monolithic/popN awesome/tripN catchy/slickN tricky/German warmN/ringN German singer

Wow, some very good vocals in this one, beside the "usual" superb stuff,

Nice track! Added to NEW RELEASES ON SOUNDCLOUD (Facebook Group) May 2020

Killer Love both versions Awesome sound!!

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

2024/2/26

Website

koyomi


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

Lyrics 

You’re so sure that they’re thinking about you
When none of them really give it a thought or two
Most people got the lowest IQ 
Most people yeah I could name a few 

Stop giving them your power
Stop giving those strangers your peace
Who cares what they think or say
They don’t feel for you no kinda way

Walk on by if they stop to stare
Make sure it’s not just all in your head
Another day on this planet of fear
Time to release yourself from all of those cares

Stop giving them your power 
Stop giving those strangers your peace 
Who cares what they think or say
They don’t feel for you no kinda way 

It’s all in your head…

It’s All In Your Head

Peace Message

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

Je suis décivilisation 
Je suis l'ensauvagement
Je suis renarde dans votre Eden
Je suis la loi du ventre
Je suis ces invincibles amarantes
Je suis chasseresse de chasseurs
Je suis tétanisation
Je suis alors fulgurance rebelle
Je suis une murmuration féerique à l'heure dorée.
Je suis endêvée par votre passivité
Je suis l'improbable qui te guette
Je suis ainsi l'assise substantielle
Je suis mycorhizes 
Je suis ces sentiers prompts à vous faire saliver
Je suis la spirale de fuites
Je suis aussi incendie désiré
Je suis violette tel l'aconit 
Je suis sagesse car sans sang
Je suis l'évolution par tous ignorée
Je suis la badass à la hache et au cœur de glace
Je suis syntropie
Je suis notre sourire stellaire

Decivilization

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

Where Has The Love Gone ?  (short version)

Original Composition: Jean-Pierre DUBOIS
Arrangement and piano performance: Debra Buesking

Thank you to Jean-Pierre Dubois for allowing me to play his pieces in my own fashion.  It's a great pleasure for me.

Also thank you to David Dunham for mastering my piano tracks.
 Listen to David's beautiful music here: @david-dunhamuser589535203

Chansonnette Matinale (Arrangement on original music by Jean-Pierre DUBOIS)

Wie geht es euch in der staatlich verordneten Bewegungseinschränkung? 
Fühlt ihr euch auch manchmal MONO?

Wir haben einen unserer erfolgreichsten Tracks „MONO“ modifiziert und unter dem Motto „#StayAtHome“ zeitgerecht aktualisiert. Das Besondere daran ist, dass erstmalig in deutscher Sprache gesungen und gerappt wird. Eine OESJ Weltpremiere! Ihr solltet euch das wirklich nicht entgehen lassen. 
Bleibt cool, haltet Abstand und bleibt gesund!

How are you doing in the state-imposed restriction of movement? Do you also feel MONO sometimes?
We have modified one of our most successful tracks "MONO" and updated it in time under the motto "#StayAtHome". The special thing about it is that for the first time it is sung and rapped in German language. An OESJ world premiere! You really shouldn't miss it. 
Stay cool, keep your distance and stay healthy!

CONNIE > Lyrics and Vocals
RALF WADEPHUL > Keyboards, Synthesizer, Mix and Production
 PETER PASCH > Drums, Percussion & Electric Grooves
ROCK FLEXIBLE > Guitar

Composed, Arranged & Performed by:  OESJ | ORCHESTRA OF ELECTRIC SPACEJAZZ and CONNIE 
Artwork and Graphic-Design by Peter Pasch
 © 2020 OESJ | All Rights Reserved | www.oesj.rocks

MONO	2.0				                                    		  (Text: Cornelia Steiner)

Wenn man jetzt Zuhause ist,
und es steht nichts mehr an...
Wenn man Langeweile hat,
nichts mehr, was man machen kann...

Bist du mono?
Und du sollst nicht raus?
Fühlst dich mono?
Hältst es nicht mehr aus?

Mono, mono, mono....

Komm aus deinem Käfig raus!
Lass die Seele frei!
Nutze die Gelegenheit
Und erfind‘ ich neu!

Mach mal mono.
Denk dir Neues aus.
Einfach mono.
Komm mal aus dir raus!

Mono, mono, mono...

RAP:
Der Hashtag ist cool, alle Welt bleibt zu Haus.
Eine neue Zeit bricht an, jeder denkt sich etwas aus.
Das ist jetzt die große Chance, seid nur offen und bereit.
Aller Anfang ist oft schwer, aber die Gelegenheit.
Finde raus, was du brauchst, was du magst und wer du bist,
und ob das, was vorher war, immer noch viel besser ist.
Diese Zeit geht auch vorbei, nichts mehr bleibt so, wie es war.
Alles geht noch mal auf null, aber du bist noch da.

Mono, mono, mono...

OESJ

MONO >> German version

"Fantastic Sound Paintings, uncompromising Sound Adventures between Fusion, Pop, Rock, Alternative, Funk, Jazz, Dance, Ambient, Powerful Electronic with pulsating Grooves".

MONO >> German version

OESJ

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