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Release Info:

New Release: EMESSHEM - Vodun Skodron (Lucid Interval Dub) [HDR 007] OUT NOW !!!

Now Available on Juno Download
http://www.junodownload.com/products/emesshem-vodun-skodron/2148793-02/

Release from Hybridub Recordings.


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► About Emesshem:

Hometown: Tokyo 
Genre: Electronic.
Style: Dub / Tech / Abstract .


EMESSHEM - (the "H" is silent) is a Japan based Producer, Remixer, Songwriter, and Artist. 

Emesshem often containing many elements of "DUB" Emesshem's music is the furthest from the mainstream, with relaxed, deep, dark, and abstract characteristics. Emesshem started out making electronic music, then a year later while under the influence of marijuana and dextromethorphan discovered that there is evil in popular dance music. It then became Emesshem's task as an artist to expose this evil, perhaps exaggerate it and even overuse it. Emesshem moved on from this and with the power of psychedelics found the light. Now Emesshem blends many underground electronic musical styles and dub together to create a different sound. The tracks are almost entirely created during psychedelic dubliminal minimal trips and while high as fuck from smoking weed. Be prepared to have your eargasm now! 




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HYBRIDUB ☮ PHUSSA UNDERGROUND

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A big thanx to all of you for your supports.

BOOKING
doubletower@ymail.com

FACEBOOK
http://www.facebook.com/Manitix

SKYPE : Manitix

Manitix, an aspiring Producer and DJ from San Jose, California. with a passion and heart for music. He was seriously introduced into the world of music when he picked up his first guitar at the age of 15 and started a metal band with some friends. He has been making music ever since.

Coming from a multi-genre background, he though he had heard it all until some friends had opened the door to the EDM world for him. he loved it so much, he started to make his own. Eventually, he wanted to start playing his songs for people, so he learned how to DJ. He has yet to let a crowd down and can bring the dance floor back to life.

Manitix's first gig was at a popular night club in San Jose called "Sabor". Soon after people couldn't get enough of him. He has been up and down the California coast. from San Francisco, Sacramento, to L.A and many places in-between.



The most faithful and resolute of electronic music producers maintain the rare ability to mold a collective series of sounds into a definitive structure that not only captures the essence of a given genre, but the essence of the artist himself. Those who are brave enough to venture outside the studio and present their craft to the world via DJ session or Live PA, carry the burden of having to seduce a crowd with their raw charisma. The responsibility of the artist and the performer are not always symbiotic. Sometimes the characteristics of the artist outweigh the performer. Sometimes it is the other way around. Any way you cut it, artists like Los Angles based Dubstep producer Jacob Coma seem to amount to the sum of both these traits with the greatest of ease.

     Coma is a rare specimen who has rhythm tattooed to the invisible surface of his conscience. From his days as a child banging on pots and pans while his mother worked in the kitchen to his prodigious introduction into electronic music as a Hip Hop DJ, it has always been abundantly clear that music is in his blood. But a deep, intrinsic love and understanding of music can only get an artist so far. They must be able to accept, analyze and embrace all forms of music with an unwavering sense of curiosity. Perhaps it is that very sense of curiosity that has allowed Coma to excel stylistically. His musical pallet is seemingly endless, with influences that revolve around a complex constellation of genres. From House to Reggae, Jazz to Drum and Bass, Hip Hop, Breakbeats and beyond, Coma has spent the better part of his life lapping it all up.
     
     Coma’s current endeavors into the realm of Dubstep have yielded a dynamic array of sounds. Melodic hooks, sweeping breakdowns and wobbling bass lines have become ubiquitous characteristics of his style. However, Coma carefully balances his driving, dance floor busting grooves with subtle audio edits and precision-crafted effects that provide an unsettling moodiness to his tracks. While listener’s bodies absorb the fullness of his audio-logical aura, their minds wonder elsewhere, carried off by molecular eruptions of ambient noise that seem to radiate into deep space.
The creature he becomes on stage further highlights the impact of his musical presence. While performing Coma physically transmits his energy to the audience, giving them little choice but to become physically involved. He presents himself as a mythic Banton of sound system culture, gracing the decks with an uncanny ease as he rallies a crowd around his big, bad bass. But as he winds his way through his performance, jumping and bouncing all over the stage, he maintains an air of humility. He is part of the party, not the party itself
    
     Coma’s remixes of artists such as T-Pain, The Yeah Yeah Yeah's and The Baby Namboo’s have put him on the map as a crafty up and coming producer. His music has also seen support from dance music luminaries such as Udachi, Trillbass, Mochipet, Noah D, Puppy Kicker and Bassism Records. Coma has released tunes on Savory Audio, Open Circuit Recordings and recently recorded a DJ mix for R.FM.
-Andre Ross
February 23, 2010

general reef 
making awful music since 99

from garry kitchen's gamemaker to stephen kay's karma and beyond, 

http://soundcloud.com/hsd/nama-funky-dhol was played on BBC Radio 1 by DJ Nihal (Gilles Peterson record swap), on BBC Asian Radio by Bobby Friction (BBC Introducing) and by DJ Kayper

all rights reserved

CONTACT
lifekissandhoover@googlemail.com
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Focus is passé. 

In the modern world we want to feel everything all the time. There is no point in just taking a walk in the park when we can also listen to headphones, munch on a hot dog, crank up our vibrating soles to the maximum, and check out the passing carnival of humanity. Our choices shout the creed of a new world order:
Stimulation. 

Thought and creativity have become subservient to the singular goal of saturating our senses. But we are oldschool. If you are not prepared to focus on the basics of valuable nightlife - music, conversation, hijacking each others mind, the ecstatic entwining of souls - then get out of our faces and go back to your 500 channels of surround-sound life.

There are two boys behind the musical project Hymera – Konstantin Georgiev and Pavlin Nikolov. They startеd this project in 2001 when they decided that there could be much more music in the electronic sound than it is typically presumed.

Their music can be generally described as progressive trance/house with strong percussion parts, deep basses, harmony synths, psy trance sounds and many more characteristics that combined together make up the distinctive style of Hymera.

From 2001 to 2005 the project was known under different names such as The Drones and R.S.V. Force and it would include several other members beside Konstantin and Pavlin. During those years they experimented on various genres and, finally, in 2005 they decided on the name Hymera and the progressive sound.
In 2006 Hymera signed to the Bulgarian label Deep East Records and released their first full-length album Vibes of Delusion, followed by several singles in 2007 such as "Outlaw". This led to their second album in 2008 called New Dimension which includes the track “Devoiko Mari Hubava” performed by the talented Bess Valentine who worked with them from 2006 till 2009. After the release of Their Existing EP in 2009 Hymera started working on their third album called Dual Reality released in 2010 on FIXT Store.
In the meantime they were working on a new attractive and high-quality type of live performance. Their live sessions combine progressive house/trance/psy trance sounds performed on keyboards and special choreography, as well as exclusive live tracks, which can be heard only in their live shows. Two of those tracks are “Narayan” - a progressive trance Prodigy cover -and “Everything Counts” by Depeche Mode. The rest is a surprise revealed to the audience as their shows develop.
Having performed several live gigs, Hymera are now searching for new horizons. Their current mission is to show the wider world the thing they can do best - creating art with sound live onstage.

moxixofficial@live.com
https://www.facebook.com/iammoxix

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