ladina

Tlse

Meridian Brothers

rioloco2014

Sonora Tropical1

June 2014

cumbiemos el mundo

cool egg

Si Tú Me Dices - La República ft. Herencia de Timbiquí

Cametá, a historical little Amazonian town on the shores of the river Tocantins, is the birthplace of the scorching music known as “Siriá”; a cross pollination between the music of the inhabitants of the quilombos, a Brazilian hinterland settlement founded by escaped slaves of African origins, and the indigenous people of the Amazon rainforest. It is a breathing, pulsing, emphatic beat, and the modernised version of this local music, created by Mestre Cupijó, has been igniting street parties and traditional festivals across the state of Pará in Northern Brazil for decades. And at last in 2014, the combustible sound of Siriá will be celebrated internationally as the feverish, tropical sound of the summer!

Foretelling his talent to flow between cultures, Cupijó was named after a local river when he was born in 1936, into a family of musicians. His father, Mestre Vicente Castro, was also known as Mestre Sicudera, the musical director of Centennial Euterpe, one of Brazil ́s oldest bands, founded in 1874. 

At 12, Cupijó started to play the clarinet. He also became proficient at the piano, mandolin and guitar, although the instrument that came to personify his sound was the alto saxophone. Waltz, bolero, cha cha cha and an assortment of dance hall music became part of Cupijó's repertoire, but it was Carimbó and Siriá, the music played by the black communities of Pará, that had the strongest impact on the young musician.

To grasp the soul of this music, Cupijó went to its source and lived with the quilombolas (maroon) community of the Amazon. Upon his return, enriched by this life-changing experience, he founded the band "Jazz Orquestra os Azes do Ritmo" with the goal of reinventing Siriá and modernising Samba de Cacete, Banguê and other folkloric music of the state of Pará. Airwaves from the Caribbean and Latin America had also brought the cumbia sound of the mighty Colombian orchestras, Merengue from the Dominican republic and Cuban music to the Amazon, all of which had an impact on the music of Northern Brazil, Mambo especially! Mestre Cupijó took these influences and mixed them in with the ingredients he had studied in the Quilombos. That fusion – as we are witnessing on this record – had explosive effects.

His fresh new sound became the soundtrack to Cametá's legendary Carnival and soon his troupe were invited to other festivals along the river. Transportation to these concerts was via small boats, where three or four musicians would share a vessel with their instruments tucked between their legs. In those days there were no posters or radio adverts to promote the shows in any way, yet Cupijó’s shows became notorious. In an interview one of his band members explains: "Whenever there was a party – on a Saturday for example – and it was known that Mestre Cupijó would play, the news would spread incredibly fast, just by word of mouth. We didn’t understand how that was possible, but it certainly was amazing."

After the initial wave of enthusiasm, the first two LPs were recorded with rudimentary equipment in a dance club in Cametá. However, it was the third attempt, recorded in a studio in Belém, which would trigger a phenomenal success. "Caboclinha Do Igapo" and "Mambo do Martela", included on this record, became instant hits. A year later, "Mingau de Açai", one of Cupijo ́s most popular tunes, took the region by storm. In total six LPs were recorded by Mestre Cupijó.

He then created "Concurso de Musicas Carnavalesco de Compositores Cametaenses”, a contest for carnival music composers. The songs composed expressly for these contests in the 70s are still performed today during carnival season. In addition to evolving the Pará music culture in this way, he also owned a makeshift soundsystem, "Musicolor", to spin the discs of local artists before his own shows to the frenzied crowds. Mestre Cupijó proved himself a philanthropist as well as a conductor for the people’s music, and acted as a provisional lawyer for the city of Cametá, specialising in help for the poor. He also had a short spell in politics and was elected by a vast majority to the station of Municipal Councillor of Cametá.
Master Cupjó, the pillar of Pará's festive culture, and a humble pop icon who was ushered prominently into the country’s history books, passed away on 25 September 2012, at the age of 76.

We at Analog Africa are ferociously proud and honoured to have the chance to present these carefully selected tracks from Mestre Cupijó’s six studio albums. We hope that his music captivates you with the magic and bewilderment that is has us. We recognise his compositions as true anthems of life and vitality, vibrantly encouraging all to drink and dance until sunrise! Let go of your inhibitions and immerse yourself in the wonderful world of Mestre Cupijó........ Segura!!!

Mingau de Açai - Mestre Cupijo (OUT NOW)

From <i>Haiti Direct</i>, compiled by Hugo Mendez of Sofrito. Out now on Strut Records.
Order: <a href="http://georiot.co/5oB">iTunes</a> • <a href="http://georiot.co/3ZL">Amazon</a> • <a href="http://bit.ly/HaitiDirect_StrutStore">Strut Store</a>

Founded by saxophonist Carmin Bichotte in the summer of 1967 in the Carrefour suburb of Port au Prince, Les Fantaisistes celebrated their more egalitarian roots and promoted themselves in opposition to the more uptown milieu of groups like Les Shleu Shleu, scoring numerous hits with lead singer Ricot Mazarin. The spaced-out "Panno Caye Nan Bois Chêne" - with vocals by Haitian singer and poet Ansy Derose - is taken from an album recorded whilst on tour in Guadeloupe in the early 70s and riffs on the local biguine rhythm to haunting effect.

More from Strut Records:
<a href="http://www.strut-records.com" target="_blank">Home page</a>
<a href="https://www.facebook.com/pages/Strut-Records/20359830443" target="_blank">Facebook</a>
<a href="http://www.youtube.com/user/strutrecords" target="_blank">YouTube</a>

Les Fantaisistes de Carrefour - Panno Caye Nan Bois Chêne [from Haiti Direct]

From 'Underneath the Rainbow' out 3/18/14 via VICE Records

Black Lips-Boys In The Wood

7FT visits the vocals of Legendary Dub Poet and Lyrical activist LKJ for this deep digital soundsystem battle cry.


original version : http://www.youtube.com/watch?v=Egye9tBl-y8


All sounds made exclusively on casio MT40
Instrumental produced by 7FT soundsystem
www.7ftsoundsystem.com

LKJ - 5 Nights Of Bleeding  [ 7FT REFIX ]

Booking : irieites@hotmail.fr - Copyrights (P) & © Irie Ites Records - www.irieites.net - www.tidouz.com/irie-ites

Sizzla - Strength & Hope [ IRIE ITES DUBPLATE ]

This is hard. This is heavy. This is Shirk. Welcome to the Show.

Shirk.

--> Download Shurk's new Future Glitch Hop Sample Pack on primeloops.com:
https://primeloops.com/future-glitch-hop-samples.html <--

Free Download

Welcome To The Show

YO NO QUIERO PASAR UN DOMINGO EN LA CAMA! El Titulo lo dice todo.
Una latin jazz con son montuno, pa que lo goce ud.

Un Domingo En La Cama

Tribute to Joe Arroyo played by Renzo Padilla and Joint Tahona.

Homenaje al  Joe Arroyo interpretado por Renzo Padilla y el Conjunto Tahona


Tahona - Joe ( Original Mix )

An epic song about heartbreak.
For my fans.

Enjoy.

Shirk.

--> Download Shurk's new Future Glitch Hop Sample Pack on primeloops.com:
https://primeloops.com/future-glitch-hop-samples.html <--

FOLLOW SHIRK:
https://soundcloud.com/shirkofficial
http://www.youtube.com/user/ShirkOfficial
https://www.facebook.com/shurkofficial
https://twitter.com/ShirkOfficial

Credits to vocalist, Chip Jenkins: https://freevocals.com/chip-jenkins-vocalist/

Take Me Away

Ya llega el paro agrario y con Martin Velez quisimos apoyarlo y rendir un homenaje a la memoria de el paro agrario pasado. Que no se nos olvide lo que pasó en Julio 2013, ojalá este año no se repita la historia y no volvamos a ver esa manipulación mediática a punta de desinformación. Ojalá prime el debate.
Viva el pa pa pa pa paroo!
Voces de Santos, Robledo , campesinos y medios de comunicación. El sancocho pues.

El Paro ft Martín Velez (Original Mix)

Bogota's Meridian Brothers return to Names You Can Trust with a brand-new double-sided single. Having made their mark on the local scene in Colombia for over a decade, the last few years have brought Eblis Álvarez and his strange brew of tropical rhythms, wonderfully outrageous electronic sounds and unique, playful vocal style into the consciousness of a world wide audience. Building on the success of their previous album 'Deseperanza' as well as the upcoming 'Salvadora Robot' (both out via Soundway Records),  Álvarez has concocted two new gems exclusively for this NYCT release.

Recorded inside Álvarez's Isaac Newton Studios, these quirky yet seductive experiments in cumbia are further proof that Meridian Brothers and their rare style are unmatched in the modern landscape. Lamento Calavera, a mostly instrumental, electronic beat and synthesizer infused study on cumbion (fast cumbia) builds at a frenetic pace until the choir (as done by Los Maravillosos) resets. El Faraón Miente, a jazzy mid-tempo cumbia, rides along effortlessly with its carousel-like melody and bubbling Peruvian-influenced guitar riffs. With a cover illustration by Álvarez himself, this is another automatic collector's piece from Meridian Brothers and Names You Can Trust.

Releases worldwide on May 26, 2014 on Digital / 7" vinyl.
Supreme weight picture cover package on Recycled Board.
Limited Edition 500 press.

Meridian Brothers - Lamento Calavera

The first track from my album 'Our Love', out now worldwide. 

iTunes: smarturl.it/CaribouOurLoveiTunes
Amazon: smarturl.it/CaribouOurLoveAmazon
Label: smarturl.it/CaribouOurLoveLabel

Photograph by Jason Evans.



buy on iTunes

Can't Do Without You

Beats, Outtakes & Demos from Little Dynasty Studio.

Produced, Arranged & Mixed by E's E >
Additional Production by Boogieman, Mix Greens, Mac McRaw & Monk-One >

1. Intro
2. Movie Dream
3. Not Your Average
4. No-15
5. HK Supply
6. No-10
7. 5AM Perhaps
8. Rose & Cream
9. Swatch This
10. Glitters
11. Space Sale
12. No-13
13. Funky Roger





Little Dynasty Beat Shop (Volume One)

Superstructure - Out At The Deep End
Written & Produced by Todd Osborn.




Superstructure - Out At The Deep End

UNDER MI SERBIE
*********************
Cumbia Scream Contest [Round 05/12]
Follow on : www.facebook.com/cumbiasoundclash

Credit ____________________________________________
Kolomeike [Amsterdam Klezmer Band]
... [Boban Markovic]
Under me Sensi [Mr Vegas]

Add Credits ________________________________________
Bass, Voice : Captain Cumbia


Download

Captain Cumbia remix MR VEGAS vs BOBAN MARKOVIC & AKB [Under Mi Sensi]

03-Llega el Ovni

interludio del disco "Don de Maya" de Ovni Guarajé.
William Carreazo interpreta la gaita Colombiana
William Carreazo plays the colombian Gaita Flute
https://www.facebook.com/events/218657864938458/

09-Son de Gaita

Ages and Sun

Tenshinhan

A la negra Eugenia dicen que le gusta caminar desnuda a la orilla del mar...

010-La negra Eugenia

Desesperanza

05-Interludio

06-De Lado a Lado

Placas del Mono

REGGAE TOYBOX [ JPN ] - RAGGAMUFFIN ICON - MR WILLIAMZ [ 7FT REMIX ]

Riddim Produced by 7FT soundsystem (c) 2013
Vocals : Mr Williamz
Originally recorded for Reggae Toy Box [ https://soundcloud.com/reggaetoybox ]
#raggamuffin.

MR WILLIAMZ - RAGGAMUFFIN ICON - Reggae Toybox [ JPN ] [ 7FT REMIX ]

MiniMixxtape para CLub Sub Tropical - Montevideo
download: https://mega.co.nz/#!hkEXiTab!FfdlWwdmMO4FQj1D0PuuhxQ_TN9AnqSLE6pnUvHkst8


Zurita - Republica Oriental -MiniMixxtape- (EXCLUSIVO ClubSubTropical)

Names You Can Trust is an Independent Record Label based out of Brooklyn NY.

Artists & Alumni:

Greenwood Rhythm Coalition
Midnight Lab Band
Beverley Road All Stars
Frente Cumbiero
Meridian Brothers
Doctor Stereo
Tyrone Evans
Williamsburg Salsa Orchestra
La Mecánica Popular
Ticklah
El Combo Chimbita
Romperayo
Aillacara 2743
Bixiga 70
Lascamāo
NY Hustlers
Alex Mendoza y sus Poetas Del Ritmo
Romanowski





