of the Null Object. What starts out as yearning soon becomes manipulated into a cacophony of distress, leaving only a sense of failing and the dawn of a new order.
As subtle replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the darkness of our existence.

I do exactly what I want - whenever I want.