wow/this is awesome ! respect Ivo/and cool rtw by Masha // congrats cool release!

Patrick Belaga - Blutt
Format: LP / DL
Cat.No. PAN 117
Release Date: 2 April 2021
Purchase: pan.lnk.to/Blutt

Conceived at the heel of Italy’s boot-shaped peninsula in Apulia, Patrick Belaga’s Blutt makes music for the unruly imagination. The title is an old German word for ‘naked’, ‘bare’, but it can also mean ‘blood’ when spelt blut. Take away another letter and it makes ‘butt’. None of these definitions and adaptations were what prompted the classically-trained composer and cellist to name his second album with a word simulating the sound of a punctured artery. That came later.

Blutt’s nine woozy compositions are inspired by a contemplative road trip with a friend, and the mysterious muffled music heard from an unidentified source. It was a combination of jazz and classical music that haunted Belaga’s wanderings through the Byzantine town Gallipoli, and soon infected his dreams of long-gone civilizations. This record is its outcome, where organic instrumentals and electronic production merge into a sound that’s both contemporary and ancient. Samples of mewing incantations and tape hiss sway atop the waltzing thud of piano chords on “Sigh”. Composite layers of Belaga’s cello play in downcast harmony on “Rust”. There’s a wistful sense for the romantic, in the eerie rhythm of a piece like “Momentum”. The quarter tones of an Eastern European and Middle Eastern folk scale probe a profound melancholy via Kai Knight’s violin. Its notes are haunted by a field recording of running water on “Unsoft”, echoes of panpipes and a Jew’s harp on opener “Lilt”.

As a consummate composer and performer known for his work with artists Wu Tsang, boychild, Josh Johnson and Asma Maroof, Belaga’s Blutt is itself marked by flawless collaborations. Vocalist and instrumentalist Jazmin Romero sings and composes the surreal melodies of “Grey Eye”. Multidisciplinary dance artist and producer Riley Watts contributes to the muted, motorik movement of “The Tunnel is a Tower”. Together, the record plays as a stunning soundtrack to the strangeness of sleeping, and the heartbreaking transience of time. Like an intense dream half-remembered, the emotions persist after waking but for the sharp machinations just outside of the mind’s reach.
credits

The album is mastered by Rashad Becker, featuring artwork by Giovanni Forlino and design by Bill Kouligas & NMR.

@patrickbelaga

Blutt

Patrick Belaga - Grey Eye (w/ Jazmin Romero) (PAN 117)

Art by H+ Ricky & HÄLÖ

@threalterroriste

s.M.i.L.e. Radio 055 : H+ Ricky

when will the leaves at my window turn green

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com



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Digital: https://softarchitecture.bandcamp.com/album/i-aethi

Production by @fireforeffect
Mastering by @cellvl

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incompetech

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From the 'Prince of Grunge' EP
Format: Vinyl/Digital
Cat: NYXU001

Available now at www.boomkat.com

‘Prince of Grunge’ is a grueling testimony of a generational affliction consisting of millennial anxiety, depression and fear experienced first hand by the Porto-born, London-based producer. The complexity and contradictory nature of these emotions and mental states result in a vulnerable narrative highlighting the difficulties that comes with positive progress.

“The anxiety and sadness were crippling at times but it was love and hope that kept me moving"

The album opens with ‘Born’, a short gripping introduction needing little explanation with the shrill cry of a newborn marking the birth and re-birth of the artist and his latest work.

‘Until I Die’’s ascending vocals commence the voyage of trepidation inquisitively. Stepping shyly away from and over the hope shimmering through the cracks on his trail, ultimately avoiding acceptance.

Lead single ‘Prince of Grunge’ reflects on the chaos of a missed youth and it’s trials and tribulations. As it builds ominously the track breaks sporadically, again, with moments of hope, which are quickly expelled by an overwhelming sense of doom. ‘V’ ruptures with anger and self-mutilates, repeating the pandemonium.

‘I Don’t Know’ is the suffocating numbness of heartache in the club, desperate to be set free from emotion. A concoction of sexual desire, loneliness and anger we are asked “What is your ultimate fantasy?” only to be told “I am Lost”. Closing the mini-album, ‘Fantasy’ is filled with hope and determination to find peace of mind.

Written and produced by Ivo Pacheco
Mastered by Jeremy Cox 
Artwork by Masha Popova

Prince of Grunge

IVVVO - I Don't Know

nlt 

echavx_6668801 & S280F 

“2.” - echavx_6668801 & S280F 

released 16_2_2018

@wearetar

ft. (re - love mixers // 
nlt - Otherr / https://soundcloud.com/otherr
nlt - Brood Ma / https://soundcloud.com/broodma
nlt - Mya Gomez / https://soundcloud.com/chichichannibal

contact: o6111618@gmail.com  

MODl: echa_1030_01168888
PACIFIC STD NLT 6 6 6 8 
WOM 01 168 (2018)
011668.ORG

28-828  28- 

O .0006-1W

S280F & Echavox - nlt (Mya Gomez Remix)

@anonymouscomplicity
@n_1_l

angoisse.site (2018)

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TAR114
@poly-armour & @dvvdvv

Floating weightless above a landscape of light, two mirrors face each other reflecting infinity.  This place that doesn't exist somehow feels like home.

'EP 1' is out Nov. 6th on TAR

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
wearetar.bandcamp.com

IVVVO - I Don't Know

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