yeah definitely one of  my favourite songs in the universe babies

First single from "Body of Content" Out April 30th as Posh Isolation 253

The fourth piece in Varg²™ and Croatian Amor's ongoing collaboration embraces the novel unions and arrangements of our digital world.

Whether thought of as patchwork, medley, or chorus, 'Body Of Content' brings together a long list of accomplices from many places in the world. NikkiH2OP, Vallmo, Charity SsB, Exploited Body, Alberto, Olimpia, CTM, Jeuru, Matti Bye, and LYZZA are brought into a united congregation. An asymmetrical body rises. 

'Body of Content' is made almost entirely as an email collaboration. A product of a year of lockdowns, it can be thought of as a coping mechanism given form, yet it could be heard as proof that meaningful creative collaborations will persist in times of global crisis. These exchanges stood in for movement between continents, countries, and regions, tracing a network that feels uncanny for its playful communication at a distance.

As a reflection of the real life of screen life, there's a new kind of 'we' that is being intimated with every interaction. It's a frontier that contorts. It's infinitely reciprocal, and the plasticity of assemblages are prized. Fluidity persists, if only because that is all that will. Movement changes with new stitches undone, and all work is play.

Across nine tracks, each artist's contribution sums to an album with a strangely luminous hue. Human and uncanny, the delicate foley of virtual worlds is coupled with a palette of vocal treatments that braid the vocal cords to our new platforms of communication.

Beginning with 2018's 'Body Of Water' EP, and then following with 'Body Of Carbon' and 'Body Of Lila,' each of Varg²™ and Croatian Amor's serialised collaborations have brought different aspects of our hyper-compressed present into a spirited frame. Exploited Body's additional production work, including mixing and mastering duties, caps the many-armed exercises of 'Body Of Content.'

Consciousness of the discontinuity of time,
truth and reality really making out.
Each looking glass turns in.
Every reflection combusts
Models of models of cognition accounting for the richness of our explanations.
I am here now
When will you be here again?

Posh Isolation 253
Release date April 30th, 2020
All music by Croatian Amor & Varg²™ 
Additional production, mix & mastering by Noah Kin 
Vinyl Master John Hannon 
Artwork by Nhozagri
Tracklist:

Tears Take Forever ft. NikkiH2OP 03:04
Honey ft. Vallmo 03:23 
冰冷 ft. Charity SsB & Exploited Body 03:34
No Stars Above Before Like A Million ft. NikkiH2OP & Matti Bye 03:49
Olimpia ft. Olimpia & Alberto 01:49
Rats 02:46
Numbers Stumbling / Falling wont kill a bird ft. NikkiH2OP 03:22
For Us ft. Jeuru & CTM 04:04
Fluffy ft. Lyzza 05:08

Croatian Amor & Varg2TM - No Stars Above Before Like A Million ft. NikkiH2OP & Matti Bye

Lorelei

Måla - Shiver

https://www.nts.live/shows/eartheater/episodes/eartheater-8th-december-2021

Eartheater - Faded Mix 081221

Coco Papi

Not Included

🔊🎶⧹╲⧹༼◕_◕ ༽⧸╱⧸🎶🔊

🔥 More Sound for Every Taste! 🎧: soundcloud.com/peachhorror/sets

music by PeacHHorroR 🎶 ██████████████] 99%🎶

Silent Chill

COIL was formed on May 11th, 1983 by JOHN BALANCE(aka Geff Rushton, Jhon Balance), at the time a member of Psychic TV. Initially, Coil co-existed with another project called Zos Kia, with the core members of both bands being Balance, his fellow PTV member JOHN GOSLING (aka Joan d'Arc) and MIN. This line-up played four live performances as Coil and/or Zos Kia throughout. 1983, often aided by PETER "SLEAZY" CHRISTOPHERSON (ex-Throbbing Gristle, and also a member of PTV). Soon after the appearance of Coil/Zos Kia and Psychic TV at the infamous Berlin Atonal Festival on December 3rd, 1983, Balance and Christopherson left Psychic TV and Zos Kia, becoming the core of Coil. Balance and Christopherson remained the two primary members of the groupuntil Balance's death by accidental fall on November 13th, 2004. Soon after this event, Christopherson announced that Coil would cease to exist, although both he and Jhonn's partner, Ian Johnstone, would be continuing musical and artistic endevours in the same spirit. This discography will include any material that they may release in the future.

Coil - Sex With Sun Ra (Part Two - Sigillaricia)

From 'Orchids & Wasps' (DN008)
w/ J.G. Biberkopf & Imaabs remixes
Out 25 November vinyl & digital

@gilschneider

DN008 Orchids & Wasps

GIL - Many

La Rue Principale De Grandrif

Anne Imhof - Faust
Format: 2xLP / CD / Digital
Cat.No: PAN 98
Release Date: 13 September 2019
Purchase: bit.ly/2NCegzC / bit.ly/2zo1bRY

Deriving from the acclaimed performance and exhibition—staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation— the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event.
Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organising the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. From the chaos of the performative, the album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy, each track a testament to the energy that brought it into being.

Faust is anchored around three pieces—Medusa’s Song, O.W.E.N., and Queen Song—written and sung by performers Eliza Douglas and Franziska Aigner, whose sonorous and elegiac voices imbue the work as a whole with their crushing depths and dolorous moods. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act—the brutal chorus of Douglas’ Faust’s Last Song, a pulsing canon of looped and layered voice pierced by black metal screams—the record admits the listener into the inner space of Imhof’s dramatic vision of power, complicity, and vulnerability.

Shifting hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity, Faust is the record of a lost event and the promise of a new creation. The release of Faust illustrates the centrality of music to Imhof’s artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof’s Angst (2016) and recently her performance trilogy Sex (2019).

The album comes with an expansive booklet of photography by Nadine Fraczkowski, another long-standing collaborator of Imhof and a prolific photographer, whose images of the performance and portraits of its cast offer intimate views of the work far beyond documentation.

It was mixed by Nanni Johansson at Hansa Studios and Ville Haimala, mastered by Rashad Becker at Dubplates & Mastering, and designed by Zak Group featuring artwork conceived by Imhof together with Douglas and Fraczkowski. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin / Cologne / New York.

http://p-a-n.org

Coco Papi

Coco Haram

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