But Then Again, Who does ?
Music Written & Performed By Esslemont
2021
Esslemont Sounds
https://open.spotify.com/track/0WBI293seSahLSZ0IkYjLi?si=63edbd4e191a4474

But Then Again, Who Does ?

https://music.apple.com/us/album/cause-i-saw-you-were-there-single/1842387558
https://open.spotify.com/intl-ja/album/1v8yLdxDOwzzz930O3jcCt
https://www.youtube.com/watch?v=kizATRTnNr0
https://touchofthewood.bandcamp.com/track/cause-i-saw-you-were-there

With gratitude and respect to Kohei Uchimura, who is retiring.

This song was inspired by Kohei Uchimura who is a gymnastics athlete at Tokyo 2020 Olympic.
But maybe you can sing this for your hero, for your friends, for your lovers, for your parents….
Whatever it is, this is a song of gratitude and respect for the person you admire.

[Lyrics]

Cause I Saw You Were There

Do you know why I could come here?
Do you know what made me to come here?
It’s you. 
Cause I saw you were there. 
You were there.
Yes, it’s you. 
Cause I saw you were there. 
You were there.

引退される内村航平選手へ、感謝と敬意をこめて。

体操の内村航平選手の東京オリンピックを見て、この曲が生まれました。
でもたぶんこの曲は、あなたのヒーローのため、あなたの友人のため、あなたの恋人のため、あなたの両親のための曲でもあります…。
それが何であれ、あなたの憧れの人への感謝と敬意を歌ったものです。

[歌詞]

僕がなぜここに来ることが出来たのか知っていますか？
何が僕をここに連れて来たのか知っていますか？
あなたです。 
あなたがそこにいたのを見たからです。 
あなたはそこにいた。
そう、それはあなたです。 
あなたがそこにいたのを見たからです。 
あなたはそこにいました。

Cause I Saw You Were There

Ghost People

Ever imagined what happens inside the universe whenever you get the dreaded 'Blue Screen' of death on your PC.

Blue Screen

Thinkin' about what a friend had said ...

After The Gold Rush (Neil Young) - Cover by Cowboy Billy Herron

A journey across the desert.  This takes place in a dream with hazy, dark colours.
The intro sets the scene.  A ritualistic voice is carried by the wind.
A slave escapes from pyramid construction and is pursued by men in chariots. The sun is beating and the air has a liquid quality. Sand is blowing across the plain. The synth lead has an alarm-like quality. The electro 16th notes that come in are a hot, glimmering mirage.
The bass synth is sneaky and searching. The soldiers are beating continuous war drums. A regular horn is being blown. More chasers appear as the snare drum crashes in.  
The escapee luckily grabs hold of a bird and slowly leaves the ground, narrowly avoiding a growling elephant. As the funk guitar comes in we soar through beautiful air, psychedelic colours passing by, going higher and higher until we’re nearly at the limits of our atmosphere. The gods speak to us through another dimension in an indecipherable language.  They sound malevolent and seem to be sending a warning to turn back. We continue to climb further until reaching our biggest peak.
Dark storm clouds appear and slowly we descend. The new acid bass is the call of a large hippo. Alarm bells ring and we feel terror as the pharaohs have caught us up and are waiting below. The chief villain lets out a booming, evil laugh. 
Once on the ground mayhem ensues as we do our best to fight the soldiers off. But they are too numerous to handle and soon we are torn limb from limb in frenzy. The voice of Werner Herzog comes in as if this is one of his films that he’s commenting on. 
The Pharaohs party in macabre celebration.  Our soul leaves the body and rises up as the group sets back off home.

K G G - Pharaoh's March (on the run)

First Train to Mars is a hypnotic, ambient-rock instrumental built for anyone who loves drifting into their own head. It starts slow and atmospheric, then slips into a pulsing, cosmic groove that feels like you’re riding the last train out of Earth’s orbit — lights stretching, stars warping, everything moving in quiet motion. Chill, spacey, meditative, a little cinematic. Perfect for late-night drives, deep-focus sessions, or zoning out on the way to whatever planet you’re headed to next.

1st Train to Mars

you could be mine

I use sound as a way to express my healing process, accept reality, and find beauty in life's unpredictability. In its raw and unfiltered form, sound serves as a powerful medium for conveying the complex emotions I experience while navigating life's chaos and uncertainty. By embracing disharmony and unexpected shifts in my music, I am not only accepting reality as it is, but also transforming it into something meaningful and intimate for me. This creates a space where vulnerability and acceptance coexist, allowing me to find love and beauty in the imperfect and even the disturbing.

Unika Sola

Close your eyes
Open your eyes
made by,
openingneedleprogress can be found here, https://soundcloud.com/openingneedleprogress
Orieliel Watcher can be found here, https://soundcloud.com/orieliel-watcher
numbers in the dream is here, right here

The Love From The First Sight

The Love From The First Sight (openingneedleprogress/Orieliel Watcher/numbers in the dream)

Video - https://www.youtube.com/watch?v=xuRYVvQRQSc&list=PLV_oSLRa-HaKHuG3vbexCV1TGY2S3RlLd&index=12

Some live looping acoustic music for a lovely day! 🙂 I wrote this song after I was stuck for many hours in a heavy rain in South Europe while hitchhiking to Morocco and West Sahara. Song is in my mother tongue - Latvian. This isn't my most latest song but this is brand new arrangement. Hope you will enjoy!

Let it Happen / Lai Notiek (Live Looping Version)

No subtitles are available for these sounds.
I do not have the correct change for the machine.
Thats not a queue, Its a procession,
https://fagashrecords.bandcamp.com/

The Love From The First Sight (openingneedleprogress/Orieliel Watcher/numbers in the dream)

TheNumbersInTheDream