Emptiness Reworked, Rewoven

Sequences - The Willows (Shō Rework)

Relief By Seclusion

Ybalferran - Learning To Understand

https://soundcloud.com/zerocrossingpoint aka Victor Morello is a music producer, sound designer and synthesiser specialist from France.
Formerly active as Ivort in the psytrance scene, Zero Crossing Point is a project exploring more abstract forms of music.
Relying more on moods and timbres than percussive elements, his music draws from ambient, film scoring, musique concrete as well as blending heavier and darker styles of club music. 
His process is based on crafting a large amount of sounds using various techniques, effects and obscure software to grow his personal library. 
The material is then assembled to create detailed compositions that aim to evoke imaginary worlds and strong feelings to the listener.
Video games and immersion through virtual worlds, are another influence to his work. He also develops his own games in his spare time, inspired by the late 90s aesthetics and design paradigms.

“What was a crucial sound experience in your life?”
Entering OHM club in Berlin for the first time while Goth Trad was playing “The Bug - Poison Dart feat. Warrior Queen”. Entering the club felt exactly like the club scenes you would see in 90-00s action movies.

Links: 
https://soundcloud.com/zerocrossingpoint
https://www.instagram.com/vivivivitotototo/

Tracklist
Recordings from Carbognano, Italy, with Guillaume, Laurent & Mélanie
Joy Eza (raw takes from Cecilia5)
Grain Resonator F
Tonal Drone Accoustic w/ Fake Trumpet Solo
Pulse Blues Stretccch 97
Granularpeggios (Wet)
Generative Apotome w/ MicroBrute FX Glitch
Reso Metal Hits Reversed
Various Street Recordings from Berlin, Paris and Grenoble
Modular drone improvisation, for Lou’s nap
Recordings from the Lake Como area, Italy
Violon Emotion w/ Various Pulsating Risers 
Friends - Phoebe tries to get after sales support to fix her phone
Arctic ppooll & Byome
Hu yu sings, Melodyned 
Reso Metal Hits
Diffuse Dubstep Grains
Sub Phatty full wet SFX improv
Noizemaker Noisescape Improv
909 Cloud
Buchla Blues (Wet)
MatrixBrute Paraphonic Rollercoaster (Wet)
Unused soundtrack for arpenteur.fr clothing shop
Organ Of Desires
Recordings from the sea organ, Zadar, Croatia 
Three improvisations on a Buchla Music Easel
Someone playing the piano in Gare de Lyon, Paris

MNEMOSYNE #016 -  ZERO CROSSING POINT

A1. Yolabmi - Alone

Taken from the album, "Stries ton, tripes et poils"
Released May 2018 on Weighter Recordings. - www.weighterrecordings.com

Prune Bécheau : violon baroque

Enregistré au Tuquet en janvier 2018.

Thomas Pujols : mastering

Merci à Penultimate Press, Thomas Pujols, Eloïse Burjade, B+B, Adrien Bardi Bienenstock.

Prune Bécheau - "zzffk zzffk" (excerpt)

Late July Noods Residency guesting Synalegg mix in 2nd half~~
https://soundcloud.com/synalegg

Tracklist:

Ennio Morricone - Fraseggio senza struttura		
Pontiac Streator - Angelus Spit (feat. Mister Water Wet)		
__-_ - Legato Crying - Legato Crying		
Mark_Leckey - In_This_Lingering_Twilight_Sparkle_Side_A		
Glass - Underperform (OOH-sounds re-work)		
Piezo - 01.OX		
Synalegg - Commuters		
adammmmmmmmmmmm -  i...		
Joanna Brouk - Majesty Suites Entrance of the Queen of Winter Dawn		
Speaker Music - Of Our Spiritual Strivings (ft. Syanide)		
Georgia - Walking Around Soho		
Pontiac Streator - Om Ne Ud		
Mark_Leckey - In_This_Lingering_Twilight_Sparkle_Side_B		
UVB76 - Bakara		
Richard-Craig - Dillon-James		
Shelley Parker - LET THE BODY B		
more eaze & claire rousay - Post-op		
Elysia Crampton - Morning Star-Red Glare-Sequoia Bridge (feat. Jeremy Rojas)		
Oiseau Danseur - Face A		
		
		
		
		
		
		
		
SYNALEGG - guest mix (1:00:15)		
		


Emptyset - Ascent			
 Pavel Milyakov - Industry machine '87			
Voronoi - Gumbody Flash			
Ryoji Ikeda - Test pattern #0100			
Daniel M karlsson - Gaining traction with the local branches			
Ametsub - Over 6633			
Yvanko, Yab - Hydré			
Yves de Mey - Xylo			
Nebulo - Fata Morgana B			
Autechre - Known(1)			
William Fields - Prospection			
Moxus - Mush Space			
Jpegmafia - Dj Snitch Bitch interlude			
Grischa Lichtenberger - 003 0415 03 re 0112 re 0811 08 lv 1			
Bernard Parmegiani - Hors Phase			
Synalegg - Brèche

OOH-sounds W/ Synalegg - Noods Radio 26-7-20

July 3, 2020  Live at VOID   (Rehearsal Demo)

A contemplative aural journey across the stillness and massive scale of the landscapes of northern Iceland, as captured in Peter Hutton’s painterly film ‘Skagafjörður’. 

Numbered edition of 90 copies with download coupon. 
Inlay offset printed in silver.

Andrew Chalk & Timo Van Luijk – Skagafjörður

https://soundcloud.com/muzaneditions

https://muzaneditions.bandcamp.com/album/the-sound-of-mountains

Dream on the Retina - yolabmi (from The Sound of Mountains)

mutable instruments rings + pamela's workout, night walk recorded june 2020 using Lom Uši Pros

@minalt

mutable walk

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Max Eilbacher (excerpt)

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mutable walk

nworb