Algun Dia :)

Capriccio Italien, Op. 45 de Piotr Ilyich Tchaikovski
I. Andante un poco rubato – Pochissimo piu mosso
II. Allegro moderato

Capriccio Italien Op. 45 - Tchaikovski

From the album featuring the compositions of Chris Broom, Remembering Heaven, Sempre is a duet sung with Tenor Christopher Dallo

Sempre Ft. Christopher Dallo

Yanis Varoufakis considers himself a politician by necessity, not by choice. An economist and academic by training, he became Greece’s finance minister amidst the country's financial crisis, creating an image for himself both beloved and reviled. He came to the Library last April to discuss this complicated role and his recent book, And the Weak Suffer What They Must?: Europe's Crisis and America's Economic Future. He was joined in conversation by  renowned academic and theorist Noam Chomsky.

Yanis Varoufakis and Noam Chomsky on Money and The Sickest Joke in the History of Humankind

Jessica Moss shares an excerpt of a work in progress, recently recorded live in her rehearsal space, that offers a lovely preview of new material to which concertgoers may find themselves treated in 2018 (alongside her debut opus Pools Of Light).

"Untitled 3" displays various techniques and influences that lie at the heart Moss's solo music: building stacked slow-burn string themes through live looping, sampling and pitch-shifting that beautifully balance drone and melody, gradually introduce further electronic, oscillation and synthesis textures, and channel folkways tropes from Eastern Europe and the Middle East – in this case, gesturing towards the Klezmer tradition perhaps most explicitly since her work in the mid-2000s with Black Ox Orkestar.

Jessica Moss
Pools Of Light
http://cstrecords.com/cst124

Jessica Moss • "Untitled #3 (excerpt)"

Author and habits expert James Clear says if you want to make big changes, first you have to think small. His new book, "Atomic Habits," zeroes in on the idea that small adjustments add up to larger changes over time.

Checkout his new book Atomic Habits on Amazon now!

James Clear - 4 Surprising Ways You Can Create Powerful Habits

Track taken from the upcoming album 'Solos' on Fluid Audio...

Audio: Christopher Whitley
Mastering: James Plotkin
Design: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Solos

The Same Temperature We've Always Been

Christopher Whitley - The Same Temperature We've Always Been

Shostakovich - String Quartet in C Minor Op. 110_I&II (Remix)

Part of the RADIALNACHT with the Mahler Chamber Orchestra
(http://www.mahler-chamber.de)


Remixed by Georg Conrad  (georgconrad@gmail.com)

Shostakovich - String Quartet in C Minor Op. 110_I&II (Remix)

Free as a Bird

Never Let Go

To subscribe on Apple podcasts please visit apple.co/2r40QPA or on Andriod subscribeonandroid.com/www.lse.ac.uk…unesStore.xml or search for 'LSE IQ' in your favourite podcast app or visit lse.ac.uk/iq

Welcome to LSE's award-winning podcast, LSE IQ, where we ask leading social scientists - and other experts - to answer an intelligent question about economics, politics or society.

The coronavirus crisis has devastated economies and brought existing inequalities into sharper focus. Will it result in higher taxes on income and wealth, as we saw after the Great Depression and WWII? Or will the top 1 per cent continue to pull away from the rest of society? Exploring the question, ‘Can we afford the super-rich?’, Joanna Bale talks to Paul Krugman, Andy Summers and Luna Glucksberg.

Research links:
Arguing with Zombies: Economics, Politics, and the Fight for a Better Future by Paul Krugman.
Capital Gains and UK Inequality by Arun Advani and Andy Summers.
A gendered ethnography of elites by Luna Glucksberg.

LSE iQ is a university podcast by the London School of Economics and Political Science.

Can we afford the super-rich?

In 1968, Dr. Bernie Krause was leading a booming music career. A prodigiously talented musician and early master of the electronic synthesizer, Krause was busy working with artists like the Doors and the Beach Boys and performing iconic effects for blockbuster films. Then Warner Brothers commissioned him to create an album incorporating the sounds of wild habitats, so he headed into Muir Woods with his recording equipment. What he heard changed his life and triggered a fifty-year odyssey.

Then and there, Krause decided that he wanted spend the rest of his life recording and archiving the music of wild animals and wild places. He quit Hollywood and began traveling the world. The soundscapes he recorded were full of epiphanies about the origin of our own culture and music, about the profound connectedness of creatures, and about the unseen tolls of human activity. Previous wildlife recordings isolated the calls of individual creatures, but Krause recorded habitats as a whole. He soon proposed a new theory of ecosystem functioning: that each species produces unique acoustic signatures, partitioning and occupying sonic niches such that the singing of all of the creatures in a healthy ecosystem can be heard, organized like players in an orchestra. 

Today, Krause’s astonishing archive contains sounds made by more than 15,000 species. It is, as The New Yorker aptly put it, “an auditory Library of Alexandria for everything non-human." Fifty percent of the recorded habitats no longer exist due to habitat destruction, climate change, and human din. We spoke with Krause about the beauty of and perils facing wild music, the extraordinary science of soundscape ecology, and how sound impacts the welfare of animals. The music in this episode is from Wild Sanctuary (www.wildsanctuary.com).

Ep. 39 - Bernie Krause on saving the music of the wild

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