Why can't I get up?

Why Can't I Get Up? (Yes, why?)

The Black Night of the Spirit

The Black Night Of The Spirit

A really nice 60's 70's feel of music which still incorporates the feel of today. Me and @frankzozky got this again!

The Scar You Carve

Invisibile

This track is based on my theory of life at its best, put your headphones on and immerse yourself.

Ethereal

Website

Easy

🔥 Afro Flame – A rhythm born of heat and heritage. This track blends the soulful roots of Afrobeat with the pulse of modern-day drums and synths. Let the percussions burn, the melodies dance, and the energy rise. From the streets of Lagos to the clubs of Paris, Afro Flame is pure fire for the soul and body. Press play and feel the heat.

Afro Flame

In Your Dreams By Aimée Britannia & Blue Scarr

Love the style & attitude to this track!

don't settle in life for any less than your dreams!

In Your Dreams (Prod. Blue Scarr)

Wonton Soup

Phiver - Good Girls is a high energy EDM track, crafted for the dance floor.  The track blends driving bass with uplifting melodies, capturing that rush of emotion when someone got you caught up in your feelings.

Perfect for late night sets, festival stages or just turning the volume all the way up, this one is meant to move you.

Good Girls

"Can I Be’s Smoke" is a hypnotic journey that feels like 60 BPM while pulsing at 120. Driven by heavy kick and snare, it blends industrial tension with psychedelic, dreamy textures. The result is a slow-burning, modern darkwave track — both floating and grounded, melancholic yet cinematic. Music for nights of smoke, steel, and strange reflections.

Can I Be's Smoke

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.