In revolt

To crush the shackles of tyranny
Let us strive
The fight for independence must go on
It starts inside yourself

Learn how to stand in revolt
Raise your voice to shake this world

Against the fire of our vanity
Against the circle of hypocrisy
Against a world full of debauchery
Refuse this shit!

Wallow in this sea of filth
Blinded, it’s all so unreal
Dull existence full of scorn
Mourning from the day we’re born

There are no masters and there are no slaves
Misconception
Scourge of alienation whips our souls
Not anymore!

Learn how to stand in revolt
Raise your voice to shake this world


In Revolt

Dallas, Texas-based avant/tech death metal trio, BARING TEETH, is preparing for the long-awaited follow-up to their 2011 debut album, Atrophy, with the mangling Ghost Chorus Among Old Ruins confirmed to drop via Willowtip Records in late November.

Previously known as Soviet, BARING TEETH is an act formed by three musicians having collectively spent time playing in a plethora of acts including Cleric, Between The Buried And Me, Broadcast Sea and others. Following their initial demo, Willowtip signed the band for the 2011 release of their debut album, Atrophy. Ghost Chorus Among Old Ruins shows BARING TEETH sharpening its attack, the unsettled aggression of previous material heightened to a manic, primal belligerence. Immersive, hypnotic, and haunting, the album melds seemingly opposing characteristics — streamlined songwriting and dizzying technicality, ambience and brute force, density and angularity, order and chaos — into a fully realized, cohesive listening experience. Without sacrificing originality, the groundwork of Meshuggah and Gorguts gives in to modern and gritty dissonance where one may at times be reminded of everything from the technical intensity of The Dillinger Escape Plan and Flourishing, to the ominous realms of Deathspell Omega and Ulcerate. Comparative compliments aside, the band’s music continually applies and releases tension, while continually spiraling into a tension-infused amalgamation of chaotic but ultimately natural and captivating experimental death metal.

Recorded by Alex Bhore (This Will Destroy You) at Elmwood Recording, mixed by Keith Souza and Seth Manchester at Machines With Magnets (The Body, Battles, Daughters), and mastered by Alan Douches (The Dillinger Escape Plan, Converge, Swans), Ghost Chorus Among Old Ruins takes the extremes of BARING TEETH’s debut to new levels while showcasing a singular vision: no compromise, no respite.

Willowtip Records will release Ghost Chorus Among Old Ruins on November 25th. For now, the album’s cover art by Calvin Sprague and preorders are posted at: http://www.willowtip.com/releases/details/baring-teeth-ghost-chorus-among-old-ruins.aspx.

BARING TEETH:
Scott Addison – bass/vocals
Jason Roe – drums
Andrew Hawkins – guitars/vocals

Ghost Chorus Among Old Ruins Track Listng:
1. An Illusion Of Multiple Voices
2. Mountain
3. Visitant
4. The Great Unwashed
5. Terra Nullius
6. Dripping Sun
7. The Unwilling
8. Ghost Chorus Among Old Ruins

Stand by for review copies of Ghost Chorus Among Old Ruins. For coverage of BARING TEETH, worldwide, please contact liz@earsplitcompound.com.

http://www.baringteethmetal.com
http://www.facebook.com/baringteeth
http://www.twitter.com/baringteeth
http://www.willowtip.com
http://www.facebook.com/willowtip
http://www.willowtip.bandcamp.com
http://www.twitter.com/Willowtip

BARING TEETH - Ghost Chorus Among Old Ruins

Battlecross "Spoiled" from the "Rise to Power" album.

Buy from Metal Blade

Battlecross "Spoiled"

Alustrium's new album, 'A Tunnel To Eden' streaming in full

A Tunnel To Eden

Hester Reference

Great Is Our Sin

Theatre of Horror

Band: Putrid Torso
Song: The ghouls of the graveyard
Album: Grave Desecrating Ritual
Year: 2016 - unreleased

Putrid Torso - The Ghouls Of The Graveyard

On November 25th, Chicago-based death doom collective COKEGOAT will drop the torrential fruit of their latest full-length, Drugs And Animals, upon unsuspecting souls. Engineered, produced, and mixed by Andy Nelson (Weekend Nachos, Like Rats) at Bricktop Recording and mastered by Carl Saff (Unsane, Red Fang, Earthless et al) at Saff Mastering, the nihilistic sounds of Drugs And Animals displays the unit manifesting their own unique brand of heavy, sullen music. The post/doom/death/heavy metal sextet layers Jeff Wojtysiak, Ed Nudd ,and Rebekah Brown on guitars, synths and vocals, while Chase Bentley, Tim Baldwin, and Jordan Schultz add mass with guitar, bass and drums respectively. Six members strong. Six years in the making. Six musical voices.

Comments the band on Drugs And Animals: "Drugs And Animals is a tall refreshing Long Island Ice Tea in a craft cocktail world. It's trashy, it will fuck you fuck up, and you'll probably wake up in a strange place needing a double does of antibiotics. To quote producer/engineer Andy Nelson during the Drugs And Animals recording sessions, 'This album is dense.' [sic] Since our 2013 debut LP Vessel, countless group texts have helped COKEGOAT achieve growing friendships, razor sharp focus, mental stability, financial instability and a more advanced writing process. In other words we are beyond stoked to get this record to your earholes."

Drugs And Animals will be release released digitally and on 180-gram 12” vinyl late next month via the official COKEGOAT Bandcamp page.

Founded in the Windy City during the summer of 2011, COKEGOAT embraces the inherent evil of the earth and the soul. Planets dying, earth eating man, ocean birthing fear, moon swallowing heavens… 2013 saw the release of the debut album Vessel. Sludgelord gushed, “Vessel is an album of distorted chaos… chaotic, angry, brilliant, and bewitching.” New Noise concurred, “Vessels is one hell of a debut. This bitch has balls. But quickly flashes some groove… Here we have ‘three guitarists, three voices, synths, bass and drums,’ kept on a production leash that adds an urgency to the manic time changes. Which crush. The atmospheric layers are just touches. They add mood but never take center stage. This is about riffs, but COKEGOAT know where to accent their talents as well.” 

Part weed, all beer, soaked with good times, one COKEGOAT member has been kicked out of every band he’s ever been in. One has a positive word to say about every band he has ever seen and will travel to any city with a brewery. Another has a serious gear trading problem. Three guitars, three voices, bass, drums, and synths, together they ponder how a goat with a cocaine problem would act. They guess that goat would fuck your face off with riff heavy music that tastes like fresh flesh. What… You ask? They answer… Hell yes.

http://www.facebook.com/Cokegoat
http://www.cokegoat.bandcamp.com

COKEGOAT - Nurture

W.T.C. PRODUCTIONS & DARK ADVERSARY PRODUCTIONS are proud to present the long-awaited third album of long-running black metal cult CRIMSON MOON, Oneironaut. CRIMSON MOON was established in 1994 by Scorpios Androctonus - known also for his work with Acherontas, Zemial, Demoncy, Melechesh, and Akrabu among others - as a solo project in the U.S. and relocated to Germany in 1998.

After working with different members throughout the years, 2016 reveals the long-awaited third full-length release titled Oneironaut. Four years in the making, this album has returned to the roots of the lineup and was written, performed, and recorded once again entirely by Scorpios Androctonus with additional guest appearances by members of Acherontas, Demoncy, and Ralph Santolla (ex-Deicide, Death, Obituary) on select tracks.

The aura of Oneironaut is a familiar one to previous CRIMSON MOON releases in the spirit and atmosphere, both musically and lyrically. A definite progression is also introduced in song structure and strategic use of additional instruments, including exotic instruments such as the Esraj, Frame Drums, Tanpura, Cretan Lyra, fretless acoustic bass, and innovative uses of acoustic guitars among other stringed instruments and percussion. The music of Oneironaut executes a blend of mystical, dream-like atmospheres which morph from violent and aggressive black metal synonymous with the occult atmosphere. Lyrically, the topics vary from traditional Necronomicon-inspired myths, Sumerian lore, astral projection, and lucid dreaming to content that covers homage to the old goddesses of worship, survival of the fittest/breaking the myths of equality, and spiritual transcendence.

As of 2016, CRIMSON MOON has established a new and potent full lineup which will debut its first live appearance in October of 2016, which will be the first live performance from CRIMSON MOON in nearly a decade, and the first time to perform live on European soil. More select live shows will follow and are being booked for the remainder of the year and 2017.

The new CRIMSON MOON new lineup consists of:
Scorpios Androctonus - bass and vocals
Sabnoc - guitars and backing vocals
Vual - drums and percussion
Agreas - guitars

With the new lineup, work is currently being put into new material for an upcoming split release that will be announced by the end of 2016, which will forebode much more to come in 2017.

The Serpent Dreams and the Dream is the Serpent's Reality.

Format: CD, DLP (at a later point)
Genre: black metal
Catalogue Nr.: W.T.C.157

Tracklist
1. Gossamer of Arachne
2. Molding of a Spell
3. Seeker of the 7th Gate
4. Weaver of the Web
5. Urilian Worm
6. Oneironaut

Web

www.facebook.com/Crimsonmoonxeper/

Discography

1994 - self titled demo
1995 - "into Nocturnal Forest" demo
1996 - " To Embrace the Vampyric Blood"
1997 - "Under the Serpentine Spell"
2006 - "The Choice of Spirit"
2007 - "Xepera Xeper Xeperu"
2007 - "Serpent Beneath the Skin" e.p
2012 - Ana Harrani Sa Alaktasa La Tarat
2016 - "Oneironaut"

Crimson Moon - Oneironaut - Molding Of A Spell

W.T.C. PRODUCTIONS is proud to present a brand-new mini-album from German black metal cult PARIA, entitled Knochenkamp. Since the ancient year of 1995, PARIA have been a study in staunch defiance and unparalleled filth. Their late '90s era was spent brewing disgusting demos in secret, and then during the early 2000s, a handful of official demos emerged from PARIA's dungeon, perhaps best characterized by the 2007 compilation title Paria über alles - 11 Years of Blood, Cum & Satan. Two full-lengths would be released, 2008's VerminRace and 2010's Unchain the Unclean, before the band's breakout album, 2013's Surrealist Satanist. Released by W.T.C. to international acclaim, Surrealist Satanist was the culmination of nearly 20 years of mounting mental instability and restless demons knocking on their door: PARIA had finally arrived, exploding with dizzying disease and roiling chaos, and yet somehow wrangled it all into palpable but no-less-bent shapes with frightening finesse. 

Alas, PARIA have returned to build further on that monument - or bury it under garbage and gangrene - with Knochenkamp. A fountain of filth and fury, cutting and concise whilst exuding a substantial totality at 28 minutes, Knochenkamp is PARIA at their most untamed and unbound: untamed in how bloody spiraling and dangerously caustic their attack has become, and unbound in that they pay little to no mind what's been committed to tradition under the banner of "black metal." Over the course of four songs and intro, the quartet weave bewitching spells of black metal classicism that soon split apart at the seams and become consumed by a ravenous insanity that literally feels dangerous - there's no faking this sort of instability. And yet, their songwriting acumen is at peak performance, as Knochenkamp's component parts are ones that go places, beckoning the listener ever onward, teasing with morbid repose before whipping forth into a abyss-ward tornado of utter disgust and bitter, black hatred. Through it all, PARIA remain gleefully possessed, almost taunting that listener with demonic delight. Will you have the spiritual/physical fortitude for Knochenkamp?

Putrid Torso - The Ghouls Of The Graveyard

Nihilistic Conspiracy

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