OB1 - Infiltrators - [SKUXX 008 A2]

A saudade dói e a esperança do ré conforto e a esperança do reencontro

ACID GUMI aka Two Thousand Three


VINYL
MaximumMinimum – MAXMIN 050
White Label
UK
(MAX SIDE)

MaximumMinimum – MAXMIN 051
UK
(MIN SIDE)

MASS UNITED – MASS01 
UK
(A, B2)

MASS UNITED – MASS02
UK
(B2)

ORIGINAL MASS RECORDINGS
UK
(A1)


GEAR
Technics SL-1200MK3D
Technics SL-1200MK3D
Technics SHURE M44G
ortofon CONCORDE NIGHT CLUB
Vestax pcV-175
SENNHEISER HD 25-1 70 Ω
SONY MDR-X10 (R)
SONY MDR-XB920 (R)
audio-technica ATH-CK150BT
NATIVE INSTRUMENTS TRAKTOR KONTROL S4
NATIVE INSTRUMENTS TRAKTOR PRO 2
Apple Logic Pro X
Apple MacBook Pro 13 
Apple Magic Trackpad
Apple Magic Mouse
Apple Magic Keyboard (JIS)
Apple Cinema HD Display 23
Apple Cinema HD Display 23


audio file format：MP3
bit rate：320 kbps (MPEG-1 Audio Layer-3)
sampling-frequency：44100 kHz

[ hard techno, psy, ebm, darkwave ]
booking -> DM me on IG @astraljunkie


🌟 You are a star 🌟

⚡ Trance Energy & Techno in my 🖤



OB1 :: Underground Techno Producer/Performer :: Bristol, UK

[HardCoded] / System Rejects

OB1 (Olly Berry) is a techno producer, performer and DJ from Bristol, UK.

He has been a regular fixture on the Bristol free party and underground club scene since 1996, entertaining the crowds with his own special blend of banging, warehouse-style techno and acid.

OB1 has been playing live techno since 1998, when he played his first live sets at Bristol’s Freakency club night.

He went on to form the Irritant live p.a. with Dr. Chill (MJ12) in 1999. Together they played many club nights, free parties and warehouse raves all over the UK and in Europe.

He has continued to take his solo live act out to underground clubs, parties and festivals in the UK, Europe, South America and beyond, playing techno, acid and hard techno and frequently features on radio shows and podcasts across the acid/techno scene.

In 2013, OB1 founded the System Rejects record label along with fellow producers Tassid and Austin Corrosive. The label was born as a vinyl only outfit, releasing extremely limited edition records featuring the founders’ own tracks (with some special guests). Later in 2013, the imprint launched Digital Rejects, a digital sister label.

In 2017, Olly launched HardCoded, a new digital label to showcase a more analog, hardware-oriented sound.

Olly has focused more on studio production in the last few years and has enjoyed releases on Isotope Recordings, Sketcha Traxx, Corrosive Records, Coaxial, CDJ303, Braingravy Records, SUF Projects, Acid Test, Chase Yer Tail, UK Ruff, AK Recordings, Hive, SUF Overdose, HypnoTek909, Techno Against Fascism, EG-303, Anarko Dub Tekno, Filth Infatuated, 303 Alliance, Avinit Records, Stay Up Forever, Wah Wah, Getafix, Rave Yard Records, Flatlife, Impact UK, Bubblejam Gold, Taro Records, Cluster and his own labels System Rejects, Digital Rejects and HardCoded.

In the pipeline are new releases on various labels, new studio collaborations and a new hardware setup. And of course parties! See you down the front!

📸 INSTAGRAM - discjockeymatt
📧 EMAIL - 123mg10@gmail.com

I was influenced from an early age by a CD called “CLUBBED” mixed by Judge Jules in 2002 which introduced me to the world of trance and techno. This sound is something I still believe is the true techno sound (hypnotic, loopy and groovy).

As I got older I listened to pretty much every sub-genre of EDM but nothing was as good as those early influences until I discovered hardstyle by the likes of Headhunterz, Showtek and Brennan Heart. They shaped my musical journey right thought high school and somewhat still to this day.

But as I’ve got older, I’ve realised I have less in common with the modern hardstyle sound and sadly, it’s not a genre I find much inspiration from anymore.

Now that I actually want to produce and DJ, I’m able to combine what I like from that genre as well as going back to the roots of techno. I find a lot of similarities between hypnotic techno, old school hardstyle, gabber and psychedelic trance (all genres that I absolutely adore).

I find myself conflicted about where I stand regarding the modern “hard techno”. On paper I should probably dislike it due to the mass commercialisation it has brought. But for someone like myself and the genres listed above, it is pretty much a dream come true for me to live in an era where it’s easy to find a rave now with such versatility.

I hope to create my own unique twist on these sounds and use my vast range of music I have acquired over the years, share that with you in my mixes, and then produce something new that also elicits that same magic!

My goals are to knuckle down and get equally good at both production and DJ. I think this should be the number one priority before even considering mixing in clubs etc.

Well, that’s a bit about what has influenced me - if this sounds like a journey you wish to join, follow me and find me on these various platforms below :P

Insta - discjockeymatt
Spotify - discjockeymatt 
Apple - discjockeymatt
Youtube - discjockeymatt
TikTok - discjockeymatt

Fraggerz
Gamer, DJ, Twitch Streamer, Bit of a Twat with a dark sarcastic sense of humour
https://www.twitch.tv/sirfragmatic