I usually don’t write about feelings or experiences, my music is not a vehicle for ideas and language; music is an art form that stands on its own. I put sounds there for the sake of sound, not what they mean. I’m perfectly fine with listeners feeling their own emotions or adding their narratives to my music, but that has never been my goal. Music and sound for me is a physical experience that you feel and enjoy. FIGURE BESIDE ME is the exception to the rule. After this EP I’ll go back to serving the dancefloor again - I just need to get this one out of me.

STREAM/BUY: https://objectblue.lnk.to/FIGUREBESIDEME

FIGURE BESIDE ME

ECSTASY OF SAINT TERESA

BUY ON BANDCAMP

I’m not new to SoundCloud, quite the opposite. All my accounts of any kind have been pauperised by cowardly hackers: perhaps, once the breaches opened, more than one were to rage and cannibalized me a bit everywhere.
“Private is Public and “Public is Private” is my philosophy. No doubt: there’s no greater suffering [LovePain apart] than being deprived of one’s identity on the network’s life and who knows what damage to my image in real life.
Share music is sharing love; a love of our own. All my ancient accounts are concerned and contaminated like Tchernobyl.                                                                           But now I don't give a shit anymore! A lot of work and a lot of pleasure for nothing: when I look back I don't see anyone I like anymore. The future is the only option. I operate from Paris because this city exalts me; everyone says it’s expensive. Perhaps, but if you stretch your ear well you get good deals. In Montparnasse I found a quarry , as I had it before in the Bastille area. I am restoring it and hope next spring I will be able to install matérialise and myself. The sound is not  an anechoic chamber but like Thousand in all  Europe It sounds like a small village chapel. Enchantig me! A lot of Euros saved by not treating the sound either materially or in final DAW Mastering, except scrambling the sound. I am not Flume but that’s the idea.                    The Gods leave, the angry ones stay.                                  It all depends on where the fader is placed. Too low no signal enters; too high is the uncontrollable brothel. Imagine this operation repeated on a hundred tracks. So it is in real life: check it out twice.

Weather you’re going to brunch or a bathhouse this’ll do just fine.

just a place to find and save/share music i like/i find interesting ((((:

hello, I don't check DMs. please contact the relevant email address below:

bookings
EU & world: chris@unfoldartists.com
Americas: joe@surefireagency.com

inquiry, commission, or please send music to:
thebluestobject@gmail.com

Producer/DJ
EP1: Do you plan to end a siege? (TT, 2018)
EP2: REX (Let's Go Swimming, 2018)
EP3: FIGURE BESIDE ME (self-released, 2019)
EP4: Hyperaesthesia (co-produced with TSVI; Nervous Horizon, 2020)
EP5: Grotto (TT, 5 March 2021)

listen to my BBC Radio 1 Essential Mix here (aired 15.08.2020): https://www.bbc.co.uk/sounds/play/m000ln2b

NTS resident 2023
Rinse.fm resident 2018-2022


: : : thanks for listening : : :

I always do like what I don’t know, I was born, in my mind’s parents, for that valuable reasonable reason, but I better prefer to hear, dance, sing-a-song, blow my mind, in what I like cause is what I know.
Does it make sense?

ECSTASY OF SAINT TERESA

object blue