nice

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Ovid

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playlist1

BrainDance

_selekta_04

triplehop

Clap Machines

Falco Benz - Clap Machines

This is an amatorial ReEdit of "The Last of Us - Main Theme". All the sound, fx, mix & mastering are made by me, no sampling.

The Last of Us - Main Theme (Mindtrax ReEdit) - Free Download

This recording is available to download at: http://boilerroom.tv/recording/bradley-z/

Bradley Zero Boiler Room 60 Minute Mix

261e into 292e. 292e to 297. 297 1 back into 261e (mod FM input). 297 2 into 285e. Modulated by 258. 285e out to speakers. 251e provides sequence. Pulse out to 281e gives envelope. Envelope mixed with 266e FRV A in 254v. Result modulates 292e. 266e FRV B controls 285e timbre.297 env follower routed back to itself modulating phase. Mod osc set to hi, modulating the amp and pitch, both FM input and index knobs set to max. 292e is in both mode.


258-261-2

Isolation

Aishatsana2012b



Various ‎– 030303 #2 (Marguerita Recordings)

Tracklist
A1 –Luke Vibert Compartment Breasts 3:06
A2 –Ceephax Acid Crew Prelude In 303 Major 3:49
A3 –Legowelt Lost In The Ghetto 4:16
B1 –Mr. 76ix Other (Acid Reflux Mix) 5:10
B2 –Kettel Marliesje


Kettel - Marliesje (2007)

Download: http://www.xlr8r.com/mp3/2015/02/wax-stag-ascension/

https://soundcloud.com/waxstag
https://soundcloud.com/old-habits

Download

Wax Stag - Ascension

lucky bag suite

A remix I´ve done for Makiko Miyara, on the japanese Bishop label.
https://itunes.apple.com/nl/album/yue-zui-bei/id966453999

Tsukiyoi Uta (Kettel Remix)

Available here:
rolandosimmons.bandcamp.com/album/yuore-life

Originally featured on Caoutchou's Rubber Beats vol.V
https://caoutchou.bandcamp.com/album/rubber-beats-vol-v


Yuo're Life You'r Tsois

dont usually post jams but i like this one//
beinggenerioustothesleepingpersonnexttoyouwhileyoumaketunes



Dun Dun

#Drone Scape #Drone #Ambient #Soundscape #Dreamscape #Meditative #Meditation #Sound Meditation #Deep #Dark Ambient


Basale Klarheit

Imaginary Lines

Love Invaders

Actually around 66% and the rest is other stuff.

Built out from 0.0207% (disquiet0191-heldchord), originally by 337is - a Disquiet stalwart and modular meanderer. Repitched & restacked; oblivion reverb ripples through the filter wall; parrots shriek; chimes ring and a dog barks somewhere.

Check out --> https://soundcloud.com/337is/00207-disquiet0191-heldchord

337%

With the one physical release to her name, Nina Trifft isn't an instantly recognisable name, however the cassette and online mixes the Golden Pudel affiliate has released have earned her some worthy attention. Nina is a Hamburg local and one of the many cogs in the tight-knit community keeping the city's Golden Pudel club ticking. Her own night took up residence there for more than four years, and artists to play included the likes of DJ Richard, Shapednoise and Mix Mup to Broken 20's TVO, Samuel Kerridge, and more. Alongside Helena Hauff, Brian Not Brian and Thought Broadcast, Nina also contributed a release to Blackest Ever Black's cassette sub-label Krokodilo Tapes by delivering Kiran Sande's offshoot No Observable Effect Concentration in 2014, a mixtape colourfully described as "soundgirl punishments... Equal parts cyberpunk body-horror and real-deal harbour city sorrow."

Online you'll find her mixes over at Berceuse Heroique and Berlin Community Radio, among others, however her musical pursuits don't stop there. With Tobias Duffner, the pair set up their own V I S label earlier in the year by debuting local Hamburg entity SPR which had Juno Plus editor Tony Poland likening the music on EP1 to "Shackleton in a particularly bad mood." With Nina's gigging schedule taking off, she's found herself playing in and around Berlin, to Norbergfestival up in Sweden and Krakow's Unsound next month, and following a chance encounter at this year's Fusion Festival we were able to net a vodka-whiskey-fuelled mix from her, shaded not too differently from the sound bombs she delivered Krokodilo Tapes. For more on what Nina's up to, take a read of the short interview she was happy to provide here: http://bit.ly/1FHV6jg

Juno Plus Podcast 122: Nina

To compliment our label feature, Delsin's in-house resident Mattikk used Amsterdam club Studio 80 to record an exclusive mix of solely forthcoming Delsin material featuring BNJMN, Claro Intelecto, B12, Shlomo, D5, Gunnar Haslam, Conforce, Q3A, Area Forty_One, Artefakt and more. Read the full article at Juno Plus: http://bit.ly/1Oz0kiX


Juno Plus label mix: Delsin

https://eodtracks.bandcamp.com/
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swurlk

R emixed by the mysterious D J spunkshower

http://www.thecentrifuge.co.uk/_wp/2011/05/cf055-thidiot-decent-refuge-ep/

ear pinch (dj spunkshower's earpunch mix)

https://starslingeruk.bandcamp.com/album/in-no-great-hurry

twitter

In No Great Hurry

https://touched.bandcamp.com/album/touched-3

All proceeds donated to Macmillan Cancer Support - www.macmillan.org.uk

13 08 13 willem

triste2[bonus-e.verde11]

Museum Sleepover

Ἐπίνοια

Disquiet Junto Project 0220: Rhythmic Arrhythmic

For the rhythms I used a collection of 6 loops randomly chosen from my collection of found sounds and noise samples. Some samples were cut into smaller chunks, repeated and layered until something rhythmic appeared. I used a very short chunk from one of my earlier tracks, chopped it up, resampled and time stretched to create the backing "chords". I used a recording of a crowd in a sampler, repeated across the keyboard with various loop lengths. These were "played" to create a glitchy vocal texture. Little melodic bits and a descending bass added for flavour. 


Disquiet Junto Project 0220: Rhythmic Arrhythmic

The Assignment: Make overtly rhythmic music from short loops of overtly arrhythmic source audio, following instructions from Dennis DeSantis.

Dennis DeSantis adapted this week’s project from the chapter “Implied Rhythm in Short Loops” from his excellent book Making Music: 74 Creative Strategies for Electronic Music Producers. The project explores how rhythm emerges from almost any audio material if short fragments of it are repeated incessantly enough.

Step 1: Find or make an audio recording of the arrhythmic material of your choice and gradually reduce its loop length until rhythmic patterns begin to emerge.

Tip: This usually works well with loops that are no longer than about two seconds.

Step 2: Use the inherent rhythm in these short loops as the basis for a piece of new music in which the “discovered” rhythm is clearly audible.

APOB - Shrink Spin Chop [disquiet0220-rhythmicarrhythmic]

I have never attempted to create something for choreography and felt somewhat daunted by the notion. How repetitive should the piece be? Is too rhythmical a constraint on the dancer? All these questions and more went through my head making the piece. Thankfully the brief gave me some idea of what was expected, so I tried to stick as closely to the idea as possible but wanted to also add something of an electronic twist to the piece, without turning it into club music. I wanted something that had a heartbeat, a pulse but was also textured and tonal.

I began by generating some low end, using the MIDImadness generative software to create an altering bass pattern for a patch I had made on the Phonec 2 virtual synth. I then added another instance of MIDImadness to trigger some hi hats that had been delayed and automated to create an evolving texture of crackle and hiss. Finally I used a voice in Omnisphere to create the ambient tones which float above the rest of the soundbed.



More on this 222nd weekly Disquiet Junto project (Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom”) at:

http://disquiet.com/0222/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is by Tom Gill and is used thanks to a Creative Commons license:

https://flic.kr/p/qX8pyN


The Gift Of Solitude - Disquiet0222 - Boundedfoundation

The image associated with this project is by Tom Gill and is used thanks to a Creative Commons license:

flic.kr/p/qX8pyN                                                                            release date : 01- 04 - 2016

Gratefulness  For Estella [ Disquiet Junto Project 0222 Bounded Foundation]

https://www.discogs.com/Various-Drops/release/1651487

my new synht (2008)



Renormalon is a collaborative effort between Elena Sizova, Heinrich Mueller: music data and Dr Olga Karelkina: visual data + encoding. Its purpose technically is to visually and sonically communicate the renormalon physics principle. Each composition is separate component of the theory representing a particular phenomenon in the realm of quantum uncertainty. The observer is to be immersed conceptually and hopefully will experience discrete states of energy which is integral in atomic behavior.
Special limited (transparent vinyl!!! - only on this website!  
http://www.mewelesite.be/

WeMe313.12 Der Zyklus Diffeomorphism MP3

EATS - Sakura
https://soundcloud.com/hi_pre

EATS - Sakura

Rework on Ressurrection by The Temper Trap

Tennis - The Temper Resurrection

Staygold - Backseat

1. Backseat
2. Backseat (Rimer London Remix)
3. Backseat (Seymour Bits Remix)
4. Backseat (TWR72 Remix)
5. Backseat (Shazam Remix)

Staygold - Backseat (Shazam Remix)

WeMe025  c2  Ceephax "Cro Magnox" 3LP

Three 259e's provide percussion. Self oscillating 297 phase shifter through a 285e ring mod struggles to provide the tones. No external effects. Should be enough here to loop if desired.

Buchla Beat 11

REMIX ALBUM "RONGORONGO" BY ME SUCCEEDS
WWW.MESUCCEEDS.DE

INFO:
"At first there was a remix:
For the first part of our Split Series „Hamburg“ the Hamburg based Band Me Succeeds made a remake of Arp Auberts „Actress“. In Return Arp Aubert, consisting of Mirau Label founder Stephan Lorenz, made a beautiful, dreamy remix for Me Succeeds „Riemerling“. Now the remixing goes on in full album length: After their latest long player „Rongorongo“ from 2011, which Me Succeeds released on their own imprint isawmusic, the band will return on Ki Records with a remix album. Eleven friends were invited to put their hands on the album’s tracks and give their interpretation. Besides a whole lot of danceable tracks you will also find some broken beats and spherical electronica here, which makes this release fit in perfectly in the Ki catalogue. Under the motto „never change a running system“ of course Arp Aubert once again had his hands on one of the tracks, turning „Rongorongo“ into a driving techno track which is underlined by the emotional vocals of lead-singer Mohna and beautiful melodies making this remix perfect for the early hours on the dancefloor. The Berlin based producer and DJ Iron Curtis gives the original of “Seventeen” a dubby note that is definitely special as he uses many vintage synthesizers-sounds and broken pieces of the original vocals to make this remix one of the strongest on this album. The last remix on the album was done by Greek musician Chronik, who turns „Books“ into a hymn with twisted rhythm and broken beats. It’s the perfect ending reminding us a lot of the recently on Ki released „Saints“ by Monokle. Apart from that, a few more great producers such as Tilmann Tausendfreund, Showing Off The Bling Bling, Christian Löffler, On Stop Off, My First Trumpet, Bug Lover and Suburb contributed to this Rongosium."




Ἐπίνοια

Occult Research