Nice one! Great progression, heavy ass bass and drums for days. To infinity and beyond!

Love this one the artwork is mad 🤣🤣🤣🤣☕️☕️☕️☕️👀👀👀👀👀

excerpt from a random jam with Matt, here is link to a video https://youtube.com/shorts/UEvQcgAj-sw?si=wwEJ0-Nx92VCSG6t

not too bad quality for iphone 15's mic recordings

random jam with Matt - mid of october

Midnight Refractions

made teenage engineering beat maker thingy!
and zoon h1 & NCH
and too much caffeine

NEW new beat BEAT

You gotta get up

To get down
**Story dictated by Tidus and collaborated with for phrasing with Mitchell**
 
You gotta! Garnet doorways to alternate dimensions... I think that's correct. I found the doors led to other doorways. Then corridors and floorboards. Soon I found a dimensional door. The door simmered and glowed. There were stairs beyond it and a sign stated 'gateways'. I went through the door but what I saw were not stairways but instead a world of garnet. 
Trade with the queen (check)
Wander back into reality (check)
Go back home (DOWN)

Garnet Doorways (DOWN)

M Ocean proudly presents DJ Andy Bass Music Academy: Rise of Brazil — a powerful showcase of Brazil's cutting-edge Drum & Bass scene. Curated by the renowned DJ Andy, this compilation will deliver 18 brand-new tracks from some of the country’s most exciting and innovative producers.

The journey kicks off with DJ Andy teasing his darker side as the track builds. Elegant melodies sweep over a catchy vocal loop, adding to the suspense leading up into the drop. Designed with the dancefloor in mind, “Controllers” is sure to be a favourite. 

With a foreboding intro, RCA “Save Me” captivating from the get-go, light tones fill the track, matched with poetic lyrics and an alluring delivery will draw the listener in again and again.

Keeping the energy peaking, Marqez delivers “Transistor”— a track that’s both ominous and hypnotic old school energy, feel the rumble!. With a dirty sinister build-up and an even darker payoff, it's a certified dancefloor destroyer that sets the bar sky-high.

Following on Baska brings a dark, gritty roller, high-energy anthems, captures the raw intensity and underground.

Ending with B.M.A is a high-energy track that fuses breakbeat rhythms and DNB, the production is clean but raw, driven by a prominent bassline.  
Covering the full spectrum of Drum & Bass, Rise of Brazil  is the sound of the next generation, and it’s coming in loud!


Transistor

only $15 usd free shipping
made with tiny steel drum and rubber mallet
zoom h1 *trusty*
and NCH software

tiny steel drum

This is the third and final stage for the three stage tracks. Going to be taking a little step sideways for a moment. It was very cathartic and refreshing to have the time for crafting and expressing my thoughts with you all. I am always very humbled and grateful for you all, the listeners, for taking moments out of your life to share these moments!
See y'all around!

OverEXPOsure/Gnosis (Stage 3)

/
Aloha - Homolulu Baby's Here

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why not
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track a fusion by fictioalive
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Aloha - Homolulu Baby's Here

Galactic Sunday ( when the caffeine kicks in )

Saturday session #3🔥🔥🔥🔥🔥🔥

Cast of characters:

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, lyrics, and composition
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four-string fretless bass
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson custom T guitar
J.J. Terrell– @j-j-terrell – organ and piano
Llanpsych–@llanpsych –Tez– mix, production, and mastering

This song began by Gaz composing it and on his acoustic guitar, and singing his original lyrics over it. Gaz is a brilliant songwriter, lyricist, and singer, with whom we've worked before. However, this is the first song he's shared with us. He gave it to Ken first, who started the project and invited the rest of us to it.
  Ken, who was the originator of the project, was actually the second person to lay down a part, which he did to Josh's bass, instead of the other way around, as they usually do it. Stephen then came in and replaced Gaz's acoustic guitar with his silky smooth electric guitar. JJ got down on his magical piano and organ parts not long after Stephen added his guitar. 
  This was a somewhat uncomplicated process, as Gaz gave us a fully realized song to work with right from the start. Tez sealed the deal with his expert production to cap it off, too.
  As mentioned, this is our second song starring Gaz, and we're very grateful to him for sharing his magic with us. We're all looking forward to working together again in the future, too. We hope you enjoy listening to this as much as we enjoyed creating it. 
Original lyrics by Gaz Brownie:
V1
Im drawing the conclusion that 
Im just being polite 
And questioning myself is it me our are they right
I’m feeling a little angry hope it’s not out of spite 
Is just a reaction to this uncomfortable night 

Chorus 
When did the world stop listening 
When did the world stop listening 


V2
As we compete for space to try & speak
Everyone’s on journey on a bus to shit creek
With condescending story’s of their bad & awesome week
And I’m working on finding just a better style of technique 

Chorus 

V3
I avoid catching that struggle bus 
Don’t wanna be part of my problem and be misunderstood 
What are you looking at is there something you wanna discuss 
I push his   face up the window cause I’ve had enough 

Finish on a chorus

Galactic Sunday ( when the caffeine kicks in )

Oddeglelrian

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