All our productions for 2022-2023 in many styles

Lalouline 2022-2023

UNDERGROUND METAL

To the North FULL EP

Rock 2

Metal Mix July 25

Metal

Fly Into Black

The Best Is Yet To Be

Notice

Sea Monster

Bloody Snow

I Don't Know You

TEMPERATURE

Réveil soleil

Well, it nearly killed me but here it is: the first album, The Moon in the Window. If you like what you hear, feel free to purchase it on Bandcamp for only £1!

The Moon in the Window

This Too Shall Pass

Aware

Some opium style that one of my friends requested.

Hit [Prod. Maximilian]

Buried Alive

My Only Fan

My Only Fan (feat. SUN)

My Name is Gold

Adelheide's Wisdom - The Project & The Song
About the Project

Adelheide's Wisdom is more than a band—it is a musical saga. It is the sound of a story, a journey from a lost world into the heart of resilience.

This project is the official musical companion to the German historical novel "Hinter uns das Land" (The Land Behind Us) by Frank Talmon l'Armée. Based on the true autobiographical account of Inge Talmon l'Armée (1927-2006), the story follows a family's journey through the loss of their East Prussian homeland during World War II, their traumatic flight, and the arduous process of rebuilding a new life from the ruins of the old. The music translates universal themes of trauma, memory, inner strength, and the search for a new identity into a powerful sonic experience.

Our sound is a fusion of Epic Progressive Rock and Symphonic Metal, infused with elements of melancholic Folk and classical forms like the Pavane and Bolero. The music mirrors the narrative's arc, shifting from delicate, atmospheric passages to powerful, heavy riffs—a constant dialogue between a fragile past and a complex present. The members of Adelheide's Wisdom are virtual artists, their names and personalities drawn from the key characters of the novel, each bringing their unique part of the story to the music.

Featured Epic: "When the River Sings"

At the heart of our concept album lies the monumental 28-minute epic, "When the River Sings." This track is a multi-act symphonic journey that encapsulates the entire narrative arc of the project, exploring trauma, confrontation, and ultimate catharsis.

The song uses the metaphor of a river to tell the story of a refugee's soul. It begins with the arrival of a fragile protagonist (Adelheide) who sees only her painful past in the water's reflection, asking, "Will it heal me… or just drag me deeper?" The river (voiced by André) responds as a majestic yet menacing force, leading to a powerful confrontation. After a chaotic inner struggle, she finds strength not by defeating her pain, but by embracing it ("THE PAIN YOU INFLICTED IS NOW MY THRONE!"). In the triumphant finale, the river becomes a cleansing stream, leading to the profound realization: "I AM BOTH THE WRECK AND THE SHORE!"

Musically, the song is a masterclass in fusion. It opens with an instrumental Pavane/Bolero carried by a classical wind ensemble, establishing the melancholic theme of a lost world. This fragile beginning explodes into a driving Progressive Rock section, led by a virtuosic and aggressive flute in homage to the pioneers of 70s prog. The song’s core is a long, complex instrumental piece that shifts between a brutal symphonic dialogue—where orchestra and rock band "answer" each other—and moments of profound silence featuring a sorrowful cello solo and whispered words. The journey culminates in a slow, majestic, and hymnic finale, where all the sonic worlds—orchestral, metal, and baroque—merge into a single, soaring statement of healing and redemption.

DEDICATION

This music is dedicated to the inspirations who shaped its sound:

Ian Anderson

Maurice Ravel

Gabriel Fauré

Martin Turner

Manfred Mann

And in a very special way, this work is dedicated to the memory of
Carlo Borocco (1931-2007)
(https://www.leo-bw.de/detail/-/Detail/details/PERSON/wlbblb_personen/1019496355/Borocco+Carlo)
A former music teacher and conductor whose passion for music inspired a lifetime of creativity.

When The River Sings

Official Song Description: Adelheide's Wisdom – "The Day When Metal Died (Act III: The Historical Marker)"

What does it sound like when 250,000 fans mourn their hero in unison?

Adelheide's Wisdom delivers a preview of their forthcoming epic, "The Day When Metal Died," with the release of the monumental third act, "The Historical Marker." This track is not just a song; it's a visceral, immersive experience designed to place the listener directly into the heart of a massive, passionate stadium crowd.

Driven by the raw, majestic energy of classic 80s heavy metal, the song combines galloping rhythms and soaring twin-guitar harmonies with a soundscape that captures the electric atmosphere of a legendary live concert. In this powerful chapter of the requiem, the private grief of the earlier acts transforms into a collective, defiant roar.

"The Historical Marker" is the moment the fans raise their voices, the moment a tribute becomes a timeless anthem. It's a sonic monument where the roar of the audience becomes an instrument in itself, creating a powerful, shared ritual of remembrance.

This is Act III of a larger story, a Glimpse into the epic scale of the full requiem to come.

---

Lineup for "The Day When Metal Died"

Band: Adelheide's Wisdom

Instruments:
•	Adelheide Vogt: Lead & Rhythm Guitars, Akustikgitarre
•	André Moreau: Lead & Rhythm Guitars
•	Rosemarie Kowalski: Lead & Rhythm Guitars (Twin-Guitar Harmonies)
•	Bruno Moretti: Bass Guitar
•	Ian McCullough: Drums
•	Elfriede Ragnarsdóttir: Kirchenorgel & Orchestrale Arrangements
________________________________________

Vocals ("Starring"):

•	André Moreau als "The Voice of the Inner Void" (Lead Vocals in Act I)
•	Bruno Moretti als "The Voice of the First Cry" (Lead Vocals in Act II)
•	Ian McCullough als "The Voice of the Historical Marker" (Lead Vocals in Act III)
•	Adelheide Vogt als "The Voice of the Anthem" (Lead Vocals in Act IV)
•	The Full Band (Gang Vocals / Choir in Act IV)

The Day When Metal Died - Act III The Historical Marker

“Secreta” — Latin for “secret” or “secrets” — takes its name and text from a lesser-known part of the traditional Roman Catholic Mass: a quiet prayer, spoken in a low voice by the priest at the end of the Offertory. On this album, the prayer becomes something more personal and disquieting — a whispered plea for one's enemies, delivered from a soul suspended between forgiveness and fragmentation.

Set to a short liturgical text drawn from the Roman Missal, the piece explores the spiritual paradox of wishing well upon those who have wounded us. That fragile state — where faith confronts betrayal — is captured in the song’s shifting musical language. An eerie orchestral introduction sets the tone, enveloping the listener in unease, before giving way to rhythms that echo the rhythmical asymmetry of Balkan dances. The unconventional time signature distorts any sense of calm, as if the soul itself is reeling.

“Secreta“ is both prayer and disorientation — a sacred ritual filtered through the lens of human vulnerability.

-------------------------------------------------------------------

SECRETA

Oblatis, quaesumus, Domine, placare muneribus: 
et nos ab inimicis nostris clementer eripe.

(We beg You, O Lord, be appeased by these sacrificial offerings: 
and mercifully snatch us away from our enemies.)

Horror Sacri

Secreta

“Miserere” is the sole instrumental piece on the album — a moment of wordless expression that forms a bridge between this release and Darkwave's earlier, fully instrumental works. Deeply rooted in classical influences, it recalls the spirit of Postcommunio (from the Missa Innominata album), yet pushes beyond it with a more turbulent energy.

At the heart of the track lies a neoclassical guitar theme long waiting for its place — a melodic idea that lingered in creative limbo until now. With this album’s emotional landscape in mind, the timing felt right. “Miserere” became its home, transforming the motif into something darker, heavier, and more unrelenting.

While its structure and tone still reflect a sense of reverence, the inclusion of blastbeats breaks away from the restraint of earlier compositions. The result is a piece that’s simultaneously devotional and defiant — a liturgy not of peace, but of inner unrest.

Miserere

Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Saga

Bludgeoned With a Spiked Bat

So this track we thought we would take the classic jazz pop route “Danie Hollobaugh” on the vocals & vocal melody composed by Scott 

So the story is about a friendship about to turn into relationship, but the man doesn’t know if he should commit yet, although she does, she keeps telling him take chance “roll the dice”


Enjoy!!

Roll The Dice

Business As Usual

Looking Glass

For all those 80s children - Who remembers chanting the phone number 867-5309? I made this into a Rock Cover that will make you shake your head in your car to the beat like Will Ferrell and Kris Kattan in the movie A Night at the Roxbury!  

For the original version from Tommy Tutone - see link below.
https://youtu.be/6WTdTwcmxyo?si=A2Hs3iuWuqRxh-q1

Jenny Jenny 8675309

Buy Fan Sets Price

Guitars: Bill Scherer
Pedal Steel: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Keyboards: Bob Patin
Lead Vocal: Will Montgomery
Backup Vocals: Julie Laverty, Spencer Brochard
Engineering: Paul Osborn @ Audio Dallas
Written, Mixed & Produced by Will Montgomery

[Verse 1]
Half a step from where I stood
Said I might, never said I would
Traced your name across the glass
Watched the moment slowly pass

[Pre-Chorus]
Too much doubt, too little to say
You moved on while I looked away

[Chorus]
Took the long way from maybe
Drew a line, then looked away
Held my breath while you were waiting
Now there’s nothing left to say
You were steady, I was slow
Now I walk this road alone

[Verse 2]
Called your name, then changed my mind
Hoped you’d read between the lines
Told myself it’s not too late
But fear will always hesitate

[Pre-Chorus]
Held back words I thought you’d understand
Now they’re ashes in my hands
[Chorus]
Took the long way from maybe
Let it drift, then walked away
Built a wall instead of meaning
Now there’s nothing I can say
You were ready, I said no
Now I walk this road alone

[Bridge]
Built a home on ifs and when
Closed the door, then asked again
Watched you leave without a sound
Now I’m stuck on this battleground

[Final Chorus]
Took the long way from maybe
Truth was there, I looked away
Spoke too soft and far too slowly
Now there’s nothing left to say
You were sure, and I was slow
Now I walk this road alone

[Outro]
The signs were clear, I looked away
Now it’s just me and yesterday

Long Way From Maybe

Void Dust

Amsterdam – Studio Session
Sophie’s voice carries the weight of this song in a raw and intimate studio performance.
This take captures a darker, more layered side of Amsterdam, while the Unplugged Session let her vocals stand fragile and exposed.

Discover the contrast between the two:
👉 Amsterdam (Unplugged) – YouTube 
https://www.youtube.com/watch?v=HcUeHLDa484

Two faces of the same song, Sophie’s voice at its most vulnerable, and at its most intense.

Produced by EileenNoise
Vocals Sophie

[Verse]
I board the night with a heavy stare
A one-way ticket to the misty air
The city's calling
Its whispers low
Through shadowed alleys
Where secrets grow

[Chorus]
Amsterdam
Your ghosts ignite
Beneath the bridges
A velvet night
The canals shimmer
A haunting tune
Under the watch of a blood-red moon

[Verse 2]
Cobblestones echo with tales untold
A foggy shroud
A story bold
Lanterns flicker
The past alive
In this dark dance
Shadows thrive

[Bridge]
The wind it howls
It sings my name
A foreign rhythm
A wicked game
I lose myself in your ancient haze
Through endless nights
Through twisted maze

[Chorus]
Amsterdam
Your ghosts ignite
Beneath the bridges
A velvet night
The canals shimmer
A haunting tune
Under the watch of a blood-red moon

[Verse 3]
I feel the pulse of your hidden core
A labyrinth heart I can't ignore
Through every turn
Your spirit feeds
On the dreams of those it needs

Amsterdam (Studio session Sophie vocals)

Words spoken by false tongues,
You built your throne on broken trust.
Built me up just to break me down,
Your kingdom is a burial ground.

Will there ever be an end to those lies?
Truth and honesty struggle to survive...

Ooh...

A siren's voice, a serpent's spine,
A liar's mask, deceit refined.

You dressed your poison up in grace,
A smile stitched to a hollow face.
Truth bends where your shadows crawl,
But even angels learn to fall.

You chose the blade, then called it fate,
But even traitors learn too late.
Now you stand in the ruins that you made,
Ash in your mouth, nothing left to save.
You see me rise—but it's too late,
Gone are the days that I bowed to your hate.

Oh!

Built me up just to break me down,
Your kingdom is a burial ground.

A crown of ash, built on disguise,
Your shattered words still haunt the skies.

We … will see...

You burned your bridges with your lies,
A soul that’s rotten from inside.
The truth you feared now cuts too deep,
The lies you've sown—they won’t retreat.

You chose the blade, then called it fate,
But even traitors learn too late.
Now you stand in the ruins that you made,
Ash in your mouth, nothing left to save.
You see me rise—but it's too late,
Gone are the days that I bowed to your hate.

Try to break me—
You’ve crossed a line.

You’re just a fake b*tch—
Run for your life.

Kingdom Of Ash

Vultures

Soaked in my Pain (reissued)

Modern Alternative Metal band.
ODC is a bold blend of metal, modern rock, and immersive electronic atmospheres.
With the upcoming release of their debut album "Twisted Love" in 2025 — produced in Nashville by Kellen McGregor (Memphis May Fire) — ODC is stepping boldly into a new era. Now signed to Frontiers Label Group, as part of their brand-new metal division, BLACK II BLACK Records, ODC is ready to push boundaries and make their mark on the international scene.
ODC is here to stay: loud, fearless, and unapologetically hybrid.

My Name is Gold

ODC Band