Sann Odea proudly presents ‘Ithomiines', the first various artist LP and an immersive dive into the realm of experimental electronic music and narrative soundscapes. 

Drawing inspiration from the mesmerizing beauty of the Ithomiini butterflies, renowned for their delicate glass-like wings and intricate patterns, this compilation brings together 12 artists. It explores the concept of musical metamorphosis, mirroring the transformative journeys undertaken by these butterflies. Each track on the compilation is meticulously crafted, inviting you to connect with its unfolding story, building tension, and evoking emotions.

Zero Crossing Point is a sound designer originating from Grenoble, France. He released his first album on the Lyon-based imprint Comic Sans Records, combining sonic research and evocative melodies, influenced by many musical forms, ranging from film scoring to metal.

Order via: https://sann-odea.bandcamp.com/album/ithomiines-lp

https://soundcloud.com/sann-odea
https://soundcloud.com/zerocrossingpoint

Order

Premiere: Zero Crossing Point - We'll Go Away [Sann Odea]

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Autogenesis - Terminus EP
-

Remix by Obelisk

https://soundcloud.com/obelisksydney
https://soundcloud.com/auto-genesis

Ancient echoes reflect off futurist forms.
A sonic portrait of the post anthropic figure.
Alien and intimate.

-

autogenesis1er.bandcamp.com/album/terminus

Artwork by Xpearl
Video by niph
Mastered by Borg Queen at Syntonix

STPLNT009

--

Steeplejack operates on Stolen land.
We acknowledge the Wurundjeri People of the Kulin Nation as the traditional custodians of the land.
We pay our respects to their elders past, present, and future.
Sovereignty was never ceded.

PREMIERE - Autogenesis - Scatter (Obelisk Remix)

First track from "El Viaje", a project that brings together a selection and re-edit of the music I've produced over the past four years.

Dark, joyful, hypnotic, and sprinkled with references and inspirations you might recognize.

Hope you enjoy the journey!

El viaje

In Dub I´m

Wahrheit (Irgendwo Da Draußen)

https://bio-future-lab.bandcamp.com/album/hell-is-now-love

5NONE5 (@5none5) is an ambient/drone project by someone with a guitar background. In his previous bands, Ihor L. tried his hand at shoegaze (My Sister Specter, 2009-2012), noise (Autowoman, 2013) and minimal synth (Karr, from 2013 to today). The first EP consisted of reworks of the personal library of samples, while the next record was built around abrasive song structures akin to the witch house releases of the late noughties.
The name 5NONE5 is a visual parody of the iPhone5S model name.

A words by Olena from bubblegum zine:
«hell is now love is a return to texture and drone-focused sound that 5NONE5 started with but it also references the granular post-punk melodicism and builds a dialogue with the Ukrainian experimental and noise scene. The synthetic sound of previous releases reaches its peak here, bringing to mind Danish coldwave, particularly Vår, an important source of inspiration for the project. The sugary melodies of classic shoegaze fall apart across the album’s six tracks, but the process of self-destruction makes their subtle nature shine through.

A minimalistic FKA twigs rework adds to the record’s vulnerability just as much as the cover: a shot of a crumbling audio tower from the movie Trainwreck: Woodstock '99 resembling both a cross and a sword.»

5NONE5 - I am guilty, never

When the news never comes, and you know it most likely never will. When you are seen yet unanswered, clinging to hope, searching for meaning in the smallest gestures, replaying scenes of joy frozen in the past. When you become obsessed, blocked, lurking in streets, clubs, and after-hours, calling old friends.

When the city quietly notes your pain and moves on without you. Stuck in your room as days blur into weeks, then months. Eight hours of screen time. Dishes piling up. Takeaway boxes gathering around you like silent witnesses to your demise. Chain-smoking. Starting letters, deleting them over and over. Calling your shrink to raise the dose. Maybe this time it will go away, but you know it won’t. When you beg for closure, only to realize you’re begging yourself.

This is when you do it. You let go.

We created Closure Brochure to help you through the unbearable, because we love you.

Cherish loss, it’s all you have for now.

music by Áron Lőrinczi @obwigszyh
artwork by Virág Benkovics
graphic design by Adrienn Császár
mastered by Roland Nagy @fausto_mercier

https://www.instagram.com/benkovicsvirag
https://www.instagram.com/adrienn__csaszar

Buy Album

Áron Lőrinczi – Small Things

*** BRAND NEW GUY *** 3HEADEDMAMBA EDIT

JACOB WINANS - "FLOAT FOR ME" [UNIX666-07]

Museifu Dystopia w/ MARVIN MILLER - 25/03/2025

Track is taken from split C30 with Flagellatio Orgasmus now available on Trapdoor Tapes 
Available here: https://trapdoortapes.storenvy.com/

In Dub I´m

Octo+