DR-83; DAVID CORDERO & MIGUEL OTERO - A Possible Distance is due out on CD / DL October 14th

dronarivm.bandcamp.com

The world is undergoing severe social and political changes in a short time that has taken individualism to the far extreme.

For this reason Possible Distances is a reflexion on the gap between human relations and everyday life; distance and closeness. The immediacy and the small personal moments that make us feel even more alone.

Written in the distance, Cordero and Otero build a bridge between their recording studios with minimalist melodies wrapped in luminous skies to enhance common places while nature takes its course.

After Salinas (Archives, 2020) and Distension (Playneutral, 2021), this work together brings us the kindness of small daily details.
credits
releases October 14, 2022

Written and produced by David & Miguel in Cadiz, south of Spain
Mixed & mastered at Nada Nueva Studio
Illustrations by Eva Arango

A Possible Distance

Buy CD / DL

DAVID CORDERO & MIGUEL OTERO - Everyday Things

Taken from upcoming DR-85 : anthéne - Shelter CD / DL
due out on February 28th
dronarivm.bandcamp.com

Shelter

Written in June 2024. Orchestra.
The Honeysuckle Bower, Peter Paul Rubens.

The Honeysuckle Bower

for Piano Day 

                          dedicated to Alice

Until The Rivers Run Dry

Full stream of 'As The Light Dims' by The Greatest Hoax. Taken from the album 'Expiration Compositions' forthcoming on Serein (June 23rd, 2017). The album will be out on CD, Vinyl and digital formats.

As The Light Dims was first premiered by self-titled magazine on May 9th, 2017.

“Expiration Composition is not just an album about death; it reflects a sense of happiness for one’s life. The subject is often heavy, but my intention is to encourage listeners to appreciate their lives knowing they are finite.” – Taylor Jordan (The Greatest Hoax)

Expiration Compositions

The Greatest Hoax - As The Light Dims

Cloud in a white, square room

For this Exclusive Track Premiere, I'm actually inversing on my roles: instead of being the announcer, I am the featured artist, along with Uwe Zahn, for our collaborative album, title "Aeon" released on Eilean Rec. today.

During our private conversation through music, Uwe and I explored the most mysterious of mediums, dimensions and philosophies - that of "time". Time is what allows sound to exist, by carrying the pressure levels through its mythic axis. Timelessness is unbeknown to man, and concepts like "forever" and "eternity" are captured in a Latin word of "aeon". The German word "unendlich" describes the notion of infinity on which philosophers have puzzled over "ages". And as "finality" is easier to grasp, since all things come onto an end, we're left with "endlich" of ourselves and of our music.

Uwe and I sincerely hope that you connect with our studies and deconstructions thereof, inasmuch as you simply enjoy the beautiful music that we wanted to share, beyond all theories... beyond all thought... beyond all time...

Mike + Uwe
Unendlich, Endlich
Aeon, 8/8/2019

Aeon

Unendlich, Endlich

TRACK PREMIERE : Arovane & Mike Lazarev - Unendlich, Endlich

"May-mess" - Profusion of hedge-blossom in full spring (Gerard Manley Hopkins, poetic)

Music by Dalot
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Dalot - May-Mess

"Black-east from the crow" - cold, dry east wind (Galloway) / stone shed (West Cornwall)

Music by Bethan Kellough
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Bethan Kellough - Black-east from the Crow

Taken from the upcoming Margins album 'I Tired For Hours', forthcoming on Fluid Audio...

www.fluidaudio.bigcartel.com

Margins

Track taken from the upcoming album 'Cette Mer Qui Est En Toi'.

Music: Ojerum
Mastering: Ian Hawgood
Artwork: Ojerum
Design: Daniel Crossley

www.fluidaudio.bigcartel.com

Cette Mer Qui Est En Toi

øjeRum - Cette Mer Qui Est En Toi (Part One)

► 𝚌 𝚘 𝚖 𝚙 𝚘 𝚜 𝚎 𝚛 
A Strangely Isolated Place °  Ninja Tune ° Serein ° Time Released Sound
► s t r i ë

Until The Rivers Run Dry

Olga Wojciechowska

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