Music for heart and feet

"Parable" Out Friday, May 8th! https://ffm.to/parable

http://itsmako.com

Based in Leeds, UK. Rameses B (pronounced 'Ram-uh-sees Bee') has been at the forefront of pioneering electronic music, creating genre-bending tracks that have landed themselves on videogames such as Rocket League, Descenders and OSU! and appearing on popular tv shows. Shaping the musical landscape with emotive, melodic textures and a prolific output of music, Rameses B takes a genre and redefines it, whether it’s phonk drum and bass or chill minimal liquid, there’s a sound for every occasion.

He has released music on labels such as Monstercat, NCS, Liquicity, Hospital, Seeking Blue, Hexagon (FUTURE, MINUTE TO MIDNIGHT) and is heavily supported by the gaming community, artists and content creators thanks to a plethora of free-to-use music.
 
His alias 'Borukon' also produces lofi background music.
"What keeps me going is making a positive impact in the world, giving something for people to make memories with or just help them escape. Making music is the one thing I never get bored of and it makes me happy doing it. I'm influenced by philosophers, futuristic ideologies and the progression of humanity, these interests are projected within some of my music and are inspired by similar artists who have similar visions or thought processes.”

With a huge catalogue of sounds you'll be sure to find something that suits your needs, ranging in genre, emotions and style there is something for everybody.

Management:
Jason Aron
jason@anitpop.com

With international support growing from renowned DJs and producers including Tiesto, Hardwell and Nicky Romero, as well as two successful Spinnin’ Records singles under their belts ("I Like It Loud" & "Michael Jackson"), New York’s emerging electronic three-piece Cash Cash has signed with legendary dance music imprint, Big Beat Records, home to a diverse electronic roster which includes Skrillex, Icona Pop, Chuckie, Martin Solveig, Flux Pavilion, Rudimental and Walden.

The group, which consists of best friends and brothers, Jean Paul Makhlouf, Alex Makhlouf and Samuel Frisch first made their way into the hearts of core dance music enthusiasts with their vibrant remixes for the likes of Nicky Romero ("Symphonica"), Capital Cities ("Safe And Sound"), Vicetone (“Heartbeat” ft. Collin McLoughlin) and Krewella ("Alive"); as well as Bruno Mars (“Treasure”), Calvin Harris (“Let’s Go” ft. Ne-Yo) and Lady Gaga (“Marry The Night”), several which have reigned on the Hype Machine charts.

But the trio truly impresses with their originally produced material, including Krewella’s next single, "Live For the Night," coming just before their first official Big Beat release, "Take Me Home" ft. Bebe Rexha, dropping on July 16th along with a remix package to all digital retailers.  The track recently premiered during the trio’s guest mix on Nicky Romero's ‘Protocol Radio’ Sirius/XM Radio show and officially debuted on BPM, hailed as the “best new track… heard in a long time” by host, Austin Kramer.

The group’s fusion of captivating pop vocals and signature banging electro-house beats have already captivated dance music insiders and tastemakers like Elektro Magazine, Complex’s Do Androids Dance and Dancing Astronaut, who named Cash Cash one of their “five breakthrough artists for summer 2013.” Expect to hear more praise for this crowd-pleasing act from EDM and pop music fans and writers alike.

Tom Day is a solo artist residing in Millgrove, Australia and has been creating ambient and electronic music since 2005. Characterised as “effortless and raw”, Tom’s tracks couple elegant beats and piano melodies to an array of personally-collected field recordings, his style alternating between promising swells and restful plateaus.

Having grown up on a farm on the Mornington Peninsula, Tom is strongly influenced by the ocean beaches and natural openness of his hometown. Other influences include cinematic scores by Alan Silvestri, Jóhann Jóhannsson, Thomas Newman, Hildur Guðnadóttir, John Barry, Clint Mansell, Austin Wintory & John Williams, as well as modern classical and electronic artists such as Ólafur Arnalds, Jon Hopkins, Tourist, DjRUM, The Cinematic Orchestra, Segal, Nils Frahm & Bonobo.

The music of Tom Day has been used in independent film and documentaries from around the world, with clients including National Geographic, Volvo, New York Times, Momondo, Holden, Juice Media, GetUp and Tourism Victoria.  Having worked on an array of joint projects with other musicians and visual artists, Tom is deeply drawn to the synthesis of sound and image.

In 2018, Tom launched an ambient and drone side project under the alias sɹoɹɹᴉɯ.

CHECK OUT MY LATEST SINGLE:
linktr.ee/klingande

For All Bookings Contact  Ben@hotcakes.info

Firing up the bassbins and hitting you hard with a dose of raggamuffin junglist energy is what Ed Solo is all about. From Glastonbury to Canada's Shambhala, from dirty Brixton back rooms to Spanish arenas, Ed has travelled the globe throwing down his unique brand of ruffneck bassline bravado for more than a decade. 

Ed's knack for the rudest of hooks is equalled only by his sublime studio skills. He cut his teeth in the mid '90s engineering at the notorious SOUR Records studios, going on to lay down a series of groundbreaking collaborations with jungle kingpin DJ Brockie. In 2007 Ed released ‘Random Acts of Kindness’ alongside Skool of Thought, featuring ‘When I Was A Yout’ and ‘We Play The Music’ among others. A 10th anniversary remix package drops in 2017.

Ed’s partnership with Jungle Cakes partner in crime Deekline has thrown up some of the most memorable tunes of the decade. The pair recently mixed the chart-topping 5th edition of their Welcome to the Jungle series.

Singer, song-writer, and producer Fox Stevenson!

Listen to my new EP 'Enemy Brain Entertainment Suite': https://pilot.ffm.to/enemy-brain-entertainment-suite
Listen to my debut album 'Killjoy': https://ffm.to/killjoy

MGMT:
michael@panoramamgmt.com
han@panoramamgmt.com

BOOKING:
UK & Europe | francesco@primarytalent.com
Australia & NZ | alex@fatcatmusicgroup.com

Management: Stan Shkrobor - Stan@Involvedmanagement.com 

Bookings:
World: Wasserman - Matthew Rodriguez - mrodriguez@teamwass.com 
Europe: Primary Talent - Craig D'Souza - craig@primarytalent.com

The stickiest wombat you will ever listen to. 

YOUTUBE/TWITCH:
If you're wondering about using my music in youtube videos/twitch streams the answer is yes! 
just copy-paste this into the description: "Music by AdhesiveWombat"
(add a link to my soundcloud page as well if you like)

VIDEO GAMES:
For commercial games/projects please contact me at adhesivewombat21@gmail.com
For non-commercial games/projects feel free to use any of my music.

EMAIL:
adhesivewombat21@gmail.com

BIO:
As much as you may be convinced that I am a magical, musical, mucilaginous marsupial,  I do indeed have a human counterpart.  By day I am a full time software engineer, by night  I transform into a game-loving, music-making introvert.

I've been involved with music for a large majority of my life; piano lessons since I was 9, band from middle school through college, and I own (and attempt to play) more instruments than is probably healthy for a normal human.

My introduction to the electronic music production started when one of my friends needed an intro song for his youtube channel, so I found this neat program called fruity loops and made him something (you'll have to scroll pretty far down but it's the one titled "Illegit Intro").   Admittedly, I had absolutely no IDEA what I was doing at the time but it was fun nonetheless so I kept at it and haven't stopped since.  Sadly, the channel never saw daylight but I thought my efforts should be exposed to the public so I started sharing my stuff on soundcloud.  Since then things have picked up a bit and I'm really grateful for how lucky I've been with it.  I really love the community and I've met a ton of good friends and a bunch of awesome people along the way.

I've always had a soft spot for older games so, naturally, my music takes the characteristics of some of my favorite ones.  I don't ever plan to stop making music; I sometimes will change my sound or take a break from it here and there but I am always working on something so don't fret!

If you have any questions for me I'd be glad to talk to you at my email above.

Listen on!

CAKE:
lie

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