Your voice is truly stunning. I've heard you sing on a few of Adrian Hallam's tracks and somehow wasn't following you until now. You're really incredible ...

This is lovely. So beautiful, and the soundscape is perfect.

NewTunes2share

Check my YouTube video for this track, filmed in the Adirondacks, NY: https://www.youtube.com/watch?v=OobbtfLxl3c

Buy on iTunes

Snowman's Waltz

Just...Feelings.....Life Flute playing by Milco Huisman

Those Younger Years

Thanks to Houman for entrusting me this so delicate composition on the piano ... you're a beautiful musicien my friend... How not to be conquered by your music and your kindness ! You're a gift  :)
Music: Houman  @houmans
Lyrics, voice : O.C.A

If your laugh is that of a child
your eyes are those of a man

Has it changed the world
what made you
what made you
what made you
my love ?

thou lost track
but the burning metal
which wraps is tenacious

This is the alchemy of time
which made it appear
which made it appear
my love

To trace the contours
the curves of a life
insert our forms
adopt their detours
and find momentum
of all these new days
of all these new days
my love

what made you
my love

----------------

Si ton rire est celui d’un enfant
tes yeux sont ceux d’un homme
a-t-il changé ce monde
ce qui faisait de toi
ce qui faisait de toi
ce qui faisait de toi
mon amour ?

Tu en perdis la trace
mais le métal brûlant
qui se love est tenace

C’est l’alchimie du temps
qui le fit apparaître
qui le fit apparaître
mon amour

En tracer les contours
les courbes d’une vie
y insérer nos formes
adopter leurs détours
et y puiser l’élan
de tous ces nouveaux jours
de tous ces nouveaux jours
mon amour

ce qui faisait de toi
mon amour

Ce Qui Faisait De Toi ( What made you) -  Houman et O.C.A

All Lyric's  Vocal's & Instrument's
By Martin Reed

Composed Arranged & Produced
By Martin Reed

Spaceship's & Crater's

I am still feel very proud of the string-quartet arrangement of „Throw back the little ones“, which I published around one year ago. I got very positive feedbacks and even in the circles of Steely Dan-aficionados the arrangement and the exceptional vocals of Jimmy Rivas were received with friendliness (and believe me Steely Dan fans are very critical). So I felt very motivated to continue.
So after one year I can present another string-quartet arrangement of a Steely Dan-song. I have chosen „Fire in the hole“. The song is one of my favourites of their first album „Can’t buy a thrill“ from 1972. It’s driven by the piano. As usual there are many chords, melodically rich interludes, everything is crafted to total perfection.

I arranged the song in the notation-software „Sibelius“. Then I set up the Cello with VSL „Solo strings“, at last I recorded the two violins and the viola live.
I have to thank Jimmy Rivas again for joining this project and his great vocals.

James Rivas: Vocals (@j-rivas)
Dirk Radloff: Violin, Viola, Cello-programming, production.

Instruments used: Violin „Anton Piegendorfer“ built 1902, unfortunately I could not borrow the viola of my sister, so I had to borrow a viola from AaKe violinmakers Bad Homburg (http://www.rhein-main-geigenbau.de/aake/contente.htm); VSL Violoncello from „Solo strings"

Recording notes: I have recorded the three upper string-instruments with three different microphones:
First Violin: Beyerdynamic M88TG
Second violin: Electro Voice N/D967
Viola: AKG C-1000S

The meaning of Steely Dan’s lyrics are mostly dark and ambiguous and „Fire in the hole“ is a perfect example. I read many interpretations and one, that convinces me is to imagine here a man, who fought in the Vietnam war. He has lost some years of life, has to get a low-class job („A woman’s voice reminds me to serve and not to speak“) as a waiter, but he still has to fight against the flashbacks of the horrific experiences („With a cough I shake it off“). 

Fire In The Hole

I decline
To walk the line
They tell me that I'm lazy
Worldly wise
I realize
That everybody's crazy
A woman's voice reminds me
To serve and not to speak
Am I myself or just another freak

Don't you know
There's fire in the hole
And nothing left to burn
I'd like to run out now
There's nowhere left to turn

With a cough
I shake it off
And work around my yellow stripe
Should I hide
And eat my pride
Or wait until it's good and ripe
My life is boiling over
It's happened once before
I wish someone would open up the door

Don't you know
There's fire in the hole
And nothing left to burn
I'd like to run out now
There's nowhere left to turn 


All rights for the arrangement reserved by heartscore-music/ Dirk Radloff 11/5/2016

itunes

Fire In The Hole (Steely Dan cover with J.Rivas)

Mainly Inspired by Iris Scott's paintings. www.irisscottfineart.com/ and some other storms around us... Enjoy!
Composed, played, recorded and mixed by Davor Dojchinovich. 
Recorder and mastered at Happy Cloud Studio Seattle 13/11/2016
Davor: Piano, Bass Guitar, Keyboards, Percussions, Vocals Programming and Production.
Cover Art: Iris Scott

Stormy Days

Vocals - Miranda Foxx
Bass - https://soundcloud.com/fatpockets
Gtr/other instruments - https://soundcloud.com/liamjboyle
Song Written by https://soundcloud.com/liamjboyle
Guitars, beats, piano, mix - Liam J Boyle / @liamjboyle
Artwork done by https://soundcloud.com/chris-pendergraft

https://soundcloud.com/thebloodhounds 2016


This is a Bloodhounds Production. Don't Sleep!!!
Check out @thebloodhounds

All I Need - Miranda Foxx and the Bloodhounds

Diary Of A Madman

Closer

CIRRUS

11 Flamma

'The Judge' by Acoustic Growl (Richard Barry)

'The Judge'

This is my little take on Australia: The beautiful country that became my homeland when my family migrated from Canada in 1987.

Recorded & mixed: 12 December 2018
Guitars by A.Hallam
Didgereedoo & string samples from logic x library.

Image by: Huafires
Credit: Getty Images/iStockphoto

The Southern Cross

A new collaboration with Stephen Bonitatibus (Aka "Sundaug")
https://soundcloud.com/sundaug
Thanks for listening:)
Stephen Bonitatibus : Guitars/Bass/Drums.
Adrian Hallam : Strings/Vocal.

Rays (Collaboration with Sundaug)

I recently collaborated with Adrian Hallam (@adrianhallam) to produce this track.

Stay tuned for new music in the coming months.

Rays (Collab w/Adrian Hallam)

QUAND NOUS SERONS LÀ-HAUT
A L’ABRI BIEN AU CHAUD
FINI LES MAUX DE DOS
FINI LES MOTS DODO

AYANT LAISSÉ EN BAS
NOS SACS ET NOS CABAS
RETROUVÉ NOS PAPAS 
ET NOS MAMAS ÇA VA DE SOI

ON SE REGARDERA
ET ON RIGOLERA
DE S’ÊTRE FAIT DU SOUCI POUR ÇA


QUAND NOUS SERONS LÀ-HAUT
OUI QUAND NOUS SERONS LÀ-BAS
AU PAYS DES OISEAUX
ET AU SON DU TUBA


ON SE RAPPROCHERA
ON SE REPROCHERA
DE S’ÊTRE SENTI COUCI COUÇA


QUAND NOUS SERONS LÀ-HAUT
LASSÉ DES VAINS COMBATS
ON VERRA TOUT DE HAUT
NOS VIES EN CONTREBAS

QUAND NOUS SERONS LÀ-HAUT
COMPLÈTEMENT BABA
POUSSANT DES AH DES OH
FACE AU SUBLIME PANORAMA

LA-HAUT (Lyrics)

Stream on Spotify: https://open.spotify.com/album/2oSBU1lXi7B5PkNixkgTpb

(Sharbaugh|Hallam) 
Adrian Hallam [ @adrianhallam ]: synthesizers, drum machine and sequencer programming, guitar
Michael Ash Sharbaugh [ @michael-ash-sharbaugh ]: synthesizers, drum machines and programming, and 'found sounds'
Composed and Recorded ca. August 28, 2016 to February 1, 2019.
sm33D [32fpAIF].)

Reverie (Collaboration with Michael Ash Sharbaugh)

Thanks to my musical partners :
@davidskellenger @greygizzard @adrianhallam @christoffersen-weber @cw-reposts @bonetender @fraudstein @its-tophonicus @dan-t-3 @hlo-64 @japhet @classicalglass-1 @houmans

Ce Qui Faisait De Toi ( What made you) - Houman et O.C.A

O.C.A

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